Category Archives: news

PK says farewell to Martin Holz

Martin Holz was and remains a PK pilot. He came to create art, but fell in love with Pilotenkueche for its potential. During his five years as Director, it developed into much more than a residency. Today Pilotenkueche is a multi-faceted program that gives more than a space in a shared studio. It recognizes a growing trend of curation by offering emerging curators three month internships. While here, they do consultations with artists, write texts and, of course, curate the shows. It also gives interns a chance to be very hands-on in the day to day happenings, including graphic design for exhibitions and writing posts for the website.

When Martin arrived as an artist, PK was located in HALLE 14 at Spinnerei and was host to around five international artists. Now it is housed in its own space in the up and coming art area of Leutsch. Each of the approximately 12 International artists has up to 36 square meters and all have inspiring views.

all photos by PILOTENKUECHE International Art Program

The new space was just a shell when he got it, but he knew this was a place he could expand the project and make his vision come true. He worked tirelessly to have it ready for the 10th Pilotenkueche anniversary in spring of 2017. He did all the wiring, built walls, put in windows, a bathroom, a tea kitchen and an office area. He carefully designed the space so that some walls could be moved to give more flexibility when converting it from work space to exhibition space. Yes, the art was always the heart of it all.

The last five years have given Martin many wonderful memories of bonding and creating. Last November he was pleased to open Heat Lee’s show, AXIO, at the MdBK. While Heet was a resident at Pilotenkueche, the two recognized they shared the ability to see the darkness.

Martin intermingled performance and text, drawing comparisons to karate and being an artist. The fight between order and chaos requires offensive and defensive skills. In her paintings, Lee searches for the moments between chance and control. This was always a quest that Martin was happy to seek.

It was on purpose that Pilotenkueche remained an artist run program. The program supports artists in finding applicable individual funding. His goal was to create a safe space in which artists could engage and collaborate, but didn’t confine them to the program. In working together with Natalia Kalicki or Magdalena Cichon as coordinator, Martin tried to give as many opportunities to engage the local community as possible. This is why there are also two local artists each round. While they have their own studios in town, they accompany the residents on program days where a variety of high and low art activities take place and they participate in the exhibitions.

But now, unfortunately, Martin feels he has taken Pilotenkueche as far as he can. It is time to let his baby go in order for it to continue to grow. We want to publicly thank him for his countless hours of unselfish devotion and wish him all the best in his future endeavors.

Pilotenkueche will be announcing the new directors sometime in March. We look forward to seeing what that direction will bring. We welcome them and hope you will too.

Meet the curator: Tena Bakšaj

In 2017, Tena went to a small punk bar in Connewitz. She had seen a flyer for an exhibition entitled, Enjoy Yourself.  Music, dance, drink and art sounded like the perfect way to do that. It was an exhibition from the 33rd round of Pilotenkueche. After conversing with the artists, Tena was enticed to follow their journey. When she attended their final show, she felt comfortable in the Pilotenkueche space and decided to apply for the curator internship.

After studying French and German Language and Literature in Zagreb, Tena started working at the Modern Gallery. There she learned how to take visitors on guided tours, building a storytelling skill which later found its way into her work.

Discussion with a group of former museum colleagues lead to a common realisation that there was a lack of opportunities for emerging artists and young curators within the city. This resulted in the birth of Kolektiv EMGE – a non-profit curatorial organization dedicated to filling this gap. This allowed Tena to develop a practical knowledge in the field of curation and the organization of art events.

Kolektiv EMGE ‘s first exhibition, Under Cover

“We noticed that there was a refined independent music scene present in the whole region and that a lot of musicians collaborate with local artists in a form of cover artwork or visual identity, thus creating an alternative/DIY network between many local young creatives. We wanted to research and map these collaborations in a form of an exhibition.”

A series of interviews with musicians and artists lead to an exhibition showcasing 50 cover artworks along with a story and explanation of how each image was derived. The success of the exhibition lead to a tour of the ex-Yugoslavian region, fulfilling the collective’s original goals and providing them the energy to push their intentions further.

photos by Pilotenkueche International Art Residency or supplied by Tena

With their next curatorial project, the collective decided to take a similar anthropological research approach – this time with the topic of Kino (movie theatres) in Zagreb from the sixties and seventies. After delving into state archives and newspapers, EMGE gathered material to create a multimedia interactive exhibition. They showed the current and past states of each theatre. The focus was on the development, growth and degradation of each individual site and eventually on how the buildings were adequately or inadequately repurposed.

