Reset unsettling flesh layers: preview

What do machines, coal mines, Asian culture, and the Amazon have to do with each other?

The artists of PILOTENKUECHE International Art Program have been busy installing their first show. The result is elegant and thought provoking. You won’t want to miss it.

Reset unsettling flesh layers 


vernissage:
Fri 15 Nov
19Uhr-22Uhr

20Uhr
performance by Ingrid Pumayalla

open:
Sat 16/ Sun 17
14Uhr-18Uhr
Thur 21/Fri 22/Sat 23
14Uhr-18Uhr

Alte Handelsschule
Giesserstr 75


PK RD41 International Artists


Wim Warrink (NL)
Daniel Domingo Schweitzer (ES)
Natacha Martins (PT)
Tamara Jacquin (ES/CL)
Travis D. Hendrix (AU)
David Elias Schilling (DE/ AT)
Cecilia Klementsson (SE)
Ingrid Pumayalla (PE) 
Alison Hui (HK)
Mirjam Bürer (NL)
mgmn (LT)
Daniela Trinkl (AT)


PK RD41 Leipzig Artists


Nora Manthei
Lucy Koenig

CURATOR
Patricia Brien (AU/UK)


ASSISTANTS
Agnes Deruma 
Elnaz Mostaan

Artists Spotlight: Lucy König

Lucy often complements monumental structures with delicate creations, showcasing her knowledge of materials, craftmanship and attention to detail. She has studied metal sculpture and though she truly enjoys working with metal, she found it limiting to observe the topics she is interested in, hence her work also integrates other materials and techniques such as embroidery, sewing, drawing and painting.

Lucy’s main interest lays in border areas of bodies. She views these zones as a representation of a second or a third layer of the skin. As an example, she points out how attached we are to the clothes we wear. We treat it as another part of ourselves in terms of self-expression, as well as our cultural influences. Lucy explores these regions as she sees it as a very sensitive and an important area, where interchange between an individual and the society happens. She remarks that the layers and borders somehow define and protect us, but also separate us from the rest of the world

photos by PILOTENKUECHE International Art Program

When asked how she developed a deepened interest in the subject, she refers to the time spent studying in Istanbul. Lucy remembers not feeling particularly safe as a woman commuting during late hours. She recalls her domicile having protective bars in front of the windows. There was another set of bars in front of her terrace and an additional set between her and her neighbours. Then there was, yet another barrier enclosing the residence and its garden. She contemplates; “Being home and safe, being outside and being unsafe. Being home and wanting to be outside, but feeling safe and still having your own space.”
This led to her creating wearable pieces such as a whimsical jumpsuit made of bubble wrap. A piece that allows one to stay safe and meet their social needs. She laughs:” ..leave the comfort zone! You need to be alone sometimes; have no friends. It is necessary to get a character!”

Currently Lucy has begun to reflect on domiciles as bodies of a collective and the history they carry. She investigates border areas, but in a bigger scale, outlining the importance of biographies inserted within the habitat. She says: ”When we live somewhere, we put our own experiences and traces into the building. And the building and its architecture influences us and how we move and feel.” By playing with form and volume, she observes connection between the tenant, the embedded history and the architecture. Lucy is exploring the means to portray this relationship and to showcase the 2-way interaction she creates sculptural work that simultaneously outlines and references the initial object and exists independently. These art pieces are predominantly new objects, yet also a poetic reflection and a remembering of the archetype.

The work for the first PK exhibition, Reset unsettling flesh layers, is cross stitch on silicon and is suspended with metal rods. At first glance, it appears to be one tone. Closer examination reveals more than 28. When creating a painting, flesh is rarely a solid, but more a series of similar hues. Lucy has managed to represent skin and all it’s complexities, while at the same time highlighting its seeming simplicity.


More information about her practice can be found on Lucy’s website and Instagram.

