Tag Archives: Photography

Artist Spotlight: Coffee Kang

Coffee Kang is an artist encompassing many different worlds, all moving and shifting seemingly under her feet but she takes it in stride. It’s all impermanent, all part of the process. Having moved from China to Los Angeles to complete a Masters in photo media from the California Institute of the Arts she is now based in Southern California where she focuses her body of work on varying situations – how do we change spaces, how do spaces change us and how does culture affect these changes? As she creates meaning through her work we are invited to ask our own questions: how does process inform meaning? What is the importance of performance in relation to achieving a specific goal? These themes come up in Coffee’s time-based works, and so much more.

As she navigates her personal narrative using photo media, video and primarily performance centered pieces, the temporality of the medium helps to inform her personal and cultural historicity while trying to connect to a grander whole. This fluctuation, or state of flowing, relates back to how we move in certain spaces and how our culture affects perception as well as physical space. In this connection comes an exploration of inherited culture, identity and the power of the individual within a system.

While Coffee’s work changes in form it is comfortably placed within a tradition of performance and process, ultimately landing somewhere in the conceptualization and activities of Fluxus. In this established mode of creating ‘process matters more than the result’. This is the crux of the meaning making. It is not about a product, or even some intangible end result. More important, here, is the journey in the making. The performance or action is not to achieve something but to do something.

photos by PILOTENKUECHE or courtesy of artist

These ideas are brought to life in her past works and performances, most notably in her temporal work The Funeral, wherein she performed a funeral for a previous piece. This work, titled Days in the Matchbox, was sentenced to death by a necessary move from her studio. In this way the artist created meaning out of a daily life stressor. She used the end result of moving out of her studio as a catalyst for meaning making through performance while reanimating an older piece for one final action.

In her seemingly permanent state of impermanence, or ‘current of changing’, Coffee Kang finds herself in Leipzig amidst a group of international artists all creating their own meaning within the context of the host city and more specifically within the Pilotenkueche artist residency. In this light the themes she works with can shine – they can flourish not by providing answers but by leading viewers and participants through the construction of purpose that happens within a group, within a new city, within the very process of critical thinking in both art making and art viewing.

In an attempt to explore her subconscious self, she will be looking to the stars that hang above Leipzig and the White Elster river that cuts through it. By connecting with the water flowing through the city she connects with all of the different bodies of water she has resided near, by connecting with the stars she connects not only to her inner self but to all of us that reside beneath them.

written by Adrian Klaus Rotzscher

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See Coffee’s work in the following Pilotenkueche International Art Program shows: 

Elsewhere a Blue Line and the Absurdity of a Ghost on a Stone 

Vernissage: Sat 18 May 2019, 7PM
Open: Sun 19 – Sun 2 June 2019, 10AM – 6PM (closed Mondays)
Location: Kunstkraftwerk, Saalfelder Str. 8, 04179 Leipzig

Wrestling with Impermanence 

Vernissage: Fri 21 June 2019, 7PM
Open: Sat 22 – Wed 26 June 2019 1PM-5PM
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany
Performance: To be announced

Artist spotlight: Paul Altmann

When walking in the Oststrasse one can stumble upon a store with a charming interior accommodating a range of vintage objects carefully curated by the owners. This new space, formerly a butcher store dating from 1900 whose history is visible on the bluish ceramic tiles, was founded in 2017 by PK local artist Paul Altmann and his partner Antje Schaper. FANG studio works not only as a store for collected rarities, graphics and artworks, but is mutually a studio for two of them and an exhibition space. When visiting, one can also have a cup of coffee or chai and have a chat with Paul. He tells me how this multi-purpose space is their attempt to live a dream of free and open minded work, but is a hard job.

Along with running the gallery, within his art practice this Leipziger chooses political themes to address as a way to handle complexity of the world and times we are in. With photography and video as his main mediums, Paul dwells into wide range of practices; (de)constructing small models for the camera, appropriating found archival photographs, creating video loops, constructing installations in gallery space, text installations on the streets, and much more.