Next, Tena and the collective assisted in the coordination of the Antisalon project, which is based on the concept of gathering the work of artists recently rejected by the Youth Salon (an established biennial art show collating works of emerging Croatian artists). Antisalon is a space where young artists often exhibit for their first time and it takes place in Zagreb’s alternative center/squat Medika, in Grey gallery. The main goal is to give insight into the complete emerging art scene and not only the works selected by established museum. This was Tena’s first step towards curating a show with an emphasis on providing a platform for each individual artist.

As the next development, Pilotenkueche will allow Tena to gain experience in building relationships with each artist and monitoring the progress of all projects involved in the exhibition.

“I’m looking forward to the challenge of working with sixteen very unique artists and providing ample attention to each one of them. My desire is to create a coherent show which is accessible to the public eye. It is important to me that there is a dialogue between the works. This close relationship and observation of the artists progression should enable me to find this dialogue.”

ReView: SPOOR

SPOOR /spʊə,spɔː/

noun
1. the track or scent of an animal.
verb
1. follow the track or scent of (an animal or person).

The aim of the final exhibition resulting from 37th round of the Pilotenkueche International Art Program is to raise the issue of being-in-the-world, bringing forth the notion of perception. It is “the background from which all acts stand out, and is presupposed by them”. We do not perceive isolated sense-impressions because we only see things as they relate. Our mental representations are formed by our previous experiences and future expectations. Art can capture the affective primordial contact that tends to go unnoticed. Artists are embedded and immersed in the tangible day to day world and assume a life of their own, opening themselves to metaphoric meanings by responding with forms, shapes, and colours.

Contemporary artistic process is not only about understanding technical formalities and introducing them in the art practice, but about the production of strangeness. Thus, contemporary art does not refer to a single determining judgment. In principle, the artistic process is not governed by rules and pre-established categories: these are what the artist seeks to discover and establish in their work. Contemporary art embraces sensibility – the artworks aim to capture the displacement of subjectivity through experiments and propositions that operate as a circuit breaker of the perception. It is a deflection of what is known.

all images by Pilotenkueche International Art Program

This plurality is present during the selection of artists for the program. The choices are based on the quality of their works, not in an a priori theme for each round. This means the relationships outlined between their poetics are subsequent and follow the uniqueness of the pieces produced during the residency. After three months, it is clear that all artists have sought to trace relationships with the city: its characteristics and found artefacts, each of them making their own way. 

text by curator Viviane Tabach


For the vernissage of SPOOR, Pilotenkueche was happy to host three musical performances. Violinist Izabela Kaldunska, originally from Poland,  played excerpts from her experimental work “The New Solarism”, along with some freshly created compositions. Classically trained as a pianist Elif Murat, originally from Ankara, Turkey, also presented some of her new electronic chill out pieces ‘Ellie M.’. Then the pair joined to perform as Ichor, a  collaborative project in which they compose electronic dance music. Just like the artists on the residency, Izabela and Elif  met in Leipzig.


SPOOR
14-19 Dec 2018

International Artists
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artists
Georg Lisek (Leipzig, Germany)
Julia Eichler (Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Assistants
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

Graphic Design
Ines Alberty

In progress: SPOOR

It’s hard to believe, but we are currently getting ready for the final exhibition of the 37th round, SPOOR. The Dutch word “spoor” can be translated as track, trace, railway, trail, spur, mark, shadow, footprint, imprint, etc. 14 artists were chosen by open call to come to Pilotenkueche. They were chosen, not as a group, but on their individual works. 

Pilotenkueche became the hub that was their intersection. Many used the time here to experiment and try new things. Often these experiments were a result of what other artists were doing around them. They were also in reaction to their common environment: Leipzig.

photos by Pilotenkueche International Art Program

How have the artists translated their perceptions of their experience here into pieces that the public can see? Will it be clearly visible to the viewer? Will you be amused, enraged, empowered, curious, saddened, pleased, transported? We hope you will be moved.

We are proud to announce that your experiencing of the artworks will be enhanced at the vernissage by musicians Izabela Kałduńska (violin) and  Elif Murat (piano) who will be playing original compositions singularly and electronic dance music as a duo.


SPOOR

Vernissage 
Fri 14 Dec 2018 7PM
Performance by Izabela Kałduńska begins 7.30PM
Performance by Elif Murat begins 8.15PM
Performance by duo begins 9PM

Open
Sat 15 Dec – Wed 19 Dec 5PM – 8PM

International Artists
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artists
Georg Lisek (Leipzig, Germany)
Julia Eichler (Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Assistants
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

In progress: Rutschbahn

With much excitement we are happy to announce we are almost ready for tomorrow’s vernissage of Rutschbahn. It’s been a busy week for sure, but preparation has been going on for much longer. I guess you could say that we’ve been preparing all our lives. 

Yes, anyone can learn skills, but few can allow themselves to be open to suggestion and create something from that. It is this gift that the artists of the 37th round have been using to get ready for Rutschbahn (German for playground slide). It is this childlike innocence that they’ve been able to tap into in order to climb the ladder and slide into the unknown.

photos by Pilotenkueche International Art Program

Challenged by the curator to interact and engage with  the unique space that Krudebude is, the works are often playful. Alongside that lightness comes precarity. Some in reaction to life experiences and others in response to the fine balance between stability and ruin that the space finds itself in. 

As Nicholas Adamson, one of the artists, so elegantly put it, 

The title ‘Rutschbahn’ invites one to ‘play’, or to return to an innocent state of mind. As artists, we engage in this uninhibited state when we create work. But at the end of the day, we ultimately must return to the so-called ‘real world’. This body of work navigates around these opposing visions to occupy the space in between work and dream, object and figment, and reality and fantasy. 


Rutschbahn // PK @ Krudebude

Vernissage Fri 16 Nov 2018 7PM
Performance Fri 16 Nov 2018 8PM
IT CONCERNS YOU by Reinhold Ponesch and Tamaki Kawaguchi

Open Sat 17 Nov – Wed 21 Nov 5PM – 8PM
Finissage Thur 22 Nov 2018 7PM

International Artists
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Jan Yongdeok Lim (Utrecht, Netherlands)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)

Local Artist
Julia Eichler (Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Assistants
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

Graphic Design
Elias Emtanes

PK coordinator
maeshelle west-davies

It concerns you: Reinhold Ponesch and Tamaki Kawaguchi. artists at Pilotenkueche Art Program perform at opening of "Rutschbahn" at Krudebude. 16 Nov 2018

It concerns you: Reinhold Ponesch and Tamaki Kawaguchi

Today’s culture is youth obsessed. But no matter how much we exercise, no matter how many anti-aging creams or plastic surgeries we have, there is no escaping time. Reinhold Ponesch and Tamaki Kawaguchi’s collaborative performance, IT CONCERNS YOU, addresses the unavoidable and taboo issue of dependency due to the aging process.

Ponesch portrays an elderly person who has become physically debilitated. Kawaguchi teeters between being mentally incapacitated and being the puppeteer that is time itself. Wearing a protective raincoat, Ponesch finds himself trapped in a box. As he tries to escape, Kawaguchi paints his raincoat and the latex walls of the box as he presses against them. Throughout the performance, elements of physical and psychological deterioration are revealed. Onlookers are invited to engage by responding to unexpected questions. The piece includes painting, video, dance, installation and movement inspired by Noh Theatre. 

  • Noh (能 ), derived from the Sino-Japanese word for “skill” or “talent”, is a major form of classical Japanese musical drama that has been performed since the 14th century.

This work has an autobiographical nature as Ponesch lost his father to Alzheimer’s last year. Considered a turning point in his career, Ponesch was moved to rethink death as a new beginning. The experience created a new desire for reconnection with his father and with his own inner being. IT CONCERNS YOU  is a reflection on this theme. On a personal level, the performance is a way for Ponesch to bond with his father. On a broader scale, he hopes that sharing it with other people will touch them in some way. Although the work stems from a particular situation, it embraces a common theme that we will all have to deal with at some point. 

