Tag Archives: UK

Curator Spotlight: Patricia Brien

Curating is a relatively new path for Patricia Brien, but it has been in development for a long time. Our Curator has an extensive experience in the academic field. Having taught in several universities at principal and senior lecturer levels and being employed in academic management positions, she knows how to organise and structure matters. Even in her speech this quality is recognisable, Patricia’s sentences are thought through. She is not afraid to take a deliberate pause to find the right word that will pierce through. Also, her approach to curation presents quiet moments for artistic thought. When conducting curation process, she believes in giving freedom to create. Observing the participants, Patricia detects connecting points within the group and thereafter forms a wireframe for a coherent exhibition.

An underlaying theme for this curator is human position in relationship to the inhuman, such as animals, plants and the unseen such as air and particles. She is inspired by neo-paganist love for rituals and storytelling, appreciating existing customs as well as creating new narratives, assigning meaning to objects and acts of no significance. Patricia Brien prefers site-specific work. This involves going outside and working with others or bringing the outside world inside. This Curator’s creative practice employs a two directional approach. Using both top-down and bottom-up strategies, Patricia can introduce efficiency within the group dynamics, simultaneously encouraging exchange of opinions and 2-way learning.

Patricia Brien is a lifelong learner and traveller. She has lectured and curated student work in numerous institutions, on different continents. Our curator has been exposed to numerous fields of study, though a lurking theme has been the fashion industry- covering fashion shows in Paris, investigating and incorporating sustainable and ethical fashion design. Her passion is textile art. Textile art is still an underrated art form, historically discriminated and dogmatised by the art world because it has been defined by the patriarchal canon as incapable of conceptual content due its historical connection with women.

The stay in Leipzig has given Patricia a taste for residencies, although she has previously taken part in several others, currently she is looking forward to producing her own work as well as creating community engagement projects with other artists.

Patricia Brien is a person who is always becoming, constantly doing something new. She considers daily rituals as an important means to centre oneself. She believes that throughout life we can continue to change and develop. Otherwise it’s boring.

written by Agnes


Reset unsettling flesh layers / vernissage / PK at AHS

Friday, 15. November 2019
19:00 bis 22:00

Alte Handelsschule, Gießerstraße 75, Kleinzschocher, 04229 Leipzig, Deutschland

Overwhelmed incorporeal happiness / vernissage / PK RD41

Saturday, 14. December 2019
19:00 – 22:00

Curator Spotlight: Colette Patterson

Colette is interested in exploring spaces and ecologies of care as curatorial methodologies. Halfway through her Master’s degree in Curating at Goldsmiths University, she has worked in the Arts and has been working in galleries, art spaces and artist-led initiatives.

Colette’s main interest lies in the exploration of radical space and ecology of care as curatorial methodologies. Her practice works as a social and political actor for reimagining and cultural questioning, political and social dichotomies. As an emerging curator, she is gravitating towards art in London that allows her to understand the artistic environment. 

Colette is co-founder of DICE festival, an artist- led festival of chance opportunities in London, where with her team she curates 3 nights of performances with 7 artists per night. She crosses a range of mediums, body based work, live art, comedy, sketches, “adembra”. With all that background and experiences, she believes that adding more substance to her practice work, which was missing before. 

Colette’s previous project was about exploring the universe of tenderness, exploring intimacies and edges of collapse, dialogues about process, stages of unconscious/ conscious action, how and what inhabits these places of exchange. The project was about exploring the perceptions, asking what is urgent in a strategy of tenderness. 

“I would like to see artists interact with space more and more, and it is one of the things that I am focusing on. My approach of curating is also to foster more dialogue. For this reason, I’m happy to see that today’s art gallery’s programmes are more a mix of established artists, new artists and spaces as well. I think universities should take more time to consider that kind of approach and topic because it is relevant”. 

With this Pilotenkueche, Colette is working in very close connection to the artists. She listens to their ideas and looks at their concepts, and then tries to join all their work into a curatorial concept

I am trying to expand the notion of curating regarding my methodology. Whether with the way of apprehending the artistic approaches but also with the kind of argumentation and the reflection on the works of artists. In this same logic of dialogue, consultation with them, I would like to make a good contribution not only to the artists but to art in general.

