Category Archives: documentation

Upcoming Shows of the 38th Round 2019 / 1 Jan – 31 March

Work is the main thing on the minds of the artists of the 38th round. They are busy contemplating their surroundings, researching and testing out materials. We invite you to come see the results.

Unfinished Hase

Joseph Beuys described his 1965 performance “How to Explain Pictures to a Dead Hare” (“Wie man dem toten Hasen die Bilder erklärt”) as an effort to expand the human potential for thought and expression beyond the rational. The group of artists of the 38th round of Pilotenkueche International Art Program played on a similar concept during one of their first meetings. The newly assembled group decided to choose an exhibition title through a sentence-building game in order to find a common ground for future collaboration. This resulted in “Unfinished Hase”. The phrase also evokes a common motif in the visual arts, the hare being a symbol for various mythological meanings in different cultures throughout art history.

Vernissage:  15.02.19, 19h
Open:  16 – 23.02.19, 13 – 17h
Finissage: 23.02.19 19h
Location: 
Alte Handelsschule, Gießerstraße 75, 04229 Leipzig, Germany

All photos by Pilotenkueche International Art Residency

Fast Kotzen

Repulsed? It’s natural. It’s just the body’s way of protecting itself. The artists of the 38th round relate to the idea of an instantaneous reaction in a form of purging, symbolically and physically. They are eager to express themselves quickly in order to make room for new work and also to be in sync with the demands and the pace of the world today. The duality of the word “fast” (in English – quick; but in German – almost, nearly) also implies that producing new work requires a reflection beforehand, the artists currently being in a stand by mode.

Vernissage:  23.03.19, 19h
Open:  24 – 27.03.19 17h-20h
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany

______________________________________________________________________________

International residents

A L Kleiner 
(Painting, Installation; Sydney, Australia)

Amanda Struver 
(Interdisciplinary:Syracuse, NY, United States)

Ana Castillo 
(Illustration, Painting, Animation: Paris, France)

Atsuko Mochida 
(Installation, Site-specific Installation, Public Art : Tokyo, Japan) 

Ece Canguden
(Painting, Sculpture: Istanbul, Turkey)

Eliana Jacobs 
(Etching, Objects, Collage, Conceptual: Vancouver, BC, Canada)

Isabelle Kuzio
(Video, sculpture, painting, installation: Edmonton, Alberta, Canada)

Jose Sarmiento
(Painting, Drawing, Etching: Bucaramanga, Columbia)

Charles Park
(Photography: New York, NY, US)

Marloes Staal
(Sculpture, Photography, Drawing: Enschede, Netherlands)

Ludmila Hrachovinova 
(Painting: Bratislava, Slovakia)

Roman Bicek
(Painting, Collage: Bratislava, Slovakia)

Tomas Orrego Gianella
(Video, Installation, Collage: Lima, Peru)

Valentine Emilia Bossert
(Drawing, Printmaking, Sculpture, Video, Installation: Geneva, Switzerland)


Local Participants

Henike Pilz 
(Mixed Media; Leipzig, Germany)

Paul Altmann 
(Conceptual Art, Photography, Video, Installation: Leipzig, Germany)


Curator

Tena Bakšaj 
(Zabreb, Croatia)

Assistants

Ciara Brown
(Fine Art, Multi-media: Burnley, UK)

Maria Valcarcel Maceira 
(Art History: A Estrada, Spain)

Samra Šabanović 
(Photography, Visual Culture: Helsinki, Finland / Sarajevo, B&H)

Mihyun Maria Kim 
(Painting, Drawing; Edmonton, Canada)

PK Artistic Director and Coordinator

maeshelle west-davies
(Performance, Time-based media, Installation: US/UK/DE

Welcome round 38

We are extremely excited to introduce round 38. With very talented artists from all over the world, this round is ready to inspire you to ask questions. Of course one question that continues to be asked is, “What is art?” This varied group will challenge your perceptions through painting, drawing, sculpture, collage, installation, photography, video, interactive works and performance. The next three months are going to be enlightening.

Photos by Pilotenkueche International Art Program


International residents

A L Kleiner 
(Painting, Installation; Sydney, Australia)

Amanda Struver 
(Interdisciplinary:Syracuse, NY, United States)

Ana Castillo 
(Illustration, Painting, Animation: Paris, France)

Atsuko Mochida
(Installation, Site-specific Installation, Public Art : Tokyo, Japan) 

Ece Canguden
(Painting, Sculpture: Istanbul, Turkey)

Eliana Jacobs
(Etching, Objects, Collage, Conceptual: Vancouver, BC, Canada)

Isabelle Kuzio
(Video, sculpture, painting, installation: Edmonton, Alberta, Canada)

Jose Sarmiento
(Painting, Drawing, Etching: Bucaramanga, Columbia)

Charles Park
(Photography: New York, NY, US)

Marloes Staal
(Sculpture, Photography, Drawing: Enschede, Netherlands)

Ludmila Hrachovinova 
(Painting: Bratislava, Slovakia)

Roman Bicek
(Painting, Collage: Bratislava, Slovakia)

Tomas Orrego Gianella
(Video, Installation, Collage: Lima, Peru)

Valentine Emilia Bossert
(Drawing, Printmaking, Sculpture, Video, Installation: Geneva, Switzerland)


Local Participants

Henike Pilz 
(Mixed Media; Leipzig, Germany)

Paul Altmann 
(Conceptual Art, Photography, Video, Installation: Leipzig, Germany)


Curator

Tena Bakšaj
(Zabreb, Croatia)

Assistants

Ciara Brown
(Fine Art, Multi-media: Birnley, UK)

Samra Šabanović
(Photography, Visual Culture:Helsinki, Finland / Sarajevo, B&H)

Maria Valcarcel Maceira
(Art History: A Estrada, Spain)

Mihyun Maria Kim
(Painting, Drawing; Edmonton, Canada)

PK Artistic Director and Coordinator

maeshelle west-davies
(Performance, Time-based media, Installation: US/UK/DE


AHS speech bubble PK

Re-View: Rutschbahn and Speech Bubble

Marking the half way point of the artists’ time at Pilotenkueche art residency, Rutschbahn, the second exhibition of Pilotenkueche round 37, opened on Friday, the 16th of November 2018 at Krudebude.  Krudebude is an unusual exhibition space set in a “Wächterhaus” – a very Leipzig concept which provides apartments and other project spaces for inexpensive rent –. This made for a intimate and friendly atmosphere throughout the evening .

The 10 participating artists were encouraged to collaborate and make use of the space and its peculiar characteristics. This was particularly visible with Buket Savci’s work Hole of Mystical Desire, which was placed in direct relation with the remains of flowered wallpaper on one of the doors;  Jan Yongdeok Lim’s installation Smoke, which appropriated the coal burning stove in one of the rooms, and Reinhold Ponesch’s RIDE MY HORNS, placed just above one of the door frames in the entrance hall in reference to the traditional placement of mounted horns.

A great number of guests arrived as soon as the clock hit 7pm, and just an hour later, everyone gathered in one of the rooms to watch Reinhold Ponesch and Tamaki Kawaguchi’s collaborative performance IT CONCERNS YOU. This was Reinhold Ponesch’s and Tamaki Kawaguchi’s first experience with performance art. It was engaging to see how fiercely emotions were portrayed by the two artists. The audience was also positively taken by surprise when encouraged to participate.

We welcomed some familiar faces, previously spotted at the artists’ first exhibitionI Accept the Cookies – who were enthusiastic to see the development of the artists’ practice from  its first work-in-progress sneak peak. New faces kept on arriving until late in the evening, and the same was visible at the finissage last Thursday, 22 November 2018. Ann-Kathrin – one of the organizers of Krudebude – was positively amazed by the show, claiming it was one of the best so far at the space, both in quality and attendance.

photos by Pilotenkueche  International Art Program

Just a week later, on Friday, 23 November 2018, the third exhibition of the 37th round of Pilotenkueche – Speech Bubble – opened its doors. This was the first exhibition showcasing all 14 artists, marking local artist Georg Lisek’s first exhibition of the round with the display of Mask Variation, one of the two video works that could be seen in the show.

The evening began with a welcome speech by Barbara Röhner, owner of Alte Handelsschule and organizer of its exhibition space, followed by words from curator Viviane Tabach. For the curator, this show marks a turning point in the artists’ creative journey at the residency, where they can naturally invent their spaces within the large floor areas of the space, as well as its high ceilings. The artists finally have the freedom to exhibit some of the larger works that have been behind the studio walls, anxiously awaiting their moment. There was also space to develop site-specific work, as Luca Arboccò so rightly did. 

Before reaching the second floor where the exhibition takes place, visitors were surprised by flashing colours on their right as they walked up the stairs. As they followed this intriguing set of blue and purple lights, they found the first piece from the exhibition, No Broken Mirrors Shift Between Our Glance, by Nicholas Adamson. At first just a broken chair carefully laid on the floor, once the visitors moved closer and engaged in the space, they could see a mirror below the chair, reflecting an oil painting of a clown.