 

The piece will be performed at the vernissage of Rutschbahn, the second in a series of four shows featuring the artists of the 37th round at Pilotenkueche Art Program. It was on a visit to Krudebude, where the show will take place, that Ponesch had the idea of making a collaborative performance with fellow artist Kawaguchi. At a first glance,  their work appears to be quite different. A closer look reveals a recurrent common thread: human interaction.

With a history in painting and installation, Reinhold Ponesch has chosen to explore “borders” by using different media whilst at Pilotenkueche. Although academically trained, Ponesch believes the real craft comes from trial and error. In his creative process, he describes two of his production methods: the first one has to do with an idea that is thought out in advance and then implemented directly onto the canvas. The second one is more related to fruition: to unconsciously let strokes and colours lead him to the final oeuvre. The artist also believes that objects can create extensions to his paintings. In his words, installations open a new spectrum of creativity, which sometimes can feel limited by only using paint.

Tamaki Kawaguchi is a painter and performer. Isolation and alienation are the keywords for her work. Wearing white overalls and masks to hide her identity in her performances, Kawaguchi puts herself inside a cubicle, which she often describes as her canvas. Kawaguchi questions the disappearance of the artist behind the work. By revealing the making of it, the production process becomes the final artwork itself. The actions take place in different contexts: parks, art galleries, among crowds or into natural landscapes. In presenting herself as a human being in these environments, Kawaguchi acknowledges her fate to work alone, even when performing communicative art.

In addition to the performance piece, It Concerns You, both Ponesch and Kawaguchi will join other International artists in showing individual works during Rutschbahn. 

written by curator Viviane Tabach


Rutschbahn at Krudebude

Vernissage Fri 16 Nov 2018 7PM
Open Sat 17 Nov – Wed 21 Nov 5PM – 8PM
Finissage Thur 22 Nov 2018 7PM

International Artists

Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci  (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Jan Yongdeok Lim (Utrecht, Netherlands)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)

Local Artist
Julia Eichler (Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Re-View: I Accept the Cookies

I came. I saw. I ate

Thursday 1 November 2018, I Accept the Cookies, the first exhibition of the 37th round of Pilotenkueche opened its doors.  It had taken days to prepare the exhibition space: from painting the wall, to arranging the work, and then finally placing the cookies (as promised in advance) in a highly visible place. 

all photos by PILTOENKUECHE ART PROGRAM

Thanks to the almost sterile environment of Ping Pong, upon arrival people could see how concisely everything was arranged. Using only one stone grey wall for the works of 13 different artists without creating an overwhelming impression certainly isn’t an easy act, especially when the artists had barely known each other only a couple of weeks.

There is an old German proverb that goes, “Too many cooks spoil the broth.” In our case it’s cookie dough.. But in the end with the remarkable knowledge and skill of the curator, Vivian Tabach, this cookie could’ve not been tastier.

Although most of the exhibited art was still in progress, as a whole it created a unique finished piece. In a simple, yet experimental way, with each artist participating with their own, personal flare, the installation mirrored the character of Lindenau in which the exhibition took place. Like the neighborhood and exhibition, Pilotenkueche is about people coming together. What matters isn’t the gender, the heritage, the religion etc. – but the common interest for art…and for cookies.

 all photos by PILTOENKUECHE ART PROGRAM

Diversity was also present in the audience, ranging from the artists themselves, former pilots and people from the local art scene to seniors who had read about the vernissage in the local newspaper LVZ – even more interesting since this broadsheet isn’t the exactly known for its affinity for contemporary art.

There was even one guy who just felt so attracted by our well placed bait – the plate of cookies shining at him from behind the glass pane – that he just had to accept them without looking further to see what was going on inside besides them. This was especially relevant as, in some way, it turned the virtual phenomena of just hitting “accept” without even reading the endless terms and conditions into a real thing. Eventually, sedated and with another cookie in his hands he also found interest in the art pieces. He could be found studying very closely the synergy of sketches and paintings, of the installations and leftovers attached to the stone grey wall giving just a hint what might be in the making behind the door of Pilotenkueche studio. He left with flyer in hand.

