Tag Archives: painter

Artist Spotlight: Karine Fréchette

Wide spectrum of bright colors, illusion of movement, complex composition with psychedelic elements – that what defines Karine’s Fréchette art work. Her art can be described as a blend of Op art from the 70s and abstract art, especially when it comes to the composition. Karine’s art practice is inspired by other artists such as Bridget Riley, Claude Monet or Frank Stella. One of her biggest inspirations is Czech abstract painter Frank Kupka and his visionary and mystic composition. When one comes closer to Karine’s paintings, they are almost hypnotized by the entrancing wave-like patterns.

I have a feeling I found my artist style by accident. It just happened. Somewhen during my masters I start to do those trippy, almost hallucinating imagines and then I just lost control”.

Karine is a Canadian painter, based in Montreal. The city itself had a big impact on her art work. Montreal has not only a long-time history of an abstract painting, but it is also full of contemporary art and blooming cultural scene. At the same time, while living there, you don’t see big names that often. Most of the famous paintings can be seen only on the internet. That’s where Karine’s interest in digital word, 3D modeling and scientific imagery comes from.

She chose Visual and Media Arts as a major for her Bachelors, which she studied at Université du Québec à Montréal. It was a multidisciplinary program, that combined video art, glass, painting, ceramic and other art techniques. “I got completely lost there. I didn’t know what I actually want to do. For a long time, I was really into video art and you actually can see a big impact of that on my current art. But then I decided to focus on painting”. Karine obtained her Master’s degree in Painting and Drawing at Concordia University.

Her artist path was pretty straight forward, as Karine never did anything else but art. She always felt that the most meaningful thing she could do is to paint. “To be honest first I thought it is impossible or even too ambitious to have pretensions to become a professional artist. But I just kept doing what I enjoyed. It took me some time to get the confident to say: yes, I am an artist and that what I do in my life”. In 2018 Karine won a Joseph Plaskett Award in Painting, which helps fund emerging Canadian painters who will live, create artwork and travel in Europe for 9 months. That’s how she found herself at Pilotenkueche residency in Leipzig.

Here Karine is trying to work with new materials and apply new techniques. Instead of traditional canvas, for the current exhibition she used slightly transparent fabric and neon colors to create an illusion of flowing waves which represent circles of life. As much as she likes Op art, she doesn’t really like to follow regular shapes. To achieve more organic lines, she just tore a piece of paper and used it as her shape. “Usually there is no plan or even a sketch beforehand. It is a pure improvisation. I like that these is always something between control and working blind. I think it is important to have a feeling that you are working a little bit blind even if its controlled”.

Despite the fact, that it has been almost 10 years since Karine started her artist career, she still keeps experimenting with her style and trying out new things. “Even though I know that my style is not going to change radically, I am really scared to stuck in one way of doing things, that’s why I always want to move forward”. After the residency at Pilotenkueche, Karin is planning on joining a long-term residency back in Montreal. One of her future plans is also to do a project in which she wants to interact more with the space and light and try to involve audience to discover her painting in a new way. Depending on where a visitor stands, he or she can see different dimensions and the drawing become something different.

written by Kristina Nizamova


You can see Karine’s work in the following Pilotenkueche International Art Program shows:

Elsewhere a Blue Line and the Absurdity of a Ghost on a Stone 

Open: Sun 19 – Sun 2 June 2019, 10AM – 6PM (closed Mondays)
Location: Kunstkraftwerk, Saalfelder Str. 8, 04179 Leipzig

Wrestling with Impermanence 

Vernissage: Fri 21 June 2019, 7PM
Open: Sat 22 – Wed 26 June 2019 1PM-5PM
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany
Performance: To be announced

Artist spotlight: Henrike Pilz

Henrike struggled not to be an artist. As a daughter of a woman painter, she was aware of the problems of being a woman artist. Studying history was a compromise, and it did not make her happy. Finally, this German made up her mind to become what her body asked for. Her artist career commenced with realistic painting, which she finds as a “pure imitation, a matter of practice, you don’t need to think”. As this became insufficient, she researched the historical movements and aesthetics to discover her own voice.

Painting in her life is an impulsive act and way to clear out her thoughts. When in act, she enters into a trance where thinking becomes easier. Henrike is inspired with the pictorial process itself where she thinks not only with her hands, but where her artwork is also intuitive.

Cy Trombly, Joseph Beuys, Silvia Baechli, Marcel Duchamp; the main sources of influence for Henrike Pilz are evident when looking at her work. She is attracted to art concepts and changing state of mind through art; primarily her own and hopefully awareness of the public. Not far away from working led by intuition, Pilz wants her vision to stay focused on the concept.

all photos by PILOTENKUECHE International Art Program

Ever since she was a child, her mind was full of ideas and questions. Finally, the grown up child took the path of the research, providing a way for the curiosity to be shared. One of her purpose is to make art for the society as a place for empathy.

When the idea comes, Henrike feels that something is sprouting within her. The only way of inspiration is having time for herself. In a Pollock-style, Pilz takes the ground as her canvas and blends the colors from different color cans which are her primary tools. Whilst she uses this instrument to display her interior world, the whole process is developed in a slow way of repetitive looking and painting. The main tool is the can, the second is the paint brush reserved for the details. The constant in this process is the frankness and clarity.

The artist is not working only in this medium. In 2016 a documentary movie “XXS – decompose, a strategy”, made by Henrike and her team, was released. It was about the DDR- System. The country, the socialism east Germany in times of the iron curtain. The movie was based on interviews with four people talking about their personal lives.

Contrary to the institutional idea of having idols instead of artists, the real success for Henrike is to develop herself through art, to be comfortable with herself and have a peaceful mind. Impressing and inspiring people with her abstract paintings would be yet another success.

Written by María Valcárcel


Come and see Henrike’s works in the following shows:

Unfinished Hase

Vernissage:  15.02.19, 19h
Performances: from 20h
Open:  16 – 23.02.19, 13 – 17h
Finissage: 23.02.19 19h
Alte Handelsschule, Gießerstraße 75, 04229 Leipzig, Germany

Fast Kotzen 

Vernissage:  23.03.19, 19h
Open:  24 – 27.03.19 17h-20h
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany