Colette is interested in exploring spaces and ecologies of care as curatorial methodologies. Halfway through her Master’s degree in Curating at Goldsmiths University, she has worked in the Arts and has been working in galleries, art spaces and artist-led initiatives.
Colette’s main interest lies in the exploration of radical space and ecology of care as curatorial methodologies. Her practice works as a social and political actor for reimagining and cultural questioning, political and social dichotomies. As an emerging curator, she is gravitating towards art in London that allows her to understand the artistic environment.
Colette is co-founder of DICE festival, an artist- led festival of chance opportunities in London, where with her team she curates 3 nights of performances with 7 artists per night. She crosses a range of mediums, body based work, live art, comedy, sketches, “adembra”. With all that background and experiences, she believes that adding more substance to her practice work, which was missing before.
Colette’s previous project was about exploring the universe of tenderness, exploring intimacies and edges of collapse, dialogues about process, stages of unconscious/ conscious action, how and what inhabits these places of exchange. The project was about exploring the perceptions, asking what is urgent in a strategy of tenderness.
“I would like to see artists interact with space more and more, and it is one of the things that I am focusing on. My approach of curating is also to foster more dialogue. For this reason, I’m happy to see that today’s art gallery’s programmes are more a mix of established artists, new artists and spaces as well. I think universities should take more time to consider that kind of approach and topic because it is relevant”.
With this Pilotenkueche, Colette is working in very close connection to the artists. She listens to their ideas and looks at their concepts, and then tries to join all their work into a curatorial concept
I am trying to expand the notion of curating regarding my methodology. Whether with the way of apprehending the artistic approaches but also with the kind of argumentation and the reflection on the works of artists. In this same logic of dialogue, consultation with them, I would like to make a good contribution not only to the artists but to art in general.
“I think there’s a deep truth in all human life that when we share our stories with others, we learn about ourselves in the act of sharing with others,”
Spaces, art, artists, communities, it’s time to evoke not only emotions but strong relationships.
Hungry Dungeon Friends
Saturday 24 August
Curatorial Tour by Colette Patterson
Tom Alexander Austin