 

photos by Pilotenkueche  International Art Program

As the visitors continued up the stairs, they were intoxicated by the sound of Izabela Kałduńska’s music performance “The New Solarism” as they entered the exhibition space. Sitting in harmony amid Finn Curry and David Benarroch’s sculptures, the audience was treated to an hour long experimental performance that shifted between loops of classical violin arrangements and other sounds such as tearing paper, taps on wood and voice. 

Some visitors were noticed exploring the processes of Jan Yongdeok Lim’s Draainweg series through touch, which was interestingly unusual; others were intrigued by Barry Amey’s pieces and their reflection of colour on the wall, and curiously placed their hands behind the pieces to sense their heat – or as they then discovered, the lack of it – in an attempt to explore if they conveyed any light. For many guests, the most striking pieces were Julia Eichler’s Borderwallprototype I and II, for their materiality and playfulness; discovering they are relatively light, considering appearing heavy.

As the evening progressed, the guests grew comfortable – some sat in each corner of the room discussing the different works on view, and others laid on the floor next to Ai Ikeda’s piece Reassembling Matters, almost blending in with the ropes, kraft and waste papers.

These were two nights to remember and we cannot wait to meet again at the most awaited of all exhibitions –  the final one.

SPOOR
Friday, 14 December 2018
at the PK studio space.


Last chance to see Speech Bubble:
finissage Friday 30 Dec from 7PM.


Rutschbahn

International Artists:
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Jan Yongdeok Lim (Utrecht, Netherlands)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)

Local Artist:
Julia Eichler (Halle, Germany)

Speech Bubble

International Artists:
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artists:
Julia Eichler (Halle, Germany)
Georg Lisek (Leipzig, Germany)

Curator:
Viviane Tabach (São Paulo, Brazil)

Assistants:
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

Re-View: I Accept the Cookies

I came. I saw. I ate

Thursday 1 November 2018, I Accept the Cookies, the first exhibition of the 37th round of Pilotenkueche opened its doors.  It had taken days to prepare the exhibition space: from painting the wall, to arranging the work, and then finally placing the cookies (as promised in advance) in a highly visible place. 

all photos by PILTOENKUECHE ART PROGRAM

Thanks to the almost sterile environment of Ping Pong, upon arrival people could see how concisely everything was arranged. Using only one stone grey wall for the works of 13 different artists without creating an overwhelming impression certainly isn’t an easy act, especially when the artists had barely known each other only a couple of weeks.

There is an old German proverb that goes, “Too many cooks spoil the broth.” In our case it’s cookie dough.. But in the end with the remarkable knowledge and skill of the curator, Vivian Tabach, this cookie could’ve not been tastier.

Although most of the exhibited art was still in progress, as a whole it created a unique finished piece. In a simple, yet experimental way, with each artist participating with their own, personal flare, the installation mirrored the character of Lindenau in which the exhibition took place. Like the neighborhood and exhibition, Pilotenkueche is about people coming together. What matters isn’t the gender, the heritage, the religion etc. – but the common interest for art…and for cookies.

 all photos by PILTOENKUECHE ART PROGRAM

Diversity was also present in the audience, ranging from the artists themselves, former pilots and people from the local art scene to seniors who had read about the vernissage in the local newspaper LVZ – even more interesting since this broadsheet isn’t the exactly known for its affinity for contemporary art.

There was even one guy who just felt so attracted by our well placed bait – the plate of cookies shining at him from behind the glass pane – that he just had to accept them without looking further to see what was going on inside besides them. This was especially relevant as, in some way, it turned the virtual phenomena of just hitting “accept” without even reading the endless terms and conditions into a real thing. Eventually, sedated and with another cookie in his hands he also found interest in the art pieces. He could be found studying very closely the synergy of sketches and paintings, of the installations and leftovers attached to the stone grey wall giving just a hint what might be in the making behind the door of Pilotenkueche studio. He left with flyer in hand.

This was a really nice evening, with happy pilots and many interesting talks, leaving the audience hungry for the next crumbs in the artist’s little journey through the different art spaces of Leipzig. 

After this kick-off and with an even more strengthened bond, our pilots are already preparing their next exhibition: Rutschbahn. Come slide with us into it and see how they progress!

We would like to thank Ping Pong’s gallery owner, Marcel Noack,  for his collaborative spirit!

written by Elias Emtanes


I Accept the Cookies

International Artists:
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artist:
Julia Eichler (Halle, Germany)

Curator:