Reset unsettling flesh layers / vernissage / PK at AHS

Friday, 15. November 2019
19:00 bis 22:00

Alte Handelsschule, Gießerstraße 75, Kleinzschocher, 04229 Leipzig, Deutschland

Overwhelmed incorporeal happiness / vernissage / PK RD41

Saturday, 14. December 2019
19:00 – 22:00

PILOTENKEUCHE, Franz-Flemming-Straße 9, 04179 Leipzig

Artist Spotlight: Ingrid Pumayalla

Ingrid has a special connection to the ancient roots of the earth. She is bound with nature, symbols and rituals. She has a specific sort of respect for shamans, knowing them not as witches but instead as the wise people who knew the knowledge of herbs and health and secrets of nature.

Her professional path took a new directlon when she was a student in university. She decided to stop studying business administration and redirect her time and energy to her old desire of being an artist. She purposely chose to study at a photography school in Lima, which was founded in 90’s and focused on psychoanalysis and photography. Now she had the time and insight to look and see what photography meant to her, conceptually and technically.

“Photography changed my state of mind and relationship with the world,” says Ingrid. The portrait project she did of her family, left her with a deep impact and some sort of internal emotional healing. Because her family are immigrants, she had to travel around to make a portrait of them. The experience was like putting bones of a body back together again. Migration is a painful phenomenon within Peru, the history goes back to 70’s when people from rural areas started going to big cities. Due to colonization, they have lost nature, language and this was with the feeling of displacement, violence, loosing identity and home. It is also important for her to contribute to preserving Quechua (Inca’s native language) as a Peruvian artist.

photos by PILOTENKUECHE International Art Program

Her thirst for making art took her to London. She still works with Photography but her studies in M.A. of fine art opened a space for thinking even wider. “Not just clicking and see what comes out after, but also the process of photography, directing a photo and the dialog you can have with the space and all the surroundings in a photo including the performance in the course of the photography,” said Ingrid.

Ingrid’s Peruvian origins has her telling stories. She tells me a memory about a Shaman who gave her a cup of his potion and tell her “now I’m giving you the Art”. In shamanic culture Art means knowledge to heal and see yourself and your environment and find what you have lost. Going to a shamanic ceremony got her thinking, what those individuals were trying to find. In a post-colonial community, what have people lost collectively. It makes her question the active role of an artist in the position of having that “Art” in a society as a shaman in a community, this makes the fundament of her work, her concern and her quest.

Her enthusiasm for story telling furthers her works in making film. Currently Ingrid is doing photography and filmmaking alongside with other mediums such as wool, stones, woods and etc. for making installations and performances.

Here in PILOTENKEUCHE her project is a fusion of parallel methods specifically textiles and knitting skill from Quichuan culture and language, In a figurative narration of an oral story or a myth. The myth is about now and about the fires in the Amazon, 20 years of deforesting Peruvian Amazon, combined with the concept of migration and with the strong play of nature.

written by Elnaz

image supplied by artist


you can find out more about Ingrid on her website, and you can come down to the following shows to see more of what she is doing.

Reset unsettling flesh layers / vernissage / PK at AHS

Friday, 15. November 2019
19:00 bis 22:00

performance: Ingrid Pumayalla

Alte Handelsschule, Gießerstraße 75, Kleinzschocher, 04229 Leipzig, Deutschland

Overwhelmed incorporeal happiness / vernissage / PK RD41

Saturday, 14. December 2019
19:00 – 22:00

PILOTENKEUCHE, Franz-Flemming-Straße 9, 04179 Leipzig

Artist Spotlight: Natacha Martins

Natacha is an emotional painter and a confident performer. She who loves Jazz, birdsong, and finds dark techno to be the best for mixing paint. Natacha is deeply influenced by Modernism and the Baroque époque as well as Christian art. Natacha cites big names; Picasso, Matisse, Soutine, Van Gogh and contemporary artists such as Luc Tuymans, Louis Fratino, Alex Becerra, Daisy Parris, Antonia Showering, Stevie Dixx  etc. Currently she’s indulging and studying Francis Bacon. There are books of his work next to the easel and a play of liquid forms and hues of violet in her sketches.

