Tag Archives: Painting

Artist Spotlight: Roman Bicek

“Change yourself.  You see the hypocrisy of trying to change another person.”  Roman prefers to draw attention to an issue, rather than make a statement that can be from an egotistical or self-centred position.  He works with humour and cynicism, not with a mission of political statement.  He likes to keep the viewer on edge, and draw attention to the materials of the object or image made.

By collecting images and text, he builds on layers of meaning.  There is a certain sense of immediacy in the way the work is put together, with his mark making reduced to the few strokes of the material he has chosen and with all the layers evident.  “I’m not gonna make more marks if I don’t think it necessary because my uncertainty would show if I don’t know what to do next”.  Every mark and image has purpose and is carefully considered or edited out, yet there is a sense of spontaneity and play with chance in the drawings and paintings Roman produces.

all photos by PILOTENKUECHE International Art Program

Punk and Alternative culture influenced his youth.  After years in Bratislava, his family moved to England where Roman spent his preteen years skateboarding and listening to the aggressive music of the 80s and 90s.  Having to take time learning English, he got into comics and illustrations.  Visual language started to gain importance, as his free expression through a new language was limited.  Both the influences and the need for expression kept a raw energy to what he put down.  He explains that with painting he wants to be true, to have it unrefined, and have the viewer sense and see the materials as they are.  

Not enough painters ask themselves why they paint or why they choose the medium.  Roman has witnessed waves of painters in the scene come and go, and recognises painting as a problematic material that needs to be challenged by the artist.  The notion of painting as a dead art form has been in conversation for years and as much as Roman sees the limitations of what he is doing, there is a pure necessity to continue doing it.  It has come to the point that art making is therapeutic in many ways, and if he doesn’t do it he feels a great urge to do it.  

Whether he exhibits or not, he continues to choose to struggle and compete with himself and the medium.  Not everything he makes will be exhibited or shown to the public, but the motivation to continue creating comes from a personal need to continue doing it.  He constantly keeps multiple works he develops at the same time, which helps convey the thought with more content.  He dissects images he comes across and thinks of ways to put them together that changes the connotations which may not be very rational at first but builds up to create new meanings.  He consistently challenges his own views and tests them through this on-going process.

Interacting with people he wouldn’t normally get a chance to, and seeing their motivations and passions play out in the open format studio setting of Pilotenkueche has been a humbling experience for him. Being exposed to other artists with different backgrounds, ideologies and experiences in the residency has enriched the quality of his time here in Leipzig. After the residency, Roman will be again immersed in having to work and continue his projects with artist run spaces and collectives he is involved with.  Hence, knowing his time will be precious, he relishes in the time to focus on himself and his work for the remaining weeks here.  

written by mihyun maria kim

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Unfinished Hase

15 Feb – 23 Feb 2019
Alte Handelsschule, Gießerstraße 75, 04229 Leipzig, Germany

Fast Kotzen 

Vernissage:  23.03.19, 19h
Open:  24 – 27.03.19 17h-20h
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany

Artist Spotlight: Ludmila Hrachovinova

“Everything results from something in the past, not coming from nowhere, but rather from something familiar and approachable…” Ludmila talks about the source of her inspiration as something that reminds her of something else past.  A scent, an object, a moment, a certain movement- all of these can trigger her curiosity that leads to a vocabulary of shapes, colours, lines and textures in her drawings and paintings.

The colour palette is always taken from the colours of the reality around her.  Ludmila selects her colours carefully through experimenting with mood boards and sketches before working on larger scale pieces.  She finds it satisfying when she works with the contrasts between vivid colour and that which is blurred.  The varied areas of focus in her work is chosen intuitively, and the aesthetics are a result of her emotions and something in the subconscious that is unintentionally triggered by something around her.