This was a really nice evening, with happy pilots and many interesting talks, leaving the audience hungry for the next crumbs in the artist’s little journey through the different art spaces of Leipzig. 

After this kick-off and with an even more strengthened bond, our pilots are already preparing their next exhibition: Rutschbahn. Come slide with us into it and see how they progress!

We would like to thank Ping Pong’s gallery owner, Marcel Noack,  for his collaborative spirit!

written by Elias Emtanes


I Accept the Cookies

International Artists:
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artist:
Julia Eichler (Halle, Germany)

Curator:
Viviane Tabach (São Paulo, Brazil)

Assistants:
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

 

 

In progress: I accept the cookies

People come to art residencies for all  kids of reasons, but those reasons all come back to one thing: work. First and foremost artists want to create. This may be influenced by what they experience here. It may include collaboration with other creatives they have met here. It always includes a progression of impressions in reaction to their new environment. These impressions are often overlooked. In the first show of the 37th round, I accept the cookies, we want to invite you into this secret world.

The artists have been here for a month now. During this time we have been having consultations and closely following their work: both past and current. This was imperative in deciding which pieces would be included in our upcoming shows.

We are currently installing I accept the cookies. It will include works from the entire group. In fact, the salon style hanging was chosen to show how the works correlate and create one single work. The open plan industrial loft studios at Pilotenkueche make it easy for artists to interact if they want to. This group of artists is feeding off each other and taking advantage of the randomness that has them in Leipzig at the same time. They understand this gift. 

photos by Pilotenkueche Art Program

I Accept the Cookies will be presented at the Ping Pong Kunstraum. “The title came up as an unpretentious wordplay with the new pilots at the kitchen (the artists at the Pilotenkueche!), baking some cookies and/or being the cookies and also makes reference to the pop-up window you have to accept to continue navigating online. This exhibition does not approach internet issues, but the situation of compromising your privacy in order to access content. In this case, privacy can be understood as the process: the artists unveil their process to the audience. This exhibition is the gateway to the contents you will see in the three following shows.” Vivian Tabach, guest curator.

Come meet the artists. They are a friendly bunch. And, yes, there will be cookies for you to accept.


I ACCEPT THE COOKIES
Kunstraum PING•PONG

Helmholtzstraße 1
04177 Leipzig, Germany

Vernissage: Thur 01 Nov 2018, 19h
Open: 02 – 04 Nov  17-20h

facebook event

International Artists:
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artist:
Julia Eichler (Halle, Germany)

Curator:
Viviane Tabach (São Paulo, Brazil)

Assistants:
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

Visiting: West meets East

The resident artists of the 37th round have been finding out what makes Leipzig unique. Taking advantage of the unseasonably warm weather, we visited all the venues for our upcoming shows. Since they are in different parts of town, this had us on foot, bike and tram.

Starting at the Alte Handelsschule, where we will present Speech Bubble (facebook event), we thought about the possibilities the shabby chic venue could host.  Then we walked down Geisserstr towards Karl Heine. Since many of the artists are using found and/or site specific materials in their work or for inspiration, it was important we stop at the Recycling Museum (facebook) and the Free Store. Yes, I said free! This is one of the things that makes Leipzig so special. People are in the habit of gifting things they no longer need instead of throwing them out. I think we all came out of the free store with new “purchases”. Wow! The buzz of shopping without the hangover.

Next stop was Ping Pong where we will have our first show, I Accept the Cookies (facebook event). The small white cube venue with its huge picture window is the perfect place to create an old school salon style exhibition and give people a sample of the process taking place in the studio.

photos by PILOTENKUECHE Art Program

Then it was a mad dash across town to east Leipzig where eyes lit up as the artists entered the secret entrance to the magical space of Krudebude. What a perfect venue for our second show, Rutschbahn (playground slide). Artists are actively thinking of ways to interact with the off space’s unrenovated charm. (facebook event).

Afterwards, we went to the Japanese Haus VoKu where they make a big meal and people pay 3EUR for a portion. It was teaming and the artists were impressed at the sense of community they had experienced here and in the other places we’d been that day. We topped the day off by going to an opening at another off space, Bistro 21 (facebook event) where everyone engaged in discussion and meeting new people.