“I think there’s a deep truth in all human life that when we share our stories with others, we learn about ourselves in the act of sharing with others,”

Spaces, art, artists, communities, it’s time to evoke not only emotions but strong relationships.


Hungry Dungeon Friends

Saturday 24 August
Curatorial Tour by Colette Patterson
performance by 
Tom Alexander Austin

open 
Sunday 18 August – Sunday 1 September 
10AM-6PM (closed Mondays)
location:
Kunstkraftwerk
Saalfelder Str. 8
04179 Leipzig


Hungry Dungeon Friends Curatorial Tour

First and foremost, we’d like to thank everyone who packed the house for our Hungry Dungeon Friends vernissage at Kunstkraftwerk. The evening was one that still has people thinking nearly a week after. For those who missed it, the show is on until Sunday 1 September.

This Saturday at 3PM, our curator in residence, Colette Patterson will be giving a tour. Come find out what is behind the high quality works created by our International artists. We will also be gifted with a performance by Tom Austin.

Meanwhile, here are some images from the install and the vernissage shot by Stanley Louis, one of this round’s interns.

Hungry exchanges are often communicated through the affective fields of our bodies. The body-organism is linked to the world through a network of primal signifiers. An underworld of currents, there are some conversations that can only take place on the borders, on the edge of ourselves, of our contact with the other. The exhibition tries to circulate these borders, these textures, these interiorities, that are viscous, unformed, multiple and many times. We morph between states of consciousness, mapping unknown desires. This exhibition is the interim show of the Pilotenkeuche residents, and explores the possibility to traverse these spaces, inviting a tactile sensibility, and begs to ask what happens in a dungeon with friends? 

text by curator Colette Patterson


Hungry Dungeon Friends

Saturday 24 August
Curatorial Tour by Colette Patterson
performance by 
Tom Alexander Austin

open 
Sunday 18 August – Sunday 1 September 
10AM-6PM (closed Mondays)
location:
Kunstkraftwerk
Saalfelder Str. 8
04179 Leipzig


PK RD40 

International residents

Adam Tuch (sound, digital art, installation/US)
Agathe Barre (film/FR) 
Antonia Wetzel (performance, painting/DE)
Ariel Taylor (painting/US)
Clément Bedel (painting/FR) 
Christopher Sperandio (comics/US) 
Darien Crossley (performance, painting/US)
Helene Planquelle (painting, drawing/FR)
Isaac Magner (sound design, video/UK) 
Michella Perera (sculpture/UK)
Tom Alexander Austin (performance/UK)
Vernon O´Meally (painting/US)
Zara June Williams (painting/AU)
Zheng Wenxin (painting/CH)

Local Participants
Matthias Geisler (painting, printmaking/DE) 
Simon Schäfer (sculpture, film, sound, installation, digital/DE)

Curator
Colette Patterson (UK)

Assistants
Fiona Irene Graf (DE/UK) 
Huai-ya Lin (TW) 
Silvia Zandomeneghi (IT)
milkafterfish (instagram)
Stanley Louis (HA/FR) 
iam_stanlouis (instagram)– 

This was the 37th round

Last week we said goodbye to 2018 and, with it, our most recent residents. We will remember the ideas and collaborative spontaneity that filled the studio, but most of all their ability to play in life and through their art. We were able to bond through our collective experiences. Between our four exhibitions, our program days included day trips to Bauhaus and Halle. We saw Leipzig from many perspectives, talked to exhibiting artists, gallery owners, curators and project spaces. We toured the west with architects, went to museums and even to the Christmas market.

We danced, we laughed, but most of all: we created.

International Artists
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artists
Georg Lisek (Leipzig, Germany)
Julia Eichler (Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Assistants
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

ReView: SPOOR

SPOOR /spʊə,spɔː/

noun
1. the track or scent of an animal.
verb
1. follow the track or scent of (an animal or person).

The aim of the final exhibition resulting from 37th round of the Pilotenkueche International Art Program is to raise the issue of being-in-the-world, bringing forth the notion of perception. It is “the background from which all acts stand out, and is presupposed by them”. We do not perceive isolated sense-impressions because we only see things as they relate. Our mental representations are formed by our previous experiences and future expectations. Art can capture the affective primordial contact that tends to go unnoticed. Artists are embedded and immersed in the tangible day to day world and assume a life of their own, opening themselves to metaphoric meanings by responding with forms, shapes, and colours.

Contemporary artistic process is not only about understanding technical formalities and introducing them in the art practice, but about the production of strangeness. Thus, contemporary art does not refer to a single determining judgment. In principle, the artistic process is not governed by rules and pre-established categories: these are what the artist seeks to discover and establish in their work. Contemporary art embraces sensibility – the artworks aim to capture the displacement of subjectivity through experiments and propositions that operate as a circuit breaker of the perception. It is a deflection of what is known.

all images by Pilotenkueche International Art Program

This plurality is present during the selection of artists for the program. The choices are based on the quality of their works, not in an a priori theme for each round. This means the relationships outlined between their poetics are subsequent and follow the uniqueness of the pieces produced during the residency. After three months, it is clear that all artists have sought to trace relationships with the city: its characteristics and found artefacts, each of them making their own way. 

text by curator Viviane Tabach


For the vernissage of SPOOR, Pilotenkueche was happy to host three musical performances. Violinist Izabela Kaldunska, originally from Poland,  played excerpts from her experimental work “The New Solarism”, along with some freshly created compositions. Classically trained as a pianist Elif Murat, originally from Ankara, Turkey, also presented some of her new electronic chill out pieces ‘Ellie M.’. Then the pair joined to perform as Ichor, a  collaborative project in which they compose electronic dance music. Just like the artists on the residency, Izabela and Elif  met in Leipzig.


SPOOR
14-19 Dec 2018

International Artists
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artists
Georg Lisek (Leipzig, Germany)
Julia Eichler (Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Assistants
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

Graphic Design
Ines Alberty

AHS speech bubble PK

Re-View: Rutschbahn and Speech Bubble

Marking the half way point of the artists’ time at Pilotenkueche art residency, Rutschbahn, the second exhibition of Pilotenkueche round 37, opened on Friday, the 16th of November 2018 at Krudebude.  Krudebude is an unusual exhibition space set in a “Wächterhaus” – a very Leipzig concept which provides apartments and other project spaces for inexpensive rent –. This made for a intimate and friendly atmosphere throughout the evening .

The 10 participating artists were encouraged to collaborate and make use of the space and its peculiar characteristics. This was particularly visible with Buket Savci’s work Hole of Mystical Desire, which was placed in direct relation with the remains of flowered wallpaper on one of the doors;  Jan Yongdeok Lim’s installation Smoke, which appropriated the coal burning stove in one of the rooms, and Reinhold Ponesch’s RIDE MY HORNS, placed just above one of the door frames in the entrance hall in reference to the traditional placement of mounted horns.

A great number of guests arrived as soon as the clock hit 7pm, and just an hour later, everyone gathered in one of the rooms to watch Reinhold Ponesch and Tamaki Kawaguchi’s collaborative performance IT CONCERNS YOU. This was Reinhold Ponesch’s and Tamaki Kawaguchi’s first experience with performance art. It was engaging to see how fiercely emotions were portrayed by the two artists. The audience was also positively taken by surprise when encouraged to participate.

We welcomed some familiar faces, previously spotted at the artists’ first exhibitionI Accept the Cookies – who were enthusiastic to see the development of the artists’ practice from  its first work-in-progress sneak peak. New faces kept on arriving until late in the evening, and the same was visible at the finissage last Thursday, 22 November 2018. Ann-Kathrin – one of the organizers of Krudebude – was positively amazed by the show, claiming it was one of the best so far at the space, both in quality and attendance.

photos by Pilotenkueche  International Art Program

Just a week later, on Friday, 23 November 2018, the third exhibition of the 37th round of Pilotenkueche – Speech Bubble – opened its doors. This was the first exhibition showcasing all 14 artists, marking local artist Georg Lisek’s first exhibition of the round with the display of Mask Variation, one of the two video works that could be seen in the show.

The evening began with a welcome speech by Barbara Röhner, owner of Alte Handelsschule and organizer of its exhibition space, followed by words from curator Viviane Tabach. For the curator, this show marks a turning point in the artists’ creative journey at the residency, where they can naturally invent their spaces within the large floor areas of the space, as well as its high ceilings. The artists finally have the freedom to exhibit some of the larger works that have been behind the studio walls, anxiously awaiting their moment. There was also space to develop site-specific work, as Luca Arboccò so rightly did. 

Before reaching the second floor where the exhibition takes place, visitors were surprised by flashing colours on their right as they walked up the stairs. As they followed this intriguing set of blue and purple lights, they found the first piece from the exhibition, No Broken Mirrors Shift Between Our Glance, by Nicholas Adamson. At first just a broken chair carefully laid on the floor, once the visitors moved closer and engaged in the space, they could see a mirror below the chair, reflecting an oil painting of a clown.

 

photos by Pilotenkueche  International Art Program

As the visitors continued up the stairs, they were intoxicated by the sound of Izabela Kałduńska’s music performance “The New Solarism” as they entered the exhibition space. Sitting in harmony amid Finn Curry and David Benarroch’s sculptures, the audience was treated to an hour long experimental performance that shifted between loops of classical violin arrangements and other sounds such as tearing paper, taps on wood and voice. 

Some visitors were noticed exploring the processes of Jan Yongdeok Lim’s Draainweg series through touch, which was interestingly unusual; others were intrigued by Barry Amey’s pieces and their reflection of colour on the wall, and curiously placed their hands behind the pieces to sense their heat – or as they then discovered, the lack of it – in an attempt to explore if they conveyed any light. For many guests, the most striking pieces were Julia Eichler’s Borderwallprototype I and II, for their materiality and playfulness; discovering they are relatively light, considering appearing heavy.

As the evening progressed, the guests grew comfortable – some sat in each corner of the room discussing the different works on view, and others laid on the floor next to Ai Ikeda’s piece Reassembling Matters, almost blending in with the ropes, kraft and waste papers.

These were two nights to remember and we cannot wait to meet again at the most awaited of all exhibitions –  the final one.

SPOOR
Friday, 14 December 2018
at the PK studio space.


Last chance to see Speech Bubble:
finissage Friday 30 Dec from 7PM.


Rutschbahn

International Artists:
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Jan Yongdeok Lim (Utrecht, Netherlands)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)

Local Artist:
Julia Eichler (Halle, Germany)

Speech Bubble

International Artists:
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artists:
Julia Eichler (Halle, Germany)
Georg Lisek (Leipzig, Germany)

Curator:
Viviane Tabach (São Paulo, Brazil)

Assistants:
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

speech bubble photo ines

In progress: Speech Bubble

Artistic endeavour can develop in a number of ways. However, it often follows a certain pattern. In the beginning one doodles and experiments with materials. Acutely aware of their surroundings, one must be open to experience in order to be inspired. There comes a point where there is something to say. This motivates the artist to use techniques old and new to create.

The artists of the 37th round are ready to talk! Speech Bubble opens Friday 23 Nov at the Alte Handelsschule. The voices of 14 artists join to create a chorus without losing their individuality. The large scale of the shabby chic auditorium has enabled the artists to work larger and the result is breathtaking. There are just a few final touches to make before it’s perfect for you.

all photos by Pilotenkueche International Art Program

We are pleased to announce that violinist Izabela Kałduńska will perform THE NEW SOLARISM at the vernissage. Although classically trained, in her new solo project she experiments with her instrument to find new ways of creating what she calls “dreamscapes.” Supported by a loop station, she will explore the tension between romance and darkness. 


SPEECH BUBBLE
PK @ Alte Handelsschule

facebook event

Vernissage: Fri 23 Nov 2018 7PM
Performance: Fri 23 Nov 2018 8PM
THE NEW SOLARISM by Izabela Kałduńska (Gdańsk, Poland)
violin, loop station

Open: Sat 24 Nov – Thur 29 Nov 1PM – 5PM
Finissage: Fri 30 Nov 7PM

International Artists
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artists
Georg Lisek (Leipzig, Germany)
Julia Eichler (Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Assistants
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

Graphic Design
Ines Alberty

PK coordinator
maeshelle west-davies

In progress: Rutschbahn

With much excitement we are happy to announce we are almost ready for tomorrow’s vernissage of Rutschbahn. It’s been a busy week for sure, but preparation has been going on for much longer. I guess you could say that we’ve been preparing all our lives. 

Yes, anyone can learn skills, but few can allow themselves to be open to suggestion and create something from that. It is this gift that the artists of the 37th round have been using to get ready for Rutschbahn (German for playground slide). It is this childlike innocence that they’ve been able to tap into in order to climb the ladder and slide into the unknown.

photos by Pilotenkueche International Art Program

Challenged by the curator to interact and engage with  the unique space that Krudebude is, the works are often playful. Alongside that lightness comes precarity. Some in reaction to life experiences and others in response to the fine balance between stability and ruin that the space finds itself in. 

As Nicholas Adamson, one of the artists, so elegantly put it, 

The title ‘Rutschbahn’ invites one to ‘play’, or to return to an innocent state of mind. As artists, we engage in this uninhibited state when we create work. But at the end of the day, we ultimately must return to the so-called ‘real world’. This body of work navigates around these opposing visions to occupy the space in between work and dream, object and figment, and reality and fantasy. 


Rutschbahn // PK @ Krudebude

Vernissage Fri 16 Nov 2018 7PM
Performance Fri 16 Nov 2018 8PM
IT CONCERNS YOU by Reinhold Ponesch and Tamaki Kawaguchi

Open Sat 17 Nov – Wed 21 Nov 5PM – 8PM
Finissage Thur 22 Nov 2018 7PM

International Artists
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Jan Yongdeok Lim (Utrecht, Netherlands)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)

Local Artist
Julia Eichler (Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Assistants
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

Graphic Design
Elias Emtanes

PK coordinator
maeshelle west-davies

It concerns you: Reinhold Ponesch and Tamaki Kawaguchi. artists at Pilotenkueche Art Program perform at opening of "Rutschbahn" at Krudebude. 16 Nov 2018

It concerns you: Reinhold Ponesch and Tamaki Kawaguchi

Today’s culture is youth obsessed. But no matter how much we exercise, no matter how many anti-aging creams or plastic surgeries we have, there is no escaping time. Reinhold Ponesch and Tamaki Kawaguchi’s collaborative performance, IT CONCERNS YOU, addresses the unavoidable and taboo issue of dependency due to the aging process.

Ponesch portrays an elderly person who has become physically debilitated. Kawaguchi teeters between being mentally incapacitated and being the puppeteer that is time itself. Wearing a protective raincoat, Ponesch finds himself trapped in a box. As he tries to escape, Kawaguchi paints his raincoat and the latex walls of the box as he presses against them. Throughout the performance, elements of physical and psychological deterioration are revealed. Onlookers are invited to engage by responding to unexpected questions. The piece includes painting, video, dance, installation and movement inspired by Noh Theatre. 

  • Noh (能 ), derived from the Sino-Japanese word for “skill” or “talent”, is a major form of classical Japanese musical drama that has been performed since the 14th century.

This work has an autobiographical nature as Ponesch lost his father to Alzheimer’s last year. Considered a turning point in his career, Ponesch was moved to rethink death as a new beginning. The experience created a new desire for reconnection with his father and with his own inner being. IT CONCERNS YOU  is a reflection on this theme. On a personal level, the performance is a way for Ponesch to bond with his father. On a broader scale, he hopes that sharing it with other people will touch them in some way. Although the work stems from a particular situation, it embraces a common theme that we will all have to deal with at some point. 

 

The piece will be performed at the vernissage of Rutschbahn, the second in a series of four shows featuring the artists of the 37th round at Pilotenkueche Art Program. It was on a visit to Krudebude, where the show will take place, that Ponesch had the idea of making a collaborative performance with fellow artist Kawaguchi. At a first glance,  their work appears to be quite different. A closer look reveals a recurrent common thread: human interaction.