Micro-perspective, human bones, bending of nature, continuation like plants growing, transmission into something else, evolution of things, shapes, corners, tubes, joints, places that bend where two parts connect or come together, all refer back to the body.  She likes the tactile qualities of the materials she draws and paints with.  By pushing, smudging, rubbing, digging, mixing, she tests the limits of expression by the materials to their fullest.

When displaying her paintings and drawings she wants the viewer to have a moment of encounter.  Her paintings are of feelings, of personal experience, and she wants the audience to have a personal experience with her works. The discovery is encouraged by the way she places the works off the wall, either hanging from the ceiling or on a structure which allows the viewer to see it from various angles and from below on ‘mattresses’.  The mattresses are fabrics stitched together with embroidery sown by hand or machine that correlates the shapes and lines of her works as a mirroring of images.  She plays with the position of the works and of the viewer, and encourages interaction.

Pilotenkueche has motivated her to work faster than her normal speed, and for the first time she explores working with pastels, which were on view at the first show at Alte Handelschule.  For the final show, she will continue to work with pastels on paper, and expand to larger works in oil.  How she will display them and what memories we will tap into will only be discovered during the show.

written by mihyun maria kim

Feature image by Charles Park.

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Unfinished Hase

15 Feb – 23 Feb 2019
Alte Handelsschule, Gießerstraße 75, 04229 Leipzig, Germany

Fast Kotzen 

Vernissage:  23.03.19, 19h
Open:  24 – 27.03.19 17h-20h
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany

Artist spotlight: José Sarmiento

Affection, tension and violence are the dramatic narratives in which José Sarmiento’s paintings capture the viewer. Just as in his work, so do in his life, extremes converge and coexist: in the works of this positive and calm but ambitious person every hint of tranquility disappears.

Being a painter was not an aware decision. Our Colombian artist is drawn to painting and its communication abilities: a communication cut-off from the verbal.

“You don’t think with words, but through painting. It is another way of thinking, deepest; based on the materials and the body”.

According to Sarmiento, there is a space between what you expect to do, and how you redirect it into action, over which you have no control. “Between these two phases there is a huge space, that of direction and loss”. In this way, there is a meeting of the conscious with the unconscious.

all photos by PILOTENKUECHE International Art Program

Between passion and calmness, the constant in José is creativity. Being a confluence of diverse facets and states himself, his artistic work is the result of the infinite artistic concerns that nourish his vision. Within his painting he brings an insightful and intelligent perspective, suggestive connections between literature and cinema, and a contagious enthusiasm that leads him to declare “how chévere art is”. His painting is a clash of all disciplines he loves: he thinks of his projects as a narrative. He takes a moment of an event and expresses it in the purest Baroque style.

There is a strong presence of homosexuality. His works show two bodies longing for devouring oneself affectionately. It exposes the blurred boundaries of the body during sex, showing the animal part of the male body. In its outline there is room for biographical and fantastic. The fantasy of homosexuality, due its historical existence as something forbidden and hidden, José sees as something magical.

The rise to imagination is given. Before and after is the receptor’s choice. To get to this point, he recollects images firstly. He chooses the materials that best fit and starts working on it, with pastel colors and transparency paper being his favorites. His artistic process is based on contemplation, thinking, and subsequent execution. Even so, he is inspired by rapid processes; José does not give opportunity to boredom.

In Cain, Abel, one of his exhibitions, he was showing a confrontation of opposites: works of different resources in perfect connection. In it, he set up a discourse based on differences. Something like the artist’s own metaphor.

One of his greatest inspirations is the German choreographer Pina Bausch, one of the pioneers of dance theater. The idea of ​​repetition and liberation of the movement seduced José. But above all, the philosophy that Bausch safeguards: the constancy that leads to ease. That hypothetical spontaneity of the dance, in the words of Sarmiento, is due to the continuous repetition and its poetic truth.

He was dazzled by Germany’s pictorial history, both expressionism and contemporary painting. From Leipzig and Pilotenkueche he hopes to learn from everybody in the residency and to be nourished by the external artistic process. From himself José expects to generate empathy with the public and transmit his inner message through that particular communication: painting.

