Tag Archives: curator

Curator Spotlight: Colette Patterson

Colette is interested in exploring spaces and ecologies of care as curatorial methodologies. Halfway through her Master’s degree in Curating at Goldsmiths University, she has worked in the Arts and has been working in galleries, art spaces and artist-led initiatives.

Colette’s main interest lies in the exploration of radical space and ecology of care as curatorial methodologies. Her practice works as a social and political actor for reimagining and cultural questioning, political and social dichotomies. As an emerging curator, she is gravitating towards art in London that allows her to understand the artistic environment. 

Colette is co-founder of DICE festival, an artist- led festival of chance opportunities in London, where with her team she curates 3 nights of performances with 7 artists per night. She crosses a range of mediums, body based work, live art, comedy, sketches, “adembra”. With all that background and experiences, she believes that adding more substance to her practice work, which was missing before. 

Colette’s previous project was about exploring the universe of tenderness, exploring intimacies and edges of collapse, dialogues about process, stages of unconscious/ conscious action, how and what inhabits these places of exchange. The project was about exploring the perceptions, asking what is urgent in a strategy of tenderness. 

“I would like to see artists interact with space more and more, and it is one of the things that I am focusing on. My approach of curating is also to foster more dialogue. For this reason, I’m happy to see that today’s art gallery’s programmes are more a mix of established artists, new artists and spaces as well. I think universities should take more time to consider that kind of approach and topic because it is relevant”. 

With this Pilotenkueche, Colette is working in very close connection to the artists. She listens to their ideas and looks at their concepts, and then tries to join all their work into a curatorial concept

I am trying to expand the notion of curating regarding my methodology. Whether with the way of apprehending the artistic approaches but also with the kind of argumentation and the reflection on the works of artists. In this same logic of dialogue, consultation with them, I would like to make a good contribution not only to the artists but to art in general.

“I think there’s a deep truth in all human life that when we share our stories with others, we learn about ourselves in the act of sharing with others,”

Spaces, art, artists, communities, it’s time to evoke not only emotions but strong relationships.

Hungry Dungeon Friends

Saturday 24 August
Curatorial Tour by Colette Patterson
performance by 
Tom Alexander Austin

Sunday 18 August – Sunday 1 September 
10AM-6PM (closed Mondays)
Saalfelder Str. 8
04179 Leipzig

Meet the curator: Clementine Butler-Gallie

Upon her arrival to Berlin, Clementine visited the ancient sculpture of Nefertiti. At once fascinated by the former Egyptian Queen, she would return to see it time and time again. Unearthed by a German archaeological company in 1924, the bust currently resides in Berlin’s Neues Museum. Up to this day, Egypt has demanded its repatriation – and to no avail. Now the statue stands as a symbol of colonialism, German cultural heritage and a commercial icon through its subsequent reproduction. From an art history perspective, this led her to contemplate enduring controversies surrounding issues of ownership and the westernisation of an image.  

She started to compile a personal archive of images and data, culminating in an overwhelming urge to showcase her findings. In 2016, she co-founded East of Elsewhere; a curatorial venture which began hosting independent exhibitions in the living room of her east Berlin apartment. After successfully curating their first salon, the collective would advertise their spare room for international artist residencies in exchange for a final exhibition at the end of their stay. They began hosting projects on behalf of artist-friends, including an emergency exhibition in retaliation to the growing momentum of the far-right AFD political party pre-German election. She said that it was all about ‘having that space’to exhibit and ‘using what we had in order to react to what was happening around us’.


Clementine studied history of art at Glasgow University and Christies Education, before working as a Gallery Assistant in London for two years. However, seduced by Berlin’s thriving contemporary art scene and experimental ethos, she decided to book a twenty pound flight with the intent to work more intimately with artists on a collaborative basis. ‘The gallery in London were a real family to me’, she says, but resolves that the art world in Britain’s cultural capital is naturally very commercially driven and somewhat elitist. She unapologetically admits that this posed a conflict with her romanticised notion of the artist, deriving from adolescent obsessions with the likes of the pre-Raphaelite brotherhood, the Bloomsbury Set, and their bohemian ways. Berlin’s cheap rent, along with its wealth of unused buildings left more room for creative output and artistic exchange. It was a scene of raw potential… an avant-garde wonderland.

Clementine continues to host exhibitions, talks and workshops ‘elsewhere’; including most recently a collaborative series in an old bank on London’s Brompton Road. She’s now based in Saxony’s boomtown, Leipzig. She’s eager to indulge herself in the city’s growing art scene with its recent influx of artists and emerging wealth of undiscovered spaces. Taking on Pilotenkueche as the next curator of the program, she’s particularly excited for the first group exhibition, which will be held in the basement of an old power-plant at Kunstkraftwerk.

Curatorially, she is looking forward to embracing the challenges that come with presenting multiple artworks beyond white walls. She’s particularly interested in exploring ideas of interior and exterior space and challenging traditional conceptualisations of the exhibition form. She doesn’t view narrative as singular or linear and hates to see an exhibition as the final product, but rather a laboratory where dialogues unfold… a testing ground for development and experimentation.

written by Ellisha Walkden


Clementine will be curating the following shows for Pilotenkueche International Art Program

Elsewhere a Blue Line and the Absurdity of a Ghost on a Stone

Vernissage: Sat 18 May 2019, 7PM
Open: Sun 19 – Fri 31 May 2019, 10AM – 6PM (closed Mondays)
Location: Kunstkraftwerk, Saalfelder Str. 8, 04179 Leipzig

Wrestling with Impermanence

Vernissage: Fri 21 June 2019, 7PM
Open: Sat 22 – Wed 26 June 2019 1PM-5PM
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany
Performance: To be announced