Tag Archives: Video

Artist Spotlight: Coffee Kang

Coffee Kang is an artist encompassing many different worlds, all moving and shifting seemingly under her feet but she takes it in stride. It’s all impermanent, all part of the process. Having moved from China to Los Angeles to complete a Masters in photo media from the California Institute of the Arts she is now based in Southern California where she focuses her body of work on varying situations – how do we change spaces, how do spaces change us and how does culture affect these changes? As she creates meaning through her work we are invited to ask our own questions: how does process inform meaning? What is the importance of performance in relation to achieving a specific goal? These themes come up in Coffee’s time-based works, and so much more.

As she navigates her personal narrative using photo media, video and primarily performance centered pieces, the temporality of the medium helps to inform her personal and cultural historicity while trying to connect to a grander whole. This fluctuation, or state of flowing, relates back to how we move in certain spaces and how our culture affects perception as well as physical space. In this connection comes an exploration of inherited culture, identity and the power of the individual within a system.

While Coffee’s work changes in form it is comfortably placed within a tradition of performance and process, ultimately landing somewhere in the conceptualization and activities of Fluxus. In this established mode of creating ‘process matters more than the result’. This is the crux of the meaning making. It is not about a product, or even some intangible end result. More important, here, is the journey in the making. The performance or action is not to achieve something but to do something.

photos by PILOTENKUECHE or courtesy of artist

These ideas are brought to life in her past works and performances, most notably in her temporal work The Funeral, wherein she performed a funeral for a previous piece. This work, titled Days in the Matchbox, was sentenced to death by a necessary move from her studio. In this way the artist created meaning out of a daily life stressor. She used the end result of moving out of her studio as a catalyst for meaning making through performance while reanimating an older piece for one final action.

In her seemingly permanent state of impermanence, or ‘current of changing’, Coffee Kang finds herself in Leipzig amidst a group of international artists all creating their own meaning within the context of the host city and more specifically within the Pilotenkueche artist residency. In this light the themes she works with can shine – they can flourish not by providing answers but by leading viewers and participants through the construction of purpose that happens within a group, within a new city, within the very process of critical thinking in both art making and art viewing.

In an attempt to explore her subconscious self, she will be looking to the stars that hang above Leipzig and the White Elster river that cuts through it. By connecting with the water flowing through the city she connects with all of the different bodies of water she has resided near, by connecting with the stars she connects not only to her inner self but to all of us that reside beneath them.

written by Adrian Klaus Rotzscher

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See Coffee’s work in the following Pilotenkueche International Art Program shows: 

Elsewhere a Blue Line and the Absurdity of a Ghost on a Stone 

Vernissage: Sat 18 May 2019, 7PM
Open: Sun 19 – Sun 2 June 2019, 10AM – 6PM (closed Mondays)
Location: Kunstkraftwerk, Saalfelder Str. 8, 04179 Leipzig

Wrestling with Impermanence 

Vernissage: Fri 21 June 2019, 7PM
Open: Sat 22 – Wed 26 June 2019 1PM-5PM
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany
Performance: To be announced

PK says farewell to Martin Holz

Martin Holz was and remains a PK pilot. He came to create art, but fell in love with Pilotenkueche for its potential. During his five years as Director, it developed into much more than a residency. Today Pilotenkueche is a multi-faceted program that gives more than a space in a shared studio. It recognizes a growing trend of curation by offering emerging curators three month internships. While here, they do consultations with artists, write texts and, of course, curate the shows. It also gives interns a chance to be very hands-on in the day to day happenings, including graphic design for exhibitions and writing posts for the website.

When Martin arrived as an artist, PK was located in HALLE 14 at Spinnerei and was host to around five international artists. Now it is housed in its own space in the up and coming art area of Leutsch. Each of the approximately 12 International artists has up to 36 square meters and all have inspiring views.

all photos by PILOTENKUECHE International Art Program

The new space was just a shell when he got it, but he knew this was a place he could expand the project and make his vision come true. He worked tirelessly to have it ready for the 10th Pilotenkueche anniversary in spring of 2017. He did all the wiring, built walls, put in windows, a bathroom, a tea kitchen and an office area. He carefully designed the space so that some walls could be moved to give more flexibility when converting it from work space to exhibition space. Yes, the art was always the heart of it all.

The last five years have given Martin many wonderful memories of bonding and creating. Last November he was pleased to open Heat Lee’s show, AXIO, at the MdBK. While Heet was a resident at Pilotenkueche, the two recognized they shared the ability to see the darkness.

Martin intermingled performance and text, drawing comparisons to karate and being an artist. The fight between order and chaos requires offensive and defensive skills. In her paintings, Lee searches for the moments between chance and control. This was always a quest that Martin was happy to seek.

It was on purpose that Pilotenkueche remained an artist run program. The program supports artists in finding applicable individual funding. His goal was to create a safe space in which artists could engage and collaborate, but didn’t confine them to the program. In working together with Natalia Kalicki or Magdalena Cichon as coordinator, Martin tried to give as many opportunities to engage the local community as possible. This is why there are also two local artists each round. While they have their own studios in town, they accompany the residents on program days where a variety of high and low art activities take place and they participate in the exhibitions.

But now, unfortunately, Martin feels he has taken Pilotenkueche as far as he can. It is time to let his baby go in order for it to continue to grow. We want to publicly thank him for his countless hours of unselfish devotion and wish him all the best in his future endeavors.

Pilotenkueche will be announcing the new directors sometime in March. We look forward to seeing what that direction will bring. We welcome them and hope you will too.

This was the 37th round

Last week we said goodbye to 2018 and, with it, our most recent residents. We will remember the ideas and collaborative spontaneity that filled the studio, but most of all their ability to play in life and through their art. We were able to bond through our collective experiences. Between our four exhibitions, our program days included day trips to Bauhaus and Halle. We saw Leipzig from many perspectives, talked to exhibiting artists, gallery owners, curators and project spaces. We toured the west with architects, went to museums and even to the Christmas market.

We danced, we laughed, but most of all: we created.

International Artists
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artists
Georg Lisek (Leipzig, Germany)
Julia Eichler (Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Assistants
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

ReView: SPOOR

SPOOR /spʊə,spɔː/

noun
1. the track or scent of an animal.
verb
1. follow the track or scent of (an animal or person).

The aim of the final exhibition resulting from 37th round of the Pilotenkueche International Art Program is to raise the issue of being-in-the-world, bringing forth the notion of perception. It is “the background from which all acts stand out, and is presupposed by them”. We do not perceive isolated sense-impressions because we only see things as they relate. Our mental representations are formed by our previous experiences and future expectations. Art can capture the affective primordial contact that tends to go unnoticed. Artists are embedded and immersed in the tangible day to day world and assume a life of their own, opening themselves to metaphoric meanings by responding with forms, shapes, and colours.

Contemporary artistic process is not only about understanding technical formalities and introducing them in the art practice, but about the production of strangeness. Thus, contemporary art does not refer to a single determining judgment. In principle, the artistic process is not governed by rules and pre-established categories: these are what the artist seeks to discover and establish in their work. Contemporary art embraces sensibility – the artworks aim to capture the displacement of subjectivity through experiments and propositions that operate as a circuit breaker of the perception. It is a deflection of what is known.

all images by Pilotenkueche International Art Program

This plurality is present during the selection of artists for the program. The choices are based on the quality of their works, not in an a priori theme for each round. This means the relationships outlined between their poetics are subsequent and follow the uniqueness of the pieces produced during the residency. After three months, it is clear that all artists have sought to trace relationships with the city: its characteristics and found artefacts, each of them making their own way. 

text by curator Viviane Tabach


For the vernissage of SPOOR, Pilotenkueche was happy to host three musical performances. Violinist Izabela Kaldunska, originally from Poland,  played excerpts from her experimental work “The New Solarism”, along with some freshly created compositions. Classically trained as a pianist Elif Murat, originally from Ankara, Turkey, also presented some of her new electronic chill out pieces ‘Ellie M.’. Then the pair joined to perform as Ichor, a  collaborative project in which they compose electronic dance music. Just like the artists on the residency, Izabela and Elif  met in Leipzig.


SPOOR
14-19 Dec 2018

International Artists
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artists
Georg Lisek (Leipzig, Germany)
Julia Eichler (Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Assistants
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

Graphic Design
Ines Alberty

AHS speech bubble PK

Re-View: Rutschbahn and Speech Bubble

Marking the half way point of the artists’ time at Pilotenkueche art residency, Rutschbahn, the second exhibition of Pilotenkueche round 37, opened on Friday, the 16th of November 2018 at Krudebude.  Krudebude is an unusual exhibition space set in a “Wächterhaus” – a very Leipzig concept which provides apartments and other project spaces for inexpensive rent –. This made for a intimate and friendly atmosphere throughout the evening .

The 10 participating artists were encouraged to collaborate and make use of the space and its peculiar characteristics. This was particularly visible with Buket Savci’s work Hole of Mystical Desire, which was placed in direct relation with the remains of flowered wallpaper on one of the doors;  Jan Yongdeok Lim’s installation Smoke, which appropriated the coal burning stove in one of the rooms, and Reinhold Ponesch’s RIDE MY HORNS, placed just above one of the door frames in the entrance hall in reference to the traditional placement of mounted horns.

A great number of guests arrived as soon as the clock hit 7pm, and just an hour later, everyone gathered in one of the rooms to watch Reinhold Ponesch and Tamaki Kawaguchi’s collaborative performance IT CONCERNS YOU. This was Reinhold Ponesch’s and Tamaki Kawaguchi’s first experience with performance art. It was engaging to see how fiercely emotions were portrayed by the two artists. The audience was also positively taken by surprise when encouraged to participate.

We welcomed some familiar faces, previously spotted at the artists’ first exhibitionI Accept the Cookies – who were enthusiastic to see the development of the artists’ practice from  its first work-in-progress sneak peak. New faces kept on arriving until late in the evening, and the same was visible at the finissage last Thursday, 22 November 2018. Ann-Kathrin – one of the organizers of Krudebude – was positively amazed by the show, claiming it was one of the best so far at the space, both in quality and attendance.

photos by Pilotenkueche  International Art Program

Just a week later, on Friday, 23 November 2018, the third exhibition of the 37th round of Pilotenkueche – Speech Bubble – opened its doors. This was the first exhibition showcasing all 14 artists, marking local artist Georg Lisek’s first exhibition of the round with the display of Mask Variation, one of the two video works that could be seen in the show.

The evening began with a welcome speech by Barbara Röhner, owner of Alte Handelsschule and organizer of its exhibition space, followed by words from curator Viviane Tabach. For the curator, this show marks a turning point in the artists’ creative journey at the residency, where they can naturally invent their spaces within the large floor areas of the space, as well as its high ceilings. The artists finally have the freedom to exhibit some of the larger works that have been behind the studio walls, anxiously awaiting their moment. There was also space to develop site-specific work, as Luca Arboccò so rightly did. 

Before reaching the second floor where the exhibition takes place, visitors were surprised by flashing colours on their right as they walked up the stairs. As they followed this intriguing set of blue and purple lights, they found the first piece from the exhibition, No Broken Mirrors Shift Between Our Glance, by Nicholas Adamson. At first just a broken chair carefully laid on the floor, once the visitors moved closer and engaged in the space, they could see a mirror below the chair, reflecting an oil painting of a clown.

 

photos by Pilotenkueche  International Art Program

As the visitors continued up the stairs, they were intoxicated by the sound of Izabela Kałduńska’s music performance “The New Solarism” as they entered the exhibition space. Sitting in harmony amid Finn Curry and David Benarroch’s sculptures, the audience was treated to an hour long experimental performance that shifted between loops of classical violin arrangements and other sounds such as tearing paper, taps on wood and voice. 

Some visitors were noticed exploring the processes of Jan Yongdeok Lim’s Draainweg series through touch, which was interestingly unusual; others were intrigued by Barry Amey’s pieces and their reflection of colour on the wall, and curiously placed their hands behind the pieces to sense their heat – or as they then discovered, the lack of it – in an attempt to explore if they conveyed any light. For many guests, the most striking pieces were Julia Eichler’s Borderwallprototype I and II, for their materiality and playfulness; discovering they are relatively light, considering appearing heavy.