Written by María Valcárcel

Come and see Jose’s works in the following shows:

Unfinished Hase

Open:  16 – 23.02.19, 13 – 17h
Finissage: 23.02.19 19h
Location: 
Alte Handelsschule, Gießerstraße 75, 04229 Leipzig, Germany

Fast Kotzen 

Vernissage:  23.03.19, 19h
Open:  24 – 27.03.19 17h-20h
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany

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En José Sarmiento conversan y conviven los extremos: la persona, positiva y tranquila pero ambiciosa, quiebra en una quieta armonía la obra, donde todo atisbo de tranquilidad desaparece. La narración drámatica en su pintura capta al espectador a través del afecto, la tensión y la violencia.  

Ser pintor no fue una decisión consciente; simplemente empezó a hacerlo y se convirtió en su medio predilecto de expresión. Nuestro artista colombiano se siente atraído por la pintura y sus capacidades comunicativas: una comunicación alejada de lo verbal. “No piensas con las palabras, piensas a través de la pintura, es otra forma de pensamiento más profunda; a partir de los materiales y del cuerpo”. Según Sarmiento, hay un espacio entre lo que esperas hacer (las expectativas), y en cómo las rediriges al movimiento, sobre el que no tienes control. “Entre estas dos fases hay un espacio enorme, el de dirección y pérdida”. De esta forma, hay un encuentro de lo consciente con lo inconsciente.

Entre la pasión y la calma, la constante en José es la creatividad. Siendo él mismo la confluencia de diversas facetas y estados, su obra artística es el resultado de las infinitas inquietudes artísticas que nutren su visión. Con su pintura aporta una mirada perspicaz e inteligencia, sugestivas conexiones entre literatura, cine y pintura, y un contagioso entusiasmo que le lleva a declarar “lo chévere que es el arte”. Su pintura es el choque de todas las disciplinas que ama: piensa en sus proyectos como una narración, coge un momento, un encuentro y lo plasma al más puro estilo barroco. Hay una fuerte presencia de la sexualidad y la homosexualidad. Por lo general muestra dos cuerpos donde hay un anhelo por devorarse afectivamente. Muestra los límites difuminados del cuerpo durante el sexo, mostrando la parte animal del cuerpo masculino. En su trazo hay cabida para lo biográfico y lo fantástico. La fantasía de la homosexualidad,  por su histórica relación con lo prohibido, lo oculto, para él volcado en la magia.

Mientras los espectadores salivan por conocer el final de la historia, José toma un único extracto de su narración interna para dar pie a la imaginación. El antes y el después es a elección del consumidor. Para llegar a este punto, recolecta imágenes. A partir de ellas escoge los materiales que mejor se ajusten y empieza a trabajar sobre ello, siendo los colores pasteles y el papel de transparencia sus favoritos. Su proceso artístico se basa en la contemplación, en el pensamiento, y posterior ejecución.  Aún así, le inspiran los procesos rápidos; José no da oportunidad al aburrimiento.

Caín, Abel, fue una de sus 4 solo exhibition. Ésta fue la confrontación de los opuestos: obras de diferentes recursos en perfecta conexión. En ella, configuró un discurso a partir de la diferencia. Algo así como la propia metáfora del artista.

Una de sus mayores inspiraciones es la alemana Pina Bauch, una de las pioneras de la danza teatro. La idea de repetición y liberación del movimiento sedujo a José. Pero sobre todo, la filosofía que salvaguarda Bauch: la constancia que lleva a la soltura. Esa hipotética espontaneidad de la danza, en palabras de Sarmiento, se debe a la continua repetición y a su verdad poética.

De Alemania le encandiló su historia pictórica, tanto el expresionismo como los pintores contemporáneos. De Leipzig y de Pilotenkueche espera aprender de las personas que residen con él, tener otras perspectivas y nutrirse del proceso artístico externo. De sí mismo, busca generar empatía con el público y transmitir su mensaje interior a partir de esa comunicación tan particular: la pintura.