Natacha’s work is highly self-reflective, and she chooses to share herself with the spectator. She pours her inner world and feelings onto canvas and boldly explores human vulnerability and fragility in her performances. She stands relentlessly strong for the absence of boundaries between life and art. – They are entangled: communicating, supporting, inspiring each other to construct what feels like her discourse throughout images. As a highly visual individual she needs to eat with her eyes, it is a physical urge to paint. This undeniable obsession with the imaginary manifests in a complete devotion to the practice. Artistic expression organically lives within an artist, so how one could separate this part of their own identity, caging it, denying it oxygen by taming it and taking it for a walk just occasionally? Natacha is confident, she knows that she is supposed to paint.

Photos by PILOTENKUECHE International Art Program

We talk with Natacha and Daniel in her working space at PK, about creating, but mostly about destruction. They both seem keen on destruction as a form of construction.
Daniel’s work is very geometric and mathematical, he deconstructs it down to a triangle, whereas Natacha’s approach is more sensual, and she refers to the metaphysical, the soul as the primordial form and intense irrational experiences coming from the very most intimate, allowing to reach primordial archaic human state embedded in an individual. She extracts the essence, uncovering our core values. To ask ourselves, to the communities, what do we stand for? We notice that the theme of destruction is being actualized and tackled from different angles by several participants of PK, perhaps a reflection of the happenings on a global scale. Damaged connections with nature, change caused by deforestation, mono-culture agriculture, irresponsible industrialization, excessive consumption etc.

Although Natacha defines herself as a painter, her performance piece “Crucificação e Deposição de Cristo (Crucifixion and Deposition of Christ)” serves as a strong artefact of her convictions. Natacha uses her body as a tool. After depriving herself of sleep for 3 days, she arrives at the exhibition space exhausted and in a half-conscious state. Then Natacha goes to dream, making herself a part of the artwork, exposed, fragile and undefended. Natacha says that she wanted to be there fully – as an artist, as an art piece and simultaneously displaying the fragility of the human condition. She Embraces the terminal devastation of life, resetting back to essential values and sometimes giving a rayon of hope.

In order to understand more about this artists start by Charles Mingus and Herberto Helder, then head to her instagram.

written by Agnes

images supplied by artist


Reset unsettling flesh layers / vernissage / PK at AHS

Friday, 15. November 2019
19:00 bis 22:00

Alte Handelsschule, Gießerstraße 75, Kleinzschocher, 04229 Leipzig, Deutschland

Overwhelmed incorporeal happiness / vernissage / PK RD41

Saturday, 14. December 2019
19:00 – 22:00

PILOTENKEUCHE, Franz-Flemming-Straße 9, 04179 Leipzig


Artist Spotlight: Alison Hui

Alison defines herself as a travel sketcher who does not want to spend her best years in an office. But she is savvy enough to know that as a creative you’ve got to be stealthy and find a way to sell. An artist needs to consider themselves as an enterprise; grow a thicker skin, get organised and be clever! Alison is frank and modest, yet confident in her capabilities and eager to give advice. 

Trying to pursue a creative career means a lot of risk taking, so it’s better to diversify your skillset and don’t put all your eggs in one basket… Begin with a spreadsheet, make a list, map your brain, asses your skills and look for a niche that you could successfully position yourself in. And remember to keep learning throughout life. There is always something to learn from a job or a life event, good or bad. It’s about putting our energy into what we believe in and then work twice as hard,  with no guaranties.

Alison’s rigorous mindset and self-organisation skills have resulted in two book commissions. The first book documents her travels in South America where she sketched, photographed and gathered material. She also includes personal stories of travellers from different backgrounds and various age groups. These fellow travellers reveal their lives and present interesting and different life paths. Her other book is focuses on food culture in Hong Kong, and depicts different cafes, bars and restaurants in that city.  Alison’s work is shaped by people she interacts with and is highly dictated by the environment she’s exposed to. This is no surprise when “travel doodler” is how she defines her work.