As the evening progressed, the guests grew comfortable – some sat in each corner of the room discussing the different works on view, and others laid on the floor next to Ai Ikeda’s piece Reassembling Matters, almost blending in with the ropes, kraft and waste papers.

These were two nights to remember and we cannot wait to meet again at the most awaited of all exhibitions –  the final one.

SPOOR
Friday, 14 December 2018
at the PK studio space.


Last chance to see Speech Bubble:
finissage Friday 30 Dec from 7PM.


Rutschbahn

International Artists:
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Jan Yongdeok Lim (Utrecht, Netherlands)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)

Local Artist:
Julia Eichler (Halle, Germany)

Speech Bubble

International Artists:
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artists:
Julia Eichler (Halle, Germany)
Georg Lisek (Leipzig, Germany)

Curator:
Viviane Tabach (São Paulo, Brazil)

Assistants:
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

speech bubble photo ines

In progress: Speech Bubble

Artistic endeavour can develop in a number of ways. However, it often follows a certain pattern. In the beginning one doodles and experiments with materials. Acutely aware of their surroundings, one must be open to experience in order to be inspired. There comes a point where there is something to say. This motivates the artist to use techniques old and new to create.

The artists of the 37th round are ready to talk! Speech Bubble opens Friday 23 Nov at the Alte Handelsschule. The voices of 14 artists join to create a chorus without losing their individuality. The large scale of the shabby chic auditorium has enabled the artists to work larger and the result is breathtaking. There are just a few final touches to make before it’s perfect for you.

all photos by Pilotenkueche International Art Program

We are pleased to announce that violinist Izabela Kałduńska will perform THE NEW SOLARISM at the vernissage. Although classically trained, in her new solo project she experiments with her instrument to find new ways of creating what she calls “dreamscapes.” Supported by a loop station, she will explore the tension between romance and darkness. 


SPEECH BUBBLE
PK @ Alte Handelsschule

facebook event

Vernissage: Fri 23 Nov 2018 7PM
Performance: Fri 23 Nov 2018 8PM
THE NEW SOLARISM by Izabela Kałduńska (Gdańsk, Poland)
violin, loop station

Open: Sat 24 Nov – Thur 29 Nov 1PM – 5PM
Finissage: Fri 30 Nov 7PM

International Artists
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artists
Georg Lisek (Leipzig, Germany)
Julia Eichler (Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Assistants
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

Graphic Design
Ines Alberty

PK coordinator
maeshelle west-davies

In progress: Rutschbahn

With much excitement we are happy to announce we are almost ready for tomorrow’s vernissage of Rutschbahn. It’s been a busy week for sure, but preparation has been going on for much longer. I guess you could say that we’ve been preparing all our lives. 

Yes, anyone can learn skills, but few can allow themselves to be open to suggestion and create something from that. It is this gift that the artists of the 37th round have been using to get ready for Rutschbahn (German for playground slide). It is this childlike innocence that they’ve been able to tap into in order to climb the ladder and slide into the unknown.

photos by Pilotenkueche International Art Program

Challenged by the curator to interact and engage with  the unique space that Krudebude is, the works are often playful. Alongside that lightness comes precarity. Some in reaction to life experiences and others in response to the fine balance between stability and ruin that the space finds itself in. 

As Nicholas Adamson, one of the artists, so elegantly put it, 

The title ‘Rutschbahn’ invites one to ‘play’, or to return to an innocent state of mind. As artists, we engage in this uninhibited state when we create work. But at the end of the day, we ultimately must return to the so-called ‘real world’. This body of work navigates around these opposing visions to occupy the space in between work and dream, object and figment, and reality and fantasy. 


Rutschbahn // PK @ Krudebude

Vernissage Fri 16 Nov 2018 7PM
Performance Fri 16 Nov 2018 8PM
IT CONCERNS YOU by Reinhold Ponesch and Tamaki Kawaguchi

Open Sat 17 Nov – Wed 21 Nov 5PM – 8PM
Finissage Thur 22 Nov 2018 7PM

International Artists
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Jan Yongdeok Lim (Utrecht, Netherlands)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)

Local Artist
Julia Eichler (Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Assistants
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

Graphic Design
Elias Emtanes

PK coordinator
maeshelle west-davies

It concerns you: Reinhold Ponesch and Tamaki Kawaguchi. artists at Pilotenkueche Art Program perform at opening of "Rutschbahn" at Krudebude. 16 Nov 2018

It concerns you: Reinhold Ponesch and Tamaki Kawaguchi

Today’s culture is youth obsessed. But no matter how much we exercise, no matter how many anti-aging creams or plastic surgeries we have, there is no escaping time. Reinhold Ponesch and Tamaki Kawaguchi’s collaborative performance, IT CONCERNS YOU, addresses the unavoidable and taboo issue of dependency due to the aging process.