Written by María Valcárcel

PK says farewell to Martin Holz

Martin Holz was and remains a PK pilot. He came to create art, but fell in love with Pilotenkueche for its potential. During his five years as Director, it developed into much more than a residency. Today Pilotenkueche is a multi-faceted program that gives more than a space in a shared studio. It recognizes a growing trend of curation by offering emerging curators three month internships. While here, they do consultations with artists, write texts and, of course, curate the shows. It also gives interns a chance to be very hands-on in the day to day happenings, including graphic design for exhibitions and writing posts for the website.

When Martin arrived as an artist, PK was located in HALLE 14 at Spinnerei and was host to around five international artists. Now it is housed in its own space in the up and coming art area of Leutsch. Each of the approximately 12 International artists has up to 36 square meters and all have inspiring views.

all photos by PILOTENKUECHE International Art Program

The new space was just a shell when he got it, but he knew this was a place he could expand the project and make his vision come true. He worked tirelessly to have it ready for the 10th Pilotenkueche anniversary in spring of 2017. He did all the wiring, built walls, put in windows, a bathroom, a tea kitchen and an office area. He carefully designed the space so that some walls could be moved to give more flexibility when converting it from work space to exhibition space. Yes, the art was always the heart of it all.

The last five years have given Martin many wonderful memories of bonding and creating. Last November he was pleased to open Heat Lee’s show, AXIO, at the MdBK. While Heet was a resident at Pilotenkueche, the two recognized they shared the ability to see the darkness.

Martin intermingled performance and text, drawing comparisons to karate and being an artist. The fight between order and chaos requires offensive and defensive skills. In her paintings, Lee searches for the moments between chance and control. This was always a quest that Martin was happy to seek.

It was on purpose that Pilotenkueche remained an artist run program. The program supports artists in finding applicable individual funding. His goal was to create a safe space in which artists could engage and collaborate, but didn’t confine them to the program. In working together with Natalia Kalicki or Magdalena Cichon as coordinator, Martin tried to give as many opportunities to engage the local community as possible. This is why there are also two local artists each round. While they have their own studios in town, they accompany the residents on program days where a variety of high and low art activities take place and they participate in the exhibitions.

But now, unfortunately, Martin feels he has taken Pilotenkueche as far as he can. It is time to let his baby go in order for it to continue to grow. We want to publicly thank him for his countless hours of unselfish devotion and wish him all the best in his future endeavors.

Pilotenkueche will be announcing the new directors sometime in March. We look forward to seeing what that direction will bring. We welcome them and hope you will too.

Artist Spotlight: Ana Castillo

‘If I like the T-shirt I will just cut it!” – explains Ana, recklessly forgetting to add ‘out’ to the ‘cut’. Ana is our French-Spanish artist based in Paris. What is so interesting at first glance besides her working overalls, her accent and cool stance? When entering Ana’s studio, you immediately notice an obsession with image culture, particularly representation of youth, lifestyle, varieties of characters and attitudes from magazines and social media. Her sketchbook is filled with drawings of people of different backgrounds and, while drawn to representation of women in media, her characters are androgynous and masculine, singer and politicians, feminine and queer.

So, what does Ana do with these images? First, she becomes a collector. She cuts out pictures from magazines, her own photographs and from social media. She spreads them all over the table, then assembles them to create new images. As she transforms the collages, she interprets the surface and transforms their looks. Sometimes she places them in pictures of landscape, often ones that hearken back to her Spanish roots. Ana goes home to rest from the visual overload. She returns with fresh eyes to move them around again. Thus she never lets the “collection” stagnate. It is constantly altering to bring new relationships.

all photos by PILOTENKUECHE International Art Program

The term collage was coined by Georges Braque and Pablo Picasso in the beginning of the 20th century when it became a distinctive part of modern art. Ana takes collage into the current century by treating it as a crucial working process. She creates a new reality which she re-interprets into painting, illustration or animated videos and GIFs. Hard-working but intuitive, playful but serious, with collage we are reminded of metaphoric pun as intellectual act. Image as product of a mind is born from not comparing two realities but rather getting them closer together.