Photos by PILOTENKÜCHE International Art

Alison wishes to contribute to society in a positive way and she finds that encouraging people to pursue their dreams allows her to do so too. She says that there are other ways to go about life and give back to others. She wants to inspire people through her published books.  Her love for print is tightly connected with the concept of a public library. These institutions are accessible to general public and have existed for a long time. It’s a great platform to spread ideas and to inspire people.

Alison is eager to continue to be published and have her books in libraries, but it is not about personal glory or recognition. This work is based around a self-meditative practice that allows her to reach out to people and to motivate them to practice their own self-realisation. According to Alison, chasing the dream is the fun part and finding new original ways to keep it alive brings joy. Nobody wants to be stuck in a loop. It’s important to keep moving and trying says Alison.

Throughout her stay at PILOTENKÜCHE she wants to get to know more about Leipzig’s rich history in printmaking. Alison plans to investigate more traditional printing techniques and try her hand in the now oh! so trendy risograph printing. During the upcoming weeks you might find her around the city, sketching buildings and searching stories for her next project. Maybe her next book will include city landscapes of Leipzig or a story from a local resident!

written by Agnes

images supplied by artist




Alisons FB page and instagram.

Reset unsettling flesh layers / vernissage / PK at AHS

Friday, 15. November 2019
19:00 bis 22:00

Alte Handelsschule, Gießerstraße 75, Kleinzschocher, 04229 Leipzig, Deutschland

Overwhelmed incorporeal happiness / vernissage / PK RD41

Saturday, 14. December 2019
19:00 – 22:00

PILOTENKEUCHE, Franz-Flemming-Straße 9, 04179 Leipzig

Artist Spotlight: Mirjam Bürer

Mirjam has an affinity for spaces. Her dreams are very much involved with space. They appear with strong feelings of existence and memories. By spaces, she means a room, a garden, inside a bag, the figures shaped between the trees and so on. Nature is an indispensable part of her work. Her enthusiasm for spending time with nature is the core of her inspirations and even her decisions.

Collecting original seeds is a mission for Mirjam. Prior to 1994, she recognised climate change as a longstanding phenomenon. She saw that mono-cultures were forcing the farmers to use genetically manipulated seeds. At the same time the factories were delivering insecticide seeds in the same buckets and were pushing them on the farmers. However farmers were planting original seeds in their small private gardens. “People keeping the original seeds in the most important room of the house, because it’s the source of the food and all the genetic materials are in the seeds,” said Mirjam. Now when plants have defects, she has the original seeds to be able to feed humanity.

She has taught art at a visual art school for 30 years. Teaching was quite intensive and she moved studios often, but never stopped producing her own projects. She has traveled around the world because her work is multi-layered and looks to the outside while the source is deep inside her. She has been in Pakistan, Himalaya, Indonesia, North India and many more places in east Asia. For her, as an artist based in Netherlands, traveling to these countries and experiencing the culture and landscape of these lands intimately, has opened the doors of a different world.

Photos by PILOTENKÜCHE International Art program

Her Book “Local is global” was initiated in a collaborative project with Netherland’s University museum and biology scientists. “It was another eye opener to work as an artist and collaborate with scientists,” she says. The book took her to Korea. She changed the title to “Gross national happiness” in 2001. That’s the quote used in Bhutan: gross national happiness instead of gross national product.

It’s important for her to get involved while traveling, staying for a while, getting to know the people, and make her works with fresh inspirations from local landscapes and people. That’s why she doesn’t carry her art works around. “When I’m triggered with something I have to make it,” Says Mirjam.

There has not been much time for her to make exhibition for a long time and now she is here to have her time to focus on her work again. She wants to have her own interpretation of the kleingartens of the city. Maybe this will manifest in making her own plan of green lounges of Leipzig playing around industrial spaces or maybe in a small collaboration with other artists in the residency. For the final exhibition, she plans to make an installation of movie compilation, drawing and space of the elements that she was freshly engaged with.

written by Elnaz Mostaan


you can find more of Mirjam’s work in her Website. As well she will exhibit her works in the following events.

Reset unsettling flesh layers / vernissage / PK at AHS

Friday, 15. November 2019
19:00 bis 22:00
Alte Handelsschule, Gießerstraße 75, Kleinzschocher, 04229 Leipzig, Deutschland

Overwhelmed incorporeal happiness / vernissage / PK RD41

Saturday, 14. December 2019
19:00 – 22:00
PILOTENKEUCHE, Franz-Flemming-Straße 9, 04179 Leipzig

PK RD41: Upcoming Shows

The studio is alive with creative energy. All those who came to our Open Studios (Designers Open Spot) last weekend were able to see the work in progress and talk to the artists. Those who couldn’t, don’t fear. We have two shows coming up and each has its own special flair.

This exhibition represents the accumulation of ever-accelerating rhythms in the altermodern
world and the momentum of regeneration. A spiralling ascension of energy followed by the
shedding of skin and matter, folding backwards into grey foundations of urban displacement.
There is a convergence of ancient forests and radiant future seed particles, mapping
migratory paths through time and space. The body is but a site of irrational experience which
confronts the machines of carbon-heavy Modernity.
A Kali-destructive rampage of nihilism anticipates the coming still; hyper-sensitising rituals,
filament tensions and porous-smooth materiality of the posthuman condition. This is an
emerging non-state where the more-than-human world metamorphoses in perpetuum into a
new corporeal becoming. The uncontaminated hierarchs falter and drop from the sky.


Patricia Brien, Curator


Reset unsettling flesh layers 


vernissage:
Fri 15 Nov
19Uhr-22Uhr
performances TBA

open:
Sat 16/ Sun 17
14Uhr-18Uhr
Thur 21/Fri 22/Sat 23
14Uhr-18Uhr

Alte Handelsschule
Giesserstr 75


From nonmatter emerges poetic spaces of nothingness. This spatial emptiness waxes dark
mass and a new spiritual gestation. A coded dialogue is written in the deep seams of carbon,
bearing the deconstruction of material and nonlinear points of multiplicity. Sharp angles
mutate into gentle recesses, energised with the properties of light and the intimacy of a
dream.

The pleasure in the surge of viscosity, and the illusion of vulnerability creates a space
between people, an assemblage which orientates the human to positive kinetic chaos.

Patricia Brien, Curator

Overwhelmed incorporeal happiness

vernissage:
Sat 14 Dec
19Uhr-22Uhr
peformances TBA

open:
Sun 15 Dec/Tue 17 Dec/Wed 18 Dec
14Uhr-18Uhr

PILOTENKUECHE
Franz-Flemming-Str 9


PK RD41 International Artists


Wim Warrink (NL)
Daniel Domingo Schweitzer (ES)
Natacha Martins (PT)
Tamara Jacquin (ES/CL)
Travis D. Hendrix (AU)
David Elias Schilling (DE/ AT)
Cecilia Klementsson (SE)
Ingrid Pumayalla (PE)
Alison Hui (HK)
Mirjam Bürer (NL)
mgmn (LT)
Daniela Trinkl (AT)


PK RD41 Leipzig Artists


Nora Manthei
Lucy Koenig

CURATOR
Patricia Brien (AU/UK)


ASSISTANTS
Agnes Deruma
Elnaz Mostaan

Artist spotlight: Daniela Trinkl

Daniela Trinkl is fascinated by boxes. For the Viennese-based ceramicist, this interest extends to boxes of any kind, but is heightened by reliquary shrines. She is interested in science fiction, animism and bringing life to inanimate entities. Daniela not only finds the craftmanship of these objects remarkable, but also the spiritual value that people assign to them. She firmly believes that there is a 5th incorporeal dimension that is present in every art piece, but is not yet directly observable.

In Daniela’s PILOTENKUECHE atelier I find almost embryo like shaped objects. They stand alone or are exhibited on the wall. And true to form, some can be found in liquid filled boxes, some submerged in a synthetic pink hued silicone and others in milky epoxy resin. It almost looks like a laboratory of a modern-day alchemist, where these creatures will soon come to life. 

