Tag Archives: Sydney

Artist Spotlight: Tomas Nuñez

Tomas Nuñez produces work that is “seriously silly”. With accessibility, engagement and simplicity at the forefront of his practice, for his time at the Pilotenkueche, Tomas wants to produce art that is flamboyant, noisy, interactive and, most importantly, fun!

Predominately a sound artist, Tomas aims to sneak past the “gatekeepers of music“. Through growing up in the DIY band culture of Sydney, a scene that invents spaces outside of the ‘realms of money-making’ and the hetero-normative definition of what a band and music should be, Tomas knows there is not one linear way to make music. For him, this environment is about friendship, community and experimentation, a key focus for his upcoming work at PK which he claims “needs collaboration” and audience involvement. He is also looking forward to possible collaboration with other artists in the residency and is planning shows in and around Leipzig, so he can keep performing during his time here.

Touring groups of deaf, blind and autistic individuals around artistic spaces, Tomas became very aware of the rule and restrictions of the public art sector. Working at The Museum of Contemporary Art and other installations such as Sculptures by the Sea in Sydney, it became clear to him that the gallery and art environment is one dominated by the middle-class, intellectual masses and is linear in its need to maintain a quiet and contemplative aura, one that excludes many.

The marriage between boxing and music will be Tomas’ main focus in his residency here at Pilotenkueche. Approximately a year ago, Tomas began dancing around the boxing ring, and not just in the DIY music space; a combination prompting consideration of sound and space. The transformation of the boxing ring from an intimidating place to one of comfort and even “solace” was an important one for Tomas, building upon his work in museums and the questions of which spaces are accessible and welcoming.

After the first visit to the Alte Handelsschule Tomas has begun to think about what he will produce during the residency. He intends to produce “speed balls” (rubber coated objects with microphones attached) which will perform the purpose of a punching bag to be kicked, touched and interacted with by the visiting audience. Emphasising the similarities between music and boxing; their sensual, stimulating nature and their dependence upon collaboration and active involvement, Tomas’ work promises to get us all involved.


Written by Rosie Shackleton

To see more of Nuñez’s work go to his Vimeo and you are welcome to the following exhibitions:

Almost Tension

vernissage:
Sat 29 Feb 2019
7PM

performance:
TBA

Alteshandelsschule
Geisserstr 75
04229 Leipzig

open:
Sun 1 Mar, Thur 5 – Sat 7 Mar
2PM-6PM

Hard Fluid Betrayal

vernissage:
Sat 21 Mar 2019
7PM

performance:
TBA

open:
Sun 22 Mar – Tue 24 Mar
2PM-6PM

PILOTENKUECHE
Franz-Flemming-Str 9
04179 Leipzig

Re-View: “Architecture of Experience” // 06.05.18

On Thursday, some of our pilots had a joint exhibition at an experimental art space in Lindenau. We had a wonderful time in the show space, featuring paintings, installation and illustration from three of our residents. 

We would like to thank the gallery owner Marcel Noack of Ping-Pong for his collaborative spirit!

All Photos by Pilotenkueche

Opening: 06.09.2018, 19h
Open: 06.09.2018, 19-22h; 07.09. – 09.09.18, 17-20h
Location: Ping Pong, Helmholtzstraße 1,
04177 Leipzig, Germany

Find the event on Facebook

Links

International residents
Lily Cummins (Drawing, Installation; Darlinghurst, Australia)
Nathan Jay Brooker (Painting; Perth, Australia)
Simona Reisch (Photography; Vienna, Austria)

Curator
Vanessa Souli (Writer, Artist Manager; Berlin, Germany / Greece)

Assistants
Alex Davidson (Social Media, PR, Promotion; Edinburgh, UK)
Brodie Weir (Art Management, Art History; Orwell, UK)

Marcel Noack (Gallery Owner; Leipzig, Germany)
Ping Pong

Exhibition Setup PING PONG // Opening 06.09.18

After two months of the program, some of our residents are preparing the second exhibition of the current round. Supported by the curator Vanessa Souli, they are in the phase of completing their individual projects and setting up “Architecture of Experience” in the art space PING PONG.

All photos by Pilotenkueche.

‘Architecture of Experience’ is the second show of a selected number of artists, current residents of the 36th round of Pilotenküche Art Program. How does architecture influence our experiences and emotions and how does space facilitate or hinder our lives as human beings and as artists? The exhibition showcases curated works which comment upon the relationship between spatial structures and emotional experiences, either literally or metaphorically.

Opening: 06.09.2018, 19h
Open: 06.09.2018, 19-22h; 07.09. – 09.09.18, 17-20h
Location: Ping Pong, Helmholtzstraße 1,
04177 Leipzig, Germany

Find the event on Facebook

International residents
Lily Cummins (Drawing, Installation; Darlinghurst, Australia)
Nathan Jay Brooker (Painting; Perth, Australia)
Simona Reisch (Photography ; Vienna, Austria)

Curator
Vanessa Souli (Writer, Artist Manager; Berlin, Germany / Greece)

Assistants
Alex Davidson (Social Media, PR, Promotion; Edinburgh, UK)
Brodie Weir (Art Management, Art History; Orwell, UK)

Artist Spotlight: Lily Cummins

In this series, we present artists currently working in our studio. Today, we introduce you to Lily Cummins.

Australian artist Lily Cummins works with a combination of abstract and recognisable forms, questioning the idea of representation and creating a dream-like patchwork of memory.

Since coming to Pilotenkueche her way of working has changed. Away from her previously muted palette she is now experimenting with striking combinations of sickly yellows, greens and pinks; colour that reject the obvious harmony within art but still work in their own approach. Her work seems to have an ambiguous narrative, conceived through repeated forms and structures. The text, characters and settings are all aspects which the viewer can relate to, but simultaneously struggles to make sense of; as though trying to recall a memory. 

All photos by Pilotenkueche

Similar to how memories are erased or distorted, her work explores a similar process. Figures are drawn and then redrawn, text written only to be crossed out and painted over leaving it barely legible to the viewer. “When you look back on a memory it’s not always clear,” she mentions, “I have a cat at home, so currently the cat is a strong image,” where as human figures in her work can appear anonymous, perhaps something more distant.

As well as creating work for the final show, Cummins has been selected (along with two other residents) to exhibit in our smaller group exhibition at Ping Pong – Architecture of Experience. For this, she is hoping to continue with her smaller works to create an accumulative install, presenting a new body that will stand out against her previous larger scale work. 

Links:

Architecture of Experience on Facebook

Corporal Temperature on Facebook

Lily Cummins