Ana’s studio is a place where images grow and multiply. The table covered with cut out pictures juxtaposes two paintings and an orange background on the wall she has been working on simultaneously, while various photographs are opened on her laptop. Working in Pilotenkueche for Ana is not stylistically much different from working at home or in a rented studio in the City of lights. Only this time, neither she nor her painting are confined. What is new is the sense of freedom she gets in terms of spaciousness. Naturally, this reflects in her work in progress. She is aiming for larger paintings. For the upcoming exhibitions, we can expect to see paintings approaching monumental sizes. However, she will stay faithful to the appearance of a collage by avoiding the traditional, right-angled shapes of canvas.

Leipzig is, so we hear, not lacking young stylish people with attitude. During winter they hide themselves in cool bars and underground clubs, leaving the streets empty. Some of us will definitely follow Ana in her exploration of the techno scene here, enjoying the environment and in search for Leipzig characters for her new inspiration.

Written by Samra Šabanović

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Come and see what Ana creates in the following shows:

Unfinished Hase

Vernissage:  15.02.19, 19h
Open:  16 – 23.02.19, 13 – 17h
Finissage: 23.02.19 19h
Location: 
Alte Handelsschule, Gießerstraße 75, 04229 Leipzig, Germany

Fast Kotzen 

Vernissage:  23.03.19, 19h
Open:  24 – 27.03.19 17h-20h
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany

Re-View: I Accept the Cookies

I came. I saw. I ate

Thursday 1 November 2018, I Accept the Cookies, the first exhibition of the 37th round of Pilotenkueche opened its doors.  It had taken days to prepare the exhibition space: from painting the wall, to arranging the work, and then finally placing the cookies (as promised in advance) in a highly visible place. 

all photos by PILTOENKUECHE ART PROGRAM

Thanks to the almost sterile environment of Ping Pong, upon arrival people could see how concisely everything was arranged. Using only one stone grey wall for the works of 13 different artists without creating an overwhelming impression certainly isn’t an easy act, especially when the artists had barely known each other only a couple of weeks.

There is an old German proverb that goes, “Too many cooks spoil the broth.” In our case it’s cookie dough.. But in the end with the remarkable knowledge and skill of the curator, Vivian Tabach, this cookie could’ve not been tastier.

Although most of the exhibited art was still in progress, as a whole it created a unique finished piece. In a simple, yet experimental way, with each artist participating with their own, personal flare, the installation mirrored the character of Lindenau in which the exhibition took place. Like the neighborhood and exhibition, Pilotenkueche is about people coming together. What matters isn’t the gender, the heritage, the religion etc. – but the common interest for art…and for cookies.

 all photos by PILTOENKUECHE ART PROGRAM

Diversity was also present in the audience, ranging from the artists themselves, former pilots and people from the local art scene to seniors who had read about the vernissage in the local newspaper LVZ – even more interesting since this broadsheet isn’t the exactly known for its affinity for contemporary art.

There was even one guy who just felt so attracted by our well placed bait – the plate of cookies shining at him from behind the glass pane – that he just had to accept them without looking further to see what was going on inside besides them. This was especially relevant as, in some way, it turned the virtual phenomena of just hitting “accept” without even reading the endless terms and conditions into a real thing. Eventually, sedated and with another cookie in his hands he also found interest in the art pieces. He could be found studying very closely the synergy of sketches and paintings, of the installations and leftovers attached to the stone grey wall giving just a hint what might be in the making behind the door of Pilotenkueche studio. He left with flyer in hand.