With a history in painting and installation, Reinhold Ponesch has chosen to explore “borders” by using different media whilst at Pilotenkueche. Although academically trained, Ponesch believes the real craft comes from trial and error. In his creative process, he describes two of his production methods: the first one has to do with an idea that is thought out in advance and then implemented directly onto the canvas. The second one is more related to fruition: to unconsciously let strokes and colours lead him to the final oeuvre. The artist also believes that objects can create extensions to his paintings. In his words, installations open a new spectrum of creativity, which sometimes can feel limited by only using paint.

Tamaki Kawaguchi is a painter and performer. Isolation and alienation are the keywords for her work. Wearing white overalls and masks to hide her identity in her performances, Kawaguchi puts herself inside a cubicle, which she often describes as her canvas. Kawaguchi questions the disappearance of the artist behind the work. By revealing the making of it, the production process becomes the final artwork itself. The actions take place in different contexts: parks, art galleries, among crowds or into natural landscapes. In presenting herself as a human being in these environments, Kawaguchi acknowledges her fate to work alone, even when performing communicative art.

In addition to the performance piece, It Concerns You, both Ponesch and Kawaguchi will join other International artists in showing individual works during Rutschbahn. 

written by curator Viviane Tabach


Rutschbahn at Krudebude

Vernissage Fri 16 Nov 2018 7PM
Open Sat 17 Nov – Wed 21 Nov 5PM – 8PM
Finissage Thur 22 Nov 2018 7PM

International Artists

Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci  (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Jan Yongdeok Lim (Utrecht, Netherlands)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)

Local Artist
Julia Eichler (Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Re-View: I Accept the Cookies

I came. I saw. I ate

Thursday 1 November 2018, I Accept the Cookies, the first exhibition of the 37th round of Pilotenkueche opened its doors.  It had taken days to prepare the exhibition space: from painting the wall, to arranging the work, and then finally placing the cookies (as promised in advance) in a highly visible place. 

all photos by PILTOENKUECHE ART PROGRAM

Thanks to the almost sterile environment of Ping Pong, upon arrival people could see how concisely everything was arranged. Using only one stone grey wall for the works of 13 different artists without creating an overwhelming impression certainly isn’t an easy act, especially when the artists had barely known each other only a couple of weeks.

There is an old German proverb that goes, “Too many cooks spoil the broth.” In our case it’s cookie dough.. But in the end with the remarkable knowledge and skill of the curator, Vivian Tabach, this cookie could’ve not been tastier.

Although most of the exhibited art was still in progress, as a whole it created a unique finished piece. In a simple, yet experimental way, with each artist participating with their own, personal flare, the installation mirrored the character of Lindenau in which the exhibition took place. Like the neighborhood and exhibition, Pilotenkueche is about people coming together. What matters isn’t the gender, the heritage, the religion etc. – but the common interest for art…and for cookies.

 all photos by PILTOENKUECHE ART PROGRAM

Diversity was also present in the audience, ranging from the artists themselves, former pilots and people from the local art scene to seniors who had read about the vernissage in the local newspaper LVZ – even more interesting since this broadsheet isn’t the exactly known for its affinity for contemporary art.

There was even one guy who just felt so attracted by our well placed bait – the plate of cookies shining at him from behind the glass pane – that he just had to accept them without looking further to see what was going on inside besides them. This was especially relevant as, in some way, it turned the virtual phenomena of just hitting “accept” without even reading the endless terms and conditions into a real thing. Eventually, sedated and with another cookie in his hands he also found interest in the art pieces. He could be found studying very closely the synergy of sketches and paintings, of the installations and leftovers attached to the stone grey wall giving just a hint what might be in the making behind the door of Pilotenkueche studio. He left with flyer in hand.

This was a really nice evening, with happy pilots and many interesting talks, leaving the audience hungry for the next crumbs in the artist’s little journey through the different art spaces of Leipzig. 

After this kick-off and with an even more strengthened bond, our pilots are already preparing their next exhibition: Rutschbahn. Come slide with us into it and see how they progress!

We would like to thank Ping Pong’s gallery owner, Marcel Noack,  for his collaborative spirit!

written by Elias Emtanes


I Accept the Cookies

International Artists:
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artist:
Julia Eichler (Halle, Germany)

Curator:
Viviane Tabach (São Paulo, Brazil)

Assistants:
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)