To give birth to these objects Daniela plays with common natural materials such as clay and porcelain, as well as with man-made ones, bringing Sci-fi aesthetics to the table. Contrary to reliquary shrines that carry memories from past lives, her creations might come from the future. One could say that they are living beings, but from a different world, perhaps like ambassadors of the 5th dimension.

Photos by PILOTENKÜCHE International Art

Her working approach is very organic, she starts by simply doing, thus inviting a flow of ideas and letting herself be guided and carried. She also mentions that the shape of an object does not always come in a visual form, it is almost as she can feel it within herself. It arrives from within, yet from somewhere outside. In her eyes, the artist functions almost as a medium, bringing something celestial to the world. In a way every art piece embodies an element, or a message hidden in a plain sight.  

Daniela stresses the importance of symbiosis between an art piece and its consumers. In fact, the interaction with the audience is the most interesting part for her, regardless the reaction or an absence thereof.

written by Agnes Deruma

photos courtesy of artist


We invite you to find more about her art and past work by visiting Daniela’s website or if you are in Leipzig this weekend feel free to drop by PILOTENKUECHE for the PK Open studio event to interact with her creations in person.

PK Open Studios / Designers Open Spot

Sat 26 Oct
2PM-9PM: open studio
4PM-6.30PM: BYOB potluck
7.30PM: performance Izabela Kałduńska

Sun 27 Oct
2PM-9PM: open studio

PILOTENKEUCHE, Franz-Flemming-Straße 9, 04179 Leipzig

Reset unsettling flesh layers / vernissage / PK at AHS

Friday, 15. November 2019
19:00 bis 22:00

Alte Handelsschule, Gießerstraße 75, Kleinzschocher, 04229 Leipzig, Deutschland

Overwhelmed incorporeal happiness / vernissage / PK RD41

Saturday, 14. December 2019
19:00 – 22:00

PILOTENKEUCHE, Franz-Flemming-Straße 9, 04179 Leipzig

Artist Spotlight: Daniel Domingo Schweitzer

Daniel works with simple triangles, only they aren’t really triangles. When you look at the development of his work you see something beyond visual aesthetics. He started with the main focus being the human body. After experimenting and dissecting the current world’s lifestyle and social norm’s efflects on human’s body, he came to the conclusion that the corporal side of the human comes from shape and restriction. This lead to space becoming the center of the artwork. This may sound like a big shift, but the human body stays very much involved in the work, but how it is demonstrated differently.

Daniel’s work shifted from meticulous human sculptures to minimal and simplified objects which deal with the matter of space. By slowly deforming and deconstructing the body, Daniel searches for that point where it is still identifiable but at the same time reduced. “I wanted to see how much I can remove from the body and still talk about the body,” says Daniel. This process led to a point where the object remains and the human body almost disappears. What remains is the object which substituted a part of the human body. It defines the space. Now the fractal geometry he makes is a metaphor of body.

During the process of focusing on space rather than the human body, he realised that triangle was the perfect form. The triangle is not only the strongest form, but it requires the minimum amount of lines to make a shape/surface/space/ geometry.

Photos by PILOTENKUECHE International Art Program

Playing with material is like sketching for Daniel. He edits and reforms the material he is working with until it satisfies him. Not only has he simplified the human form, but he has started using simpler materials. He searches for processes that are faster and can be in alignment with his mind. If the processes are too cumbersome, the mind jumps ahead and the material doesn’t allow you to catch up. In addition to their simplicity, these materials are chosen for their ability to carry meaning.

Currently, he is allowing the viewer to physically interact with the art work. He believes when the viewer moves or rearranges the elements of the work, it results in a trace of that body. It forms a reflection of an idea, thought and way of perception. It replaces the person and body. The viewer activates a space in their own image.