This was a really nice evening, with happy pilots and many interesting talks, leaving the audience hungry for the next crumbs in the artist’s little journey through the different art spaces of Leipzig. 

After this kick-off and with an even more strengthened bond, our pilots are already preparing their next exhibition: Rutschbahn. Come slide with us into it and see how they progress!

We would like to thank Ping Pong’s gallery owner, Marcel Noack,  for his collaborative spirit!

written by Elias Emtanes


I Accept the Cookies

International Artists:
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artist:
Julia Eichler (Halle, Germany)

Curator:
Viviane Tabach (São Paulo, Brazil)

Assistants:
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

 

 

Work in progress: Setup of the Final Exhibition // 21.09.18

After two and a half months of the program, the artists are preparing for the final exhibition in the studio rooms of Pilotenkueche. With the support of the curator, positions are negotiated, new combinations of artworks are discovered, and even walls find new homes as the studio undergoes a metamorphosis in the days leading up to the opening on Friday, which will include work from each of our international residents and local participants, as well as performances from guest artists. 

All photos by Pilotenkueche

“CORPORAL TEMPERATURE”/ international group exhibition

Opening: 21.09.18, 18h
Open: 22.09 – 25.09.18, 10h-15h
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany

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Program: 21.09.2018

18h Opening
19h 0000                  Chelsea Markuson, Resident of the 36th round – Performance
20h Book of Secrets Beate Körner, Resident of the 36th round – Performance
        Strings               Ando Saori, Resident of the 36th round – Performance
21h Rosalind Franklin – Sound Performance
22h+ Aftershow

Artists

International residents
Arabella Hilfiker (Painting, Printmaking, Book Art; Cambridge, UK)
Chelsea Markuson (Installation, Drawing, Performance; East Lansing, Michigan, USA)
Jing Tan (Sculpture, Performance; China/London, UK)
Curtis Welteroth (Installation, Painting; Pittsburgh, Pennsylvania, USA)
Lily Cummins (Drawing, Installation; Darlinghurst, Australia)
Maya Perry (Drawing, Animation, Sound; Tel Aviv, Israel)
Nathan Jay Brooker (Painting; Perth, Australia)
Simona Reisch (Photography ; Vienna, Austria)

Local Participants
Beate Körner (Performance, Conceptual; Leipzig, Germany)
Undine Bandelin (Painting; Leipzig, Germany)

Curator
Vanessa Souli (Writer, Artist Manager; Berlin, Germany / Greece)

Assistants
Alex Davidson (Social Media, PR, Promotion; Edinburgh, UK)
Brodie Weir (Art Management, Art History; Orwell, UK)

Piloten Küche round 36 Vanessa Soli, Curtis Welteroth, Lily Cummins. photo maeshelle west-davies

Re-View: Consultation // 11.09.18

Curator Vanessa Souli selects works for “CORPORAL TEMPERATURE”, round 36 final show. Curating a show is much more than just hanging some pictures. A bad install can ruin the whole thing. Works should engage and empower each other. In order to get a complete picture of the deeper meaning behind each of the artists’ works, Vanessa Souli speaks with each artist individually.  She has also been here throughout the entire round and has been able to witness  how working in a foreign environment with new people has influenced both the work and the artists, themselves.

The Final Exhibition of our residents from the US, Japan, Argentina, UK, Germany, Austria, China, and Taiwan, will present ongoing work after three months spent at the residency. This round of artists had a particular focus on painting, textile art, installation, sculpture, and performance, and one sound artist who also will contribute their work to the program of the Final Show.