And on the hottest day of the week, we all came together outside our own venue to enjoy a BBQ and talk about our upcoming shows. As we get to know each other better, it is clear that this is a group that is up for exchange. Many are even taking this time and constellation to push their artistic practice in directions that can only happen here, with these people. 

Our final show will take place at Pilotenkueche and be called, SPOOR. (facebook event)

It was a very good week. Thank you, round 37!


ARTISTS

International residents

Ai Ikeda (Painting, Drawing, Mixed Media, Installation; Montreal, Canada)
Barry Amey (Installation, Painting, Printmaking, Light Installation; Cornwall, UK)
Buket Savci (Painting; NYC, USA)
David Benarroch (Sculpture; Tel Aviv, Israel)
Robert Finn Curry (Sculpture, Installation; Madison, Wisconsin, USA)
Jan Yongdeok Lim (Painting; Utrecht, Netherlands)
Luca Arboccò (Painting, Installation; Pisa, Italy)
Mihyun Maria Kim (Painting, Drawing; Edmonton, Canada)
Nicholas Adamson (Video, Sound; Winnipeg, Canada)
Reinhold Ponesch (Painting, Installation; Vienna, Austria)
Tamaki Kawaguchi (Video, Performance, Installation; Osaka, Japan)
Yuuki Horiuchi (Installation, Drawing, Mixed Media; Tokyo, Japan)

Local Participants

Georg Lisek (Video, Installation; Leipzig, Germany)
Julia Eichler (Sculpture, Painting, Drawing, Mixed Media; Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Assistants
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)


The PILOTENKUECHE International Art Program is an independent project, open to artists of all nationalities. The common goal of the final group exhibition leads to intensive dialogue about individual ideas and practices, and binds each artist temporarily io a group, leading to a long-term network that exists even after the residency is over.

 

FUTURE / OPEN CALL FOR DIRECTOR

PILOTENKUECHE International Art Program is looking for a new director to take it over and further its development. The independent artist run project,  founded in 2007, is one of the largest international art programs in Europe’s boomtown of Leipzig, Germany.  

The program is four-fold: the International Residency Program, the Local Participants Program, the International Internship Program and the Emerging Curator Program. Each round lasts three months and relies on an open call. After an intensive selection process, the project invites up to 12 artists from around the world to participate in the International Residency Program. Each artist has up to 36m² in the fully remodeled communal 465m² space. The concept encourages experimental strategies and embraces a trans-disciplinary ethos, aiming to provide the participants with the experience of accomplishing something collectively.

The International artists are joined by the two local artists of the Local Participants Program for our program activities. These activites encourage stimulating dialogue that is vital in fostering an independent position in one’s work, while binding the individuals temporarily as a group. This leads to a long-term network that exists long after the program is over. 

The project works closely with the emerging curator and interns to create a quality program, including high caliber exhibitions that are both thought provoking and engage the viewer. During their internship, they are involved in every step of the process, from the consultations with artists, to the first-rate promotion in print and social media. When they leave the program, they have work to include in their portfolios.

 

The project is well thought-out,  has many local and international partnerships and is in good administrative condition.

Let the future begin.

After four years of dedication from current director, Martin Holz, it is time for change. The program is looking for a new director to run the program. The job is challenging and versatile – it requires love, dedication and responsibility. The handover would take place in 2019 and the requirements discussed individually. All selected applicants will be invited for a personal interview where further details will be discussed. We are accepting applications until 31.12.18.  The new director will be introduced into the structure and the tasks by the coordinator and the former director. 

The takeover includes everything required to run the program, such as:

  • Studio space and its inventory
  • Apartment and its inventory
  • Website and social media
  • Documentation
  • Administrative structure
  • Etc.

The program is run independently. The director is not a figure head. They are autonomus and are, therefore, soley responsible for the project. This requires versatile knowledge in technical and financial administration, as well as experience in the fields of space coordination and curation.

Note:
We are looking for a person / team to replace the current director.


Term: begin 2019
Application Deadline: 31.12.18

How to apply?

Please send:

  • a representive CV
  • a motivation letter
  • an overview of your skillset

to info@pilotenkueche.net by 31.12.18 

Please explore our website to familiarise yourself with the program and its concept before applying.