With a strong graphic appearance his images showcase the suggestive power of metaphorically peeling off, but also literally- melting, what we will see later, the real and concrete into a symbol. These symbols in becoming are in a certain way already symbols or simulations constructed by the media and society; toys exercising violence, small models apparently disarmed of previous power, print screens of videos questioning the real in the digital world, revealed conditions and provenance of social games such as Monopoly.

photos by PILOTENKUECHE International Art Program or supplied by Paul

Act of deducement happens. What is photographed is transited into something else. Here we encounter a ‘quasi identity’ in R.Barthes’ term. In his early work DAVID & NELSON, a simple model is built for the camera that becomes surely recognizable only when slowly deconstructed in a video loop, behaving as a destruction. Now, we certainly know that this is an abstraction of the smoldering of World Trade Center. Here again, an interpretation of a media image is encountered. If one agrees with W.J.Mitchell’s observation that this terrorist act was staged for the camera, we can notice range of Paul’s work sharing similar approach.

To recognize and not take it for granted that photography is always engaged with other media is what we call photo mediation. Paul recognizes this, and questions the pictures that are becoming future history. In this way he is positioning himself among artists that are challenging the uncritical and lazy piling up of the visual. Mostly news are his starting points; news to be thought as already existing images and news echoing those that are yet to come. Paul (re)depicts these with an ambivalent approach since his tendency to illustrate is without ambition to blame or polarize, but possibly to start debates.

In the past few months, Paul returned back to the models and toys as a main referent for addressing their relation to violence. He has been collecting toy guns in order to melt them down and photograph their transition. The toy shifts to an object stripped from its purpose which is a simulation itself; to allow children to mimic attack, and eventually war. Nowadays, they remind us on the presence of violence and are charged with agony of contemporary events.

Overall, much of his work engages with violence in an aesthetic and not directly disturbing way. His ‘transitions’ cause an odd feeling; revealing the media they are engaging with. Going through them with accompanied texts, we gain new knowledge. In The Edge of Vision: The Rise of Abstraction in Photography, writer Lyle Rexel points out that it is in the condition of contemporary photographs to ‘arrive now within a set of quotation marks’. Here again we return to photo mediation, when images influence others, even the most banal ones. In future encounters with similar referents, Paul’s work will inevitably be one of the quotes.

written by Samra Šabanović 

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Unfinished Hase

15 Feb – 23 Feb 2019
Alte Handelsschule, Gießerstraße 75, 04229 Leipzig, Germany

Fast Kotzen 

Vernissage:  23.03.19, 19h
Open:  24 – 27.03.19 17h-20h
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany

Artist Spotlight: Charles Park

 Photographing environmental interventions is how Charles describes his work when you meet him. An hour after he will take an awkward photo of you. Charles is severely enthusiastic about sneaking his film camera flash in front of one’s face, in order to catch, mostly an awkward but sometimes decently beautiful expression. To be fair, the developed photographs that he brings to our tables with a smile on his face are definitely honest and vulnerable portraits of all of us.

However, this is not what his artistic practice is all about. In his photographic work, he becomes less spontaneous and gives place to conceptualizing an image beforehand. Here we enter a more silent space; a stillness of a landscape, random forests and bushes covered with pink stripes, abandoned places, and secluded indistinguishable objects collected out of a landfill.

Charles does not record passively, but rather approaches the ‘photographic’ with interventions and deliberate constructions in an environment. This is his way of highlighting camouflaged properties exposing what is hidden before us. His practice aims for revealing and concealing the outside environment, which is what photography itself as a medium does. However, Charles confirms and emphasizes the both exposing and masking as a paradox, mainly in physical interventions he stages for his camera- returning himself, and us for that matter, to the never completely graspable language of photography.

His working process sometimes involves using a metal detector to investigate the hidden in a specific landscape, but also could mean spending a whole night in an abandoned building in Leipzig. In this particular case, he observed the light behavior on the building’s walls and reversed its function into a camera chamber. Here, he took the imperfections of the space and captured the light that beams across on daily basis. The colored designs highlight and help in understanding the layout of the architecture but also the placement of the concrete foundation in relation to the sun.

Heavily influenced by the surrounding landscape of southern California, specifically the severe drought and bush fires, his images reflect the shadows of those of ruins, products of human destructive hand and nature’s inevitable reaction. Photography has always had a strong relationship with geography. In today’s post-photography, when its practice and history is being challenged, it still holds an important role of transferring the invisible in the new geological era we have entered. For the exhibition Unfinished Hase Charles presented himself with a ‘double revealed’ by additionally inverting the colors of the final reproduction of the site intervention, in order to expose what is hidden in the very image itself.

All photos by PILOTENKUECHE International Art Program or courtesy of Charles Park

In Leipzig, what grabs his attention mostly are abandoned buildings, those stripped from their function multiple times. Ruins as ‘imperial debris’ or ‘architecture of oblivion’ to borrow these terms from two book titles, are strongly attached to Germany’s history where architectonic structures have been changing as governments and wars altered them. With new investigations of these places, Charles projects a capsule into the past. Furthermore, inhabiting them means a reunion with the present’s heterogeneity and recognizing its rich texture.

Born in Los Angeles, he has spent countless hours driving through southern California. This perhaps immediately recalls the American photography tradition that has been inspiring a variety of artists still today- the road trip. However, Charles did not take a record of the scenery as his main ambition, but primarily it helped him experience the terrain in a different way- on the move. This frequent driving through has helped him, so he speaks, to understand a diverse Eco climate in only a one day’s work. On the other hand, New York, where he currently lives and obtained his MFA from Parsons the New School for Art and Design, proved that he does not work well in limited space areas.

Knowing all of this, it comes as no surprise that we do not see Charles working in the studio often, but mostly chatting with us. To the greatest extent his work happens outside and on the move while he is appreciating the tranquility of the city. He is strongly determined to overcome the challenges in clearing out his image ideas into our world and focusing on controlling the scene in front of him, with only occasional bad weather standing in his way.

Written by Samra Šabanović

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Unfinished Hase

15 Feb – 23 Feb 2019
Alte Handelsschule, Gießerstraße 75, 04229 Leipzig, Germany

Fast Kotzen 

Vernissage:  23.03.19, 19h
Open:  24 – 27.03.19 17h-20h
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany

Work in progress: Setup of the Final Exhibition // 21.09.18

After two and a half months of the program, the artists are preparing for the final exhibition in the studio rooms of Pilotenkueche. With the support of the curator, positions are negotiated, new combinations of artworks are discovered, and even walls find new homes as the studio undergoes a metamorphosis in the days leading up to the opening on Friday, which will include work from each of our international residents and local participants, as well as performances from guest artists. 

All photos by Pilotenkueche

“CORPORAL TEMPERATURE”/ international group exhibition

Opening: 21.09.18, 18h
Open: 22.09 – 25.09.18, 10h-15h
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany

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Program: 21.09.2018

18h Opening
19h 0000                  Chelsea Markuson, Resident of the 36th round – Performance
20h Book of Secrets Beate Körner, Resident of the 36th round – Performance
        Strings               Ando Saori, Resident of the 36th round – Performance
21h Rosalind Franklin – Sound Performance
22h+ Aftershow

Artists

International residents
Arabella Hilfiker (Painting, Printmaking, Book Art; Cambridge, UK)
Chelsea Markuson (Installation, Drawing, Performance; East Lansing, Michigan, USA)
Jing Tan (Sculpture, Performance; China/London, UK)
Curtis Welteroth (Installation, Painting; Pittsburgh, Pennsylvania, USA)
Lily Cummins (Drawing, Installation; Darlinghurst, Australia)
Maya Perry (Drawing, Animation, Sound; Tel Aviv, Israel)
Nathan Jay Brooker (Painting; Perth, Australia)
Simona Reisch (Photography ; Vienna, Austria)

Local Participants
Beate Körner (Performance, Conceptual; Leipzig, Germany)
Undine Bandelin (Painting; Leipzig, Germany)

Curator
Vanessa Souli (Writer, Artist Manager; Berlin, Germany / Greece)

Assistants
Alex Davidson (Social Media, PR, Promotion; Edinburgh, UK)
Brodie Weir (Art Management, Art History; Orwell, UK)

Piloten Küche round 36 Vanessa Soli, Curtis Welteroth, Lily Cummins. photo maeshelle west-davies

Re-View: Consultation // 11.09.18

Curator Vanessa Souli selects works for “CORPORAL TEMPERATURE”, round 36 final show. Curating a show is much more than just hanging some pictures. A bad install can ruin the whole thing. Works should engage and empower each other. In order to get a complete picture of the deeper meaning behind each of the artists’ works, Vanessa Souli speaks with each artist individually.  She has also been here throughout the entire round and has been able to witness  how working in a foreign environment with new people has influenced both the work and the artists, themselves.

The Final Exhibition of our residents from the US, Japan, Argentina, UK, Germany, Austria, China, and Taiwan, will present ongoing work after three months spent at the residency. This round of artists had a particular focus on painting, textile art, installation, sculpture, and performance, and one sound artist who also will contribute their work to the program of the Final Show.

All photos by Pilotenkueche

 

“CORPORAL TEMPERATURE”/ international group exhibition

Opening: 21.09.18, 18h
Open: 22.09 – 25.09.18, 10h-15h
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany

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Program: 21.09.2018

18h Opening
19h 0000
Chelsea Markuson, Resident of the 36th round – Performance
20h Book of Secrets
Beate Körner, Resident of the 36th round – Performance
Strings
Ando Saori, Resident of the 36th round – Performance
21h Rosalind Franklin – Sound Performance
22h+ Aftershow

Artists

International residents
Arabella Hilfiker (Painting, Printmaking, Book Art; Cambridge, UK)
Chelsea Markuson (Installation, Drawing, Performance; East Lansing, Michigan, USA)
Jing Tan (Sculpture, Performance; China/London, UK)
Curtis Welteroth (Installation, Painting; Pittsburgh, Pennsylvania, USA)
Lily Cummins (Drawing, Installation; Darlinghurst, Australia)
Maya Perry (Drawing, Animation, Sound; Tel Aviv, Israel)
Nathan Jay Brooker (Painting; Perth, Australia)
Simona Reisch (Photography ; Vienna, Austria)

Local Participants
Beate Körner (Performance, Conceptual; Leipzig, Germany)
Undine Bandelin (Painting; Leipzig, Germany)

Curator
Vanessa Souli (Writer, Artist Manager; Berlin, Germany / Greece)

Assistants
Alex Davidson (Social Media, PR, Promotion; Edinburgh, UK)
Brodie Weir (Art Management, Art History; Orwell, UK)

The PILOTENKUECHE art program is an independent project, open to artists of all nationalities. The common goal of the final group exhibition leads to intensive dialogue about individual ideas and practices, and binds each artist temporarily into a group, leading to a long term network that exists even after the residency is over.

Artist Talks: “Space Chorus” // 30.08.18

Here are a few impressions of this weeks artist talks at the Alte Handelsschule exhibition Space Chorus with the latest residents from the UK, Israel, Japan, China, Australia, Argentina and the US. We gained an insight on the current approaches at our studios, highlighting diverse methods of negotiation between space, object, and interpretation. This round has an interest in reinterpreting tradition, pinching social norms, and using interdisciplinary methods in ways that are both playful and sincere. 

All photos by Pilotenkueche

For those who were unable to attend, feel free to join us at the Finissage on August 31st at 19:00h! 

We are excited to show you what we have been working on this round, and hope to see you there!

Artists

International residents
Ando Saori (Performance, Choreography, Video, Photography; Osaka, Japan / Bielefeld,
Germany)
Arabella Hilfiker (Painting, Printmaking, Book Art; Cambridge, UK)
Chelsea Markuson (Installation, Drawing, Performance; East Lansing, Michigan, USA)
Curtis Welteroth (Installation, Painting; Pittsburgh, Pennsylvania, USA)
Jing Tan (Sculpture, Performance; China/London, UK)
Lily Cummins (Drawing, Installation; Darlinghurst, Australia)
Maya Perry (Drawing, Animation, Sound; Tel Aviv, Israel)
Nathan Jay Brooker (Painting; Perth, Australia)
Simona Reisch (Photography ; Vienna, Austria)
Zoe Trilnick Farji (Collage, Mixed Media, Poetry ; Buenos Aires, Argentina)

Local Participants
Beate Körner (Performance, Conceptual; Leipzig, Germany)
Undine Bandelin (Painting; Leipzig, Germany)

Curator
Vanessa Souli (Writer, Artist Manager; Berlin, Germany / Greece)

Assistants
Alex Davidson (Social Media, PR, Promotion; Edinburgh, UK)
Brodie Weir (Art Management, Art History; Orwell, UK)

 

Final Exhibition // “CORPORAL TEMPERATURE” of the 36th round / 21.09.18

The Final Exhibition of our residents from the US, Japan, UK, Germany, Austria, and China, will present ongoing work after three months spent at the residency. This round of artists had a particular focus on painting, textile art, installation, sculpture, and performance, and one sound artist who also will contribute their work to the program of the Final Show.

Here are impressions of their most recent preview exhibition, realized and displayed at the space of our partner Alte Handelsschule:

All photos by Pilotenkueche

We are also pleased to incorporate the work of our local participants,  as well as our guest artists featured during the program of the opening night at our studios. 

“CORPORAL TEMPERATURE”/ international group exhibition

Opening:  21.09.18, 19h
Open:  22.09 – 25.09.18 17h-20h
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany

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Program: 21.09.2018
18h – Opening
19h – 0000 – Chelsea Markuson, Resident of the 36th round – Performance
20h – Book of Secrets – Beate Körner, Resident of the 36th round – Performance
        – Strings – Ando Saori, Resident of the 36th round – Performance
21h – Rosalind Franklin – Sound Performance
22h – Aftershow

Artists

International residents
Ando Saori (Performance, Choreography, Video, Photography; Osaka, Japan / Bielefeld,
Germany)
Arabella Hilfiker (Painting, Printmaking, Book Art; Cambridge, UK)
Chelsea Markuson (Installation, Drawing, Performance; East Lansing, Michigan, USA)
Curtis Welteroth (Installation, Painting; Pittsburgh, Pennsylvania, USA)
Jing Tan (Sculpture, Performance; China/London, UK)
Lily Cummins (Drawing, Installation; Darlinghurst, Australia)
Maya Perry (Drawing, Animation, Sound; Tel Aviv, Israel)
Nathan Jay Brooker (Painting; Perth, Australia)
Simona Reisch (Photography ; Vienna, Austria)

Local Participants
Beate Körner (Performance, Conceptual; Leipzig, Germany)
Undine Bandelin (Painting; Leipzig, Germany)

Curator
Vanessa Souli (Writer, Artist Manager; Berlin, Germany / Greece)

Assistants
Alex Davidson (Social Media, PR, Promotion; Edinburgh, UK)
Brodie Weir (Art Management, Art History; Orwell, UK)

 

We hope to see and meet you during our events!

Re-View: “Space Chorus” // 17.08.18

Here are some impressions of our first preview show of the 36th round. Thank you to all the attendees, artists, and friends, as well as organizer Barbara Röhner for this exhibition at Alte Handelsschule, which presented a range of our Pilots’ work after a month and a half in the program. For those who were unable to attend, feel free to come by during opening hours or join us at the Finissage on August 31st at 19:00h! 
We are excited to show you what we have been working on this round, and hope to see you there!

Impressions:

All photos by Pilotenkueche

“Space Chorus” / international group exhibition

Opening:  17.08.18, 19h
Open:  18.08 – 30.08.18, 17 – 20h
Finissage: 31.08.18 19h
Location:
Alte Handelsschule, Gießerstraße 75, 04229 Leipzig, Germany

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Artists

International residents
Ando Saori (Performance, Choreography, Video, Photography; Osaka, Japan / Bielefeld,
Germany)
Arabella Hilfiker (Painting, Printmaking, Book Art; Cambridge, UK)
Chelsea Markuson (Installation, Drawing, Performance; East Lansing, Michigan, USA)
Curtis Welteroth (Installation, Painting; Pittsburgh, Pennsylvania, USA)
Jing Tan (Sculpture, Performance; China/London, UK)
Josefina Maro & Salvador Marino (Performing Arts, Digital Arts; Cordoba, Argentina)
Lily Cummins (Drawing, Installation; Darlinghurst, Australia)
Maya Perry (Drawing, Animation, Sound; Tel Aviv, Israel)
Nathan Jay Brooker (Painting; Perth, Australia)
Simona Reisch (Photography ; Vienna, Austria)
Zoe Trilnick Farji (Collage, Mixed Media, Poetry ; Buenos Aires, Argentina)

Local Participants
Beate Körner (Performance, Conceptual; Leipzig, Germany)
Undine Bandelin (Painting; Leipzig, Germany)

Curator
Vanessa Souli (Writer, Artist Manager; Berlin, Germany / Greece)

Assistants
Alex Davidson (Social Media, PR, Promotion; Edinburgh, UK)
Brodie Weir (Art Management, Art History; Orwell, UK)

Exhibition in progress: Space Chorus

After one and a half month of the program, the artists are preparing for the preview exhibition “Space Chorus” at Alte Handelsschule. The show will present a selection of recent works of all residents and will provide a unified aesthetic, aiming to combine all different disciplines in a curated, eloquent show. It is our goal to trigger and develop a dialogue, to propel a participative mandate between enthusiasts & artists and at the same time create a clean, structured aesthetical composition.

This round of artists from all over the world including USA, UK, Argentina, Australia, Germany, Israel, and China, comprises of versatile practices including painting, drawing, sculpture, installation, performance and has a special focus on the use of materials and the possible experimentations with textures, compositions and their interaction with space. We hope to see you at Alte Handelsschule tomorrow!

All photos by Pilotenkueche

“Space Chorus” / international group exhibition

Opening:  17.08.18, 19h
Open:  18.08 – 30.08.18, 17 – 20h
Finissage: 31.08.18 19h
Location:
Alte Handelsschule, Gießerstraße 75, 04229 Leipzig, Germany

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Opening Program

19:00h  Introduction
20:00h  “Book of Secrets” – Performance by Beate Körner
20:00h “but there is no one for me….” – Performative installation by Jing Tan
20:30h “Memory of Body” – Performative Sculpture by Ando Saori
21:00h Music Performance by Maya Perry
21:30h “Broken Bones” – Music Performance by Pieps Tot

Artists

International residents
Ando Saori (Performance, Choreography, Video, Photography; Osaka, Japan / Bielefeld,
Germany)
Arabella Hilfiker (Painting, Printmaking, Book Art; Cambridge, UK)
Chelsea Markuson (Installation, Drawing, Performance; East Lansing, Michigan, USA)
Curtis Welteroth (Installation, Painting; Pittsburgh, Pennsylvania, USA)
Jing Tan (Sculpture, Performance; China/London, UK)
Lily Cummins (Drawing, Installation; Darlinghurst, Australia)
Maya Perry (Drawing, Animation, Sound; Tel Aviv, Israel)
Nathan Jay Brooker (Painting; Perth, Australia)
Simona Reisch (Photography ; Vienna, Austria)
Zoe Trilnick Farji (Collage, Mixed Media, Poetry ; Buenos Aires, Argentina)

Local Participants
Beate Körner (Performance, Conceptual; Leipzig, Germany)
Undine Bandelin (Painting; Leipzig, Germany)

Curator
Vanessa Souli (Writer, Artist Manager; Berlin, Germany / Greece)

Assistants
Alex Davidson (Social Media, PR, Promotion; Edinburgh, UK)
Brodie Weir (Art Management, Art History; Orwell, UK)

Re-View: Consultations

The consultation between a curator and an artist is a crucial moment for the exhibition. The direct contact between the participants guides the overall direction of the curation, and encourages creativity, a process that transforms the initial and individual ideas. In this pairing, we develop a different concept about an exhibition, one that is greater than the ideas of one mind. The consultation period also allows the artist to reevaluate their work and to compare their ideas with an outsider, which ultimately helps define their position in the exhibition. It is likewise essential for the curator to understand the individual pieces that are a part of the exhibition as a whole. We are looking forward to a night of performances and collaboration, and would again like to invite you to Space Chorus, the preview exhibition of the 36th round at Alte Handelsschule!

Opening:  17.08.18, 19h
Open:  18.08 – 30.08.18, 17 – 20h
Finissage: 31.08.18 19h
Location:
Alte Handelsschule, Gießerstraße 75, 04229 Leipzig, Germany

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Opening Program

19:00h  Introduction
20:00h  “Book of Secrets” – Performance by Beate Körner
20:30h “Memory of Body” – Performative Sculpture by Ando Saori
21:00h Music Performance by Maya Perry
21:30h “Broken Bones” – Music Performance by Pieps Tot

All photos by Pilotenkueche 

International residents
Ando Saori (Performance, Choreography, Video, Photography; Osaka, Japan / Bielefeld,
Germany)
Arabella Hilfiker (Painting, Printmaking, Book Art; Cambridge, UK)
Chelsea Markuson (Installation, Drawing, Performance; East Lansing, Michigan, USA)
Curtis Welteroth (Installation, Painting; Pittsburgh, Pennsylvania, USA)
Jing Tan (Sculpture, Performance; China/London, UK)
Josefina Maro & Salvador Marino (Performing Arts, Digital Arts; Cordoba, Argentina)
Lily Cummins (Drawing, Installation; Darlinghurst, Australia)
Maya Perry (Drawing, Animation, Sound; Tel Aviv, Israel)
Nathan Jay Brooker (Painting; Perth, Australia)
Simona Reisch (Photography ; Vienna, Austria)
Zoe Trilnick Farji (Collage, Mixed Media, Poetry ; Buenos Aires, Argentina)

Local Participants
Beate Körner (Performance, Conceptual; Leipzig, Germany)
Undine Bandelin (Painting; Leipzig, Germany)

Curator
Vanessa Souli (Writer, Artist Manager; Berlin, Germany / Greece)

Assistants
Alex Davidson (Social Media, PR, Promotion; Edinburgh, UK)
Brodie Weir (Art Management, Art History; Orwell, UK)