All photos by Pilotenkueche

 

“CORPORAL TEMPERATURE”/ international group exhibition

Opening: 21.09.18, 18h
Open: 22.09 – 25.09.18, 10h-15h
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany

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Program: 21.09.2018

18h Opening
19h 0000
Chelsea Markuson, Resident of the 36th round – Performance
20h Book of Secrets
Beate Körner, Resident of the 36th round – Performance
Strings
Ando Saori, Resident of the 36th round – Performance
21h Rosalind Franklin – Sound Performance
22h+ Aftershow

Artists

International residents
Arabella Hilfiker (Painting, Printmaking, Book Art; Cambridge, UK)
Chelsea Markuson (Installation, Drawing, Performance; East Lansing, Michigan, USA)
Jing Tan (Sculpture, Performance; China/London, UK)
Curtis Welteroth (Installation, Painting; Pittsburgh, Pennsylvania, USA)
Lily Cummins (Drawing, Installation; Darlinghurst, Australia)
Maya Perry (Drawing, Animation, Sound; Tel Aviv, Israel)
Nathan Jay Brooker (Painting; Perth, Australia)
Simona Reisch (Photography ; Vienna, Austria)

Local Participants
Beate Körner (Performance, Conceptual; Leipzig, Germany)
Undine Bandelin (Painting; Leipzig, Germany)

Curator
Vanessa Souli (Writer, Artist Manager; Berlin, Germany / Greece)

Assistants
Alex Davidson (Social Media, PR, Promotion; Edinburgh, UK)
Brodie Weir (Art Management, Art History; Orwell, UK)

The PILOTENKUECHE art program is an independent project, open to artists of all nationalities. The common goal of the final group exhibition leads to intensive dialogue about individual ideas and practices, and binds each artist temporarily into a group, leading to a long term network that exists even after the residency is over.

Re-View: “Architecture of Experience” // 06.05.18

On Thursday, some of our pilots had a joint exhibition at an experimental art space in Lindenau. We had a wonderful time in the show space, featuring paintings, installation and illustration from three of our residents. 

We would like to thank the gallery owner Marcel Noack of Ping-Pong for his collaborative spirit!

All Photos by Pilotenkueche

Opening: 06.09.2018, 19h
Open: 06.09.2018, 19-22h; 07.09. – 09.09.18, 17-20h
Location: Ping Pong, Helmholtzstraße 1,
04177 Leipzig, Germany

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Links

International residents
Lily Cummins (Drawing, Installation; Darlinghurst, Australia)
Nathan Jay Brooker (Painting; Perth, Australia)
Simona Reisch (Photography; Vienna, Austria)

Curator
Vanessa Souli (Writer, Artist Manager; Berlin, Germany / Greece)

Assistants
Alex Davidson (Social Media, PR, Promotion; Edinburgh, UK)
Brodie Weir (Art Management, Art History; Orwell, UK)

Marcel Noack (Gallery Owner; Leipzig, Germany)
Ping Pong

Exhibition Setup PING PONG // Opening 06.09.18

After two months of the program, some of our residents are preparing the second exhibition of the current round. Supported by the curator Vanessa Souli, they are in the phase of completing their individual projects and setting up “Architecture of Experience” in the art space PING PONG.

All photos by Pilotenkueche.

‘Architecture of Experience’ is the second show of a selected number of artists, current residents of the 36th round of Pilotenküche Art Program. How does architecture influence our experiences and emotions and how does space facilitate or hinder our lives as human beings and as artists? The exhibition showcases curated works which comment upon the relationship between spatial structures and emotional experiences, either literally or metaphorically.

Opening: 06.09.2018, 19h
Open: 06.09.2018, 19-22h; 07.09. – 09.09.18, 17-20h
Location: Ping Pong, Helmholtzstraße 1,
04177 Leipzig, Germany

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International residents
Lily Cummins (Drawing, Installation; Darlinghurst, Australia)
Nathan Jay Brooker (Painting; Perth, Australia)
Simona Reisch (Photography ; Vienna, Austria)

Curator
Vanessa Souli (Writer, Artist Manager; Berlin, Germany / Greece)

Assistants
Alex Davidson (Social Media, PR, Promotion; Edinburgh, UK)
Brodie Weir (Art Management, Art History; Orwell, UK)