When you look at images you contemplate it but when you interact with an art piece you become part of it. You get empowered. Your personality modifies the world because your intensions are there,”

The world of visual media is so saturated today that it is difficult to get the viewers’ attention. An image is consumed in 2 seconds and then that image is dead. Art can be the opposite of this. It needs time. It needs to involve more than the eyes. Replacing “DON’T TOUCH” with “Please Touch” gives the onlooker permission to be more than just an objective observer.

At PILOTENKEUCHE Daniel is working on progressing a version of interactive, movable installations with repeated models. The triangles will be in a continuous process of construction and deconstruction.

written by Elnaz Mostaan

images supplied by artist


you can see more of Daniel’s work at upcoming PK shows and his personal website.

PK Open Studios / Designers Open Spot

Sat 26 Oct
2PM-9PM: open studio
4PM-6.30PM: BYOB potluck
7.30PM: performance Izabela Kałduńska

Sun 27 Oct
2PM-9PM: open studio

PILOTENKEUCHE, Franz-Flemming-Straße 9, 04179 Leipzig

Reset unsettling flesh layers / vernissage / PK at AHS

Friday, 15. November 2019
19:00 bis 22:00

Alte Handelsschule, Gießerstraße 75, Kleinzschocher, 04229 Leipzig, Deutschland

Overwhelmed incorporeal happiness / vernissage / PK RD41

Saturday, 14. December 2019
19:00 – 22:00

PILOTENKEUCHE, Franz-Flemming-Straße 9, 04179 Leipzig

GRATEFUL PARK: PK RD40 final show

How do we navigate and develop our own ecologies of care? We are currently faced with economic models that devalue and obstruct care; producing subjectivities that drive the current climate crisis and the on-going disruption/destruction of ecosystems, displacing both humans and other-than humans. With blatant disregard for the embodied knowledge these ecosystems cultivate and nourish.

This final exhibition of the 40th round of PILOTENKUECHE International Art Program residents aims to be a space to rethink forms of operating in the individual and collective spheres. Grateful Park reflects the outcome of some of these processes, articulating how we find ourselves embedded in an environment.

Through a cultural and affective exchange that creates systems to nurture, support one another and grow, the studios at PILOTENKUECHE build a shared ecology. This ecology lives in-between, influenced by the social and environmental, therefore catalysing possibilities to recalibrate our idea of individual and collective care practices.

Support structures can reflect how care labour is undervalued
under capitalism
. As artists, we might bring visibility to invisible acts of care and also how we might approach care as something creative, as a way of reinventing its place or value in work/ life/ art relations. Perhaps we open up questions around how care is done and who does it. The diversity of the works in the show Grateful Park is testimony to the myriad of questions we are faced with in our current political and environmental crisis. The residents create and inhabit new constellations.

GRATEFUL PARK

vernissage:
Friday 20 September
7PM-11PM

performances:
Tom Austin
Adam Tuch
LIS

open:
Saturday 21 September – Monday 23 September
1PM-5PM

location:
PILOTENKUECHE International Art Program
Franz-Flemming-Straße 9
04179 Leipzig


PK RD40 

International residents

Adam Tuch (sound, digital art, installation/US)
Agathe Barre (film/FR) 
Antonia Wetzel (performance, painting/DE)
Ariel Taylor (painting/US)
Clément Bedel (painting/FR) 
Christopher Sperandio (comics/US) 
Darien Crossley (performance, painting/US)
Helene Planquelle (painting, drawing/FR)
Isaac Magner (sound design, video/UK) 
Michella Perera (sculpture/UK)
Tom Alexander Austin (performance/UK)
Vernon O´Meally (painting/US)
Zara June Williams (painting/AU)
Zheng Wenxin (painting/CH)

Local Participants
Matthias Geisler (painting, printmaking/DE) 
Simon Schäfer (sculpture, film, sound, installation, digital/DE)

Curator
Colette Patterson (UK)

Assistants
Fiona Irene Graf (DE/UK) 
Huai-ya Lin (TW) 
Silvia Zandomeneghi (IT)
milkafterfish (instagram)
Stanley Louis (HA/FR) 
iam_stanlouis (instagram)–