Tag Archives: adam tuch

Hungry Dungeon Friends

There are some conversations that can only take place on the borders of ourselves; in contact with the other. The exhibition, Hungry Dungeon Friends, circulates around these borders and interiorities. They are viscous, unformed, multiple and representative of our hybrid nature.  

Through the hybrid format of the PILOTENKUECHE  International Art Program, there are possibilities to realign ones practice and be exposed to new environments, like the dungeonesque basement at KKW which offers a unique stimuli. Exchanges can be marked by a need, a hunger communicated through the affective fields of our bodies.  The body-organism is linked to the world through a network of primal signifiers, our bodies’ raw data

Like in the Deffractionist writings of philosopher, Karen Barad, in this project the pollination between practices and processes of the artists seeks to frame how “we cut together apart.”  The work explores intimacies and edges of collapse, dialogues about method, stages of unconscious and conscious action. How and what inhabits these points of exchange? PILOTENKUECHE offers a space to challenge temporal and spatial constraints.

In an enhanced awareness of these possible exchanges we question and reconfigure understandings. Hungry Dungeon Friends seeks to look into our entanglements in a myriad of ways. Conceived in an underworld of currents, it is a form and place where thinking intervenes in the more than human worlds.

Theorist Donna Haraway’s work highlights the figuration of these broken boundaries and imploded worlds, where knowledge and ontology dissolve. As a species we need to collectively reimagine new forms of empathy and understanding. In turn, this allows the developing of methods of care and extends the notion of what relating is, in order to confront humanity’s 21st century human exceptionalism. 

written by Curator in Residence Colette Patterson

Hungry Dungeon Friends

Saturday 17 August 

Live performances by 
sound artist Isaac Magner with film maker Agathe Barreand performance artists Antonia Wetzel, Tom Alexander Austin and Simon Schäfer.

Saturday 24 August
Curatorial Tour by Colette Patterson

Live performance by 
Tom Alexander Austin

Sunday 18 August – Sunday 1 September 
10AM-6PM Tue-Sun

Saalfelder Str.

PK RD40 

International residents

Adam Tuch (sound, digital art, installation/US)
Agathe Barre (film/FR) 
Antonia Wetzel (performance, painting/DE)
Ariel Taylor (painting/US)
Clément Bedel (painting/FR) 
Christopher Sperandio (comics/US) 
Darien Crossley (performance, painting/US)
Helene Planquelle (painting, drawing/FR)
Isaac Magner (sound design, video/UK) 
Michella Perera (sculpture/UK)
Tom Alexander Austin (performance/UK)
Vernon O´Meally (painting/US)
Zara June Williams (painting/AU)
Zheng Wenxin (painting/CH)

Local Participants
Matthias Geisler (painting, printmaking/DE) 
Simon Schäfer (sculpture, film, sound, installation, digital/DE)

Colette Patterson (UK)

Fiona Irene Graf (DE/UK) 
Huai-ya Lin (TW) 
Silvia Zandomeneghi (IT)
milkafterfish (instagram)
Stanley Louis (HA/FR) 
iam_stanlouis (instagram)– 

Artist Spotlight: Adam Tuch

Adam Tuch likes to play with the invisible. Revolving around the intangible, his multi-faceted practice is concerned with our perception of space and sound, in regards to contemporary society’s increasing coalescence with modern technology and its dependence on it. Adam’s work centers on the communication between man and machine. He focuses on the threshold between intimate interaction and functional utilisation of new digital means. 

The Boston-based artist is interested in the increasingly blurred boundaries between reality and simulation and their constant reciprocation to the point of total indistinguishability between original and fake, of the genuine and the imitation becoming mutually dependent on one another. With his often entirely digital works, Adam is aiming to explore our emotional and corporeal understanding of both physical and virtual spaces. His practice concentrates particularly on the impalpable concept of public space and its ever shifting definition. 

Central to Adam’s work is the intention to create conditions which enable the viewer to actively engage with the technological means employed. The direct interaction with the computer transforms the viewer’s role from passive spectator to active contributor. This forces them to reconceive their function in respect to the machine. Simultaneously, the situation generated allows the audience to have an intuitive, almost mindless interplay with the computer.

On his website hellllllo.info, Adam invites the visitor to correspond with an animated character through an algorithmic online chat. Since the answers are automated, the conversation between the online-character and the visitor turns into an absurd, almost tragic miscommunication, a dead end. This is emphasised by the haphazard sound effects and random screenshots that flare up during the chat. The provoked situation draws on our growing urge to connect with others through digital means, and the inevitable, intricate complications that come with it.

Diverging from his classical music and jazz background, Adam released his entirely electronic album called ‘Screen Shot 2018’ last year. Although occasionally melodic, the twelve tracks, consist of distorted voice snippets, linguistic exercises and shrill gaming sounds, and range somewhere between children’s TV character, rave party and horror soundscape. They have an almost nightmarish infantility to them. He pushed the further with nonsensical titles such as ‘erRorErrOrerroReRorrerROreRRoRErrOr’, ‘I*v’ and ‘%’, With Adammmmmmmmmmmm, his musical persona, Adam explores the idea of artificial realities, his sounds luring the listener into a non-existent cyber space. 

Currently, Adam has started to grow algae in his studio space at Pilotenkueche. “I want to use it as a means to represent environmental space,” he says as he expounds his plan to juxtapose the algae with a digital image of an underwater world shown on a submerged iPhone. He has also recently started researching brand logos, their embeddedness in our consumption-oriented culture and the almost religious reverence they are attributed with in present day society. Adam’s practice is incessantly concerned with the way we identify with the products we buy and concurrently let these things define us. It is hyperaware of the fact that everything we surround ourselves with plays a pivotal role in the way we perceive, evaluate and determine objects and spaces. 

Fast-moving technological advancements allows us to regenerate the idea of material reality and bodily presence as we are no longer confined to locating ourselves in a single space. Instead we are now able to exist in multiple spaces at the same time. The attempt to capture the essence of this idea, of us being able to simultaneously experience different forms of reality, lies in the heart of Adam’s complex work. 

written by Fiona Irene Graf

See Adam’s work in the upcoming exhibitions


Saturday 17 August 
Sunday 18 August – Sunday 1 September 
10AM-6PM (closed Mondays)
Saalfelder Str. 8
04179 Leipzig


Friday 20 September
Saturday 21 September – Monday 23 September
PILOTENKUECHE International Art Program
Franz-Flemming-Straße 9