Ponesch portrays an elderly person who has become physically debilitated. Kawaguchi teeters between being mentally incapacitated and being the puppeteer that is time itself. Wearing a protective raincoat, Ponesch finds himself trapped in a box. As he tries to escape, Kawaguchi paints his raincoat and the latex walls of the box as he presses against them. Throughout the performance, elements of physical and psychological deterioration are revealed. Onlookers are invited to engage by responding to unexpected questions. The piece includes painting, video, dance, installation and movement inspired by Noh Theatre. 

  • Noh (能 ), derived from the Sino-Japanese word for “skill” or “talent”, is a major form of classical Japanese musical drama that has been performed since the 14th century.

This work has an autobiographical nature as Ponesch lost his father to Alzheimer’s last year. Considered a turning point in his career, Ponesch was moved to rethink death as a new beginning. The experience created a new desire for reconnection with his father and with his own inner being. IT CONCERNS YOU  is a reflection on this theme. On a personal level, the performance is a way for Ponesch to bond with his father. On a broader scale, he hopes that sharing it with other people will touch them in some way. Although the work stems from a particular situation, it embraces a common theme that we will all have to deal with at some point. 

 

The piece will be performed at the vernissage of Rutschbahn, the second in a series of four shows featuring the artists of the 37th round at Pilotenkueche Art Program. It was on a visit to Krudebude, where the show will take place, that Ponesch had the idea of making a collaborative performance with fellow artist Kawaguchi. At a first glance,  their work appears to be quite different. A closer look reveals a recurrent common thread: human interaction.

With a history in painting and installation, Reinhold Ponesch has chosen to explore “borders” by using different media whilst at Pilotenkueche. Although academically trained, Ponesch believes the real craft comes from trial and error. In his creative process, he describes two of his production methods: the first one has to do with an idea that is thought out in advance and then implemented directly onto the canvas. The second one is more related to fruition: to unconsciously let strokes and colours lead him to the final oeuvre. The artist also believes that objects can create extensions to his paintings. In his words, installations open a new spectrum of creativity, which sometimes can feel limited by only using paint.

Tamaki Kawaguchi is a painter and performer. Isolation and alienation are the keywords for her work. Wearing white overalls and masks to hide her identity in her performances, Kawaguchi puts herself inside a cubicle, which she often describes as her canvas. Kawaguchi questions the disappearance of the artist behind the work. By revealing the making of it, the production process becomes the final artwork itself. The actions take place in different contexts: parks, art galleries, among crowds or into natural landscapes. In presenting herself as a human being in these environments, Kawaguchi acknowledges her fate to work alone, even when performing communicative art.

In addition to the performance piece, It Concerns You, both Ponesch and Kawaguchi will join other International artists in showing individual works during Rutschbahn. 

written by curator Viviane Tabach


Rutschbahn at Krudebude

Vernissage Fri 16 Nov 2018 7PM
Open Sat 17 Nov – Wed 21 Nov 5PM – 8PM
Finissage Thur 22 Nov 2018 7PM

International Artists

Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci  (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Jan Yongdeok Lim (Utrecht, Netherlands)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)

Local Artist
Julia Eichler (Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Re-View: I Accept the Cookies

I came. I saw. I ate

Thursday 1 November 2018, I Accept the Cookies, the first exhibition of the 37th round of Pilotenkueche opened its doors.  It had taken days to prepare the exhibition space: from painting the wall, to arranging the work, and then finally placing the cookies (as promised in advance) in a highly visible place. 

all photos by PILTOENKUECHE ART PROGRAM

Thanks to the almost sterile environment of Ping Pong, upon arrival people could see how concisely everything was arranged. Using only one stone grey wall for the works of 13 different artists without creating an overwhelming impression certainly isn’t an easy act, especially when the artists had barely known each other only a couple of weeks.

There is an old German proverb that goes, “Too many cooks spoil the broth.” In our case it’s cookie dough.. But in the end with the remarkable knowledge and skill of the curator, Vivian Tabach, this cookie could’ve not been tastier.

Although most of the exhibited art was still in progress, as a whole it created a unique finished piece. In a simple, yet experimental way, with each artist participating with their own, personal flare, the installation mirrored the character of Lindenau in which the exhibition took place. Like the neighborhood and exhibition, Pilotenkueche is about people coming together. What matters isn’t the gender, the heritage, the religion etc. – but the common interest for art…and for cookies.

 all photos by PILTOENKUECHE ART PROGRAM

Diversity was also present in the audience, ranging from the artists themselves, former pilots and people from the local art scene to seniors who had read about the vernissage in the local newspaper LVZ – even more interesting since this broadsheet isn’t the exactly known for its affinity for contemporary art.

There was even one guy who just felt so attracted by our well placed bait – the plate of cookies shining at him from behind the glass pane – that he just had to accept them without looking further to see what was going on inside besides them. This was especially relevant as, in some way, it turned the virtual phenomena of just hitting “accept” without even reading the endless terms and conditions into a real thing. Eventually, sedated and with another cookie in his hands he also found interest in the art pieces. He could be found studying very closely the synergy of sketches and paintings, of the installations and leftovers attached to the stone grey wall giving just a hint what might be in the making behind the door of Pilotenkueche studio. He left with flyer in hand.

This was a really nice evening, with happy pilots and many interesting talks, leaving the audience hungry for the next crumbs in the artist’s little journey through the different art spaces of Leipzig. 

After this kick-off and with an even more strengthened bond, our pilots are already preparing their next exhibition: Rutschbahn. Come slide with us into it and see how they progress!

We would like to thank Ping Pong’s gallery owner, Marcel Noack,  for his collaborative spirit!

written by Elias Emtanes


I Accept the Cookies

International Artists:
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artist:
Julia Eichler (Halle, Germany)

Curator:
Viviane Tabach (São Paulo, Brazil)

Assistants:
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

 

 

In progress: I accept the cookies

People come to art residencies for all  kids of reasons, but those reasons all come back to one thing: work. First and foremost artists want to create. This may be influenced by what they experience here. It may include collaboration with other creatives they have met here. It always includes a progression of impressions in reaction to their new environment. These impressions are often overlooked. In the first show of the 37th round, I accept the cookies, we want to invite you into this secret world.

The artists have been here for a month now. During this time we have been having consultations and closely following their work: both past and current. This was imperative in deciding which pieces would be included in our upcoming shows.

We are currently installing I accept the cookies. It will include works from the entire group. In fact, the salon style hanging was chosen to show how the works correlate and create one single work. The open plan industrial loft studios at Pilotenkueche make it easy for artists to interact if they want to. This group of artists is feeding off each other and taking advantage of the randomness that has them in Leipzig at the same time. They understand this gift. 

photos by Pilotenkueche Art Program

I Accept the Cookies will be presented at the Ping Pong Kunstraum. “The title came up as an unpretentious wordplay with the new pilots at the kitchen (the artists at the Pilotenkueche!), baking some cookies and/or being the cookies and also makes reference to the pop-up window you have to accept to continue navigating online. This exhibition does not approach internet issues, but the situation of compromising your privacy in order to access content. In this case, privacy can be understood as the process: the artists unveil their process to the audience. This exhibition is the gateway to the contents you will see in the three following shows.” Vivian Tabach, guest curator.

Come meet the artists. They are a friendly bunch. And, yes, there will be cookies for you to accept.


I ACCEPT THE COOKIES
Kunstraum PING•PONG

Helmholtzstraße 1
04177 Leipzig, Germany

Vernissage: Thur 01 Nov 2018, 19h
Open: 02 – 04 Nov  17-20h

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International Artists:
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artist:
Julia Eichler (Halle, Germany)

Curator:
Viviane Tabach (São Paulo, Brazil)

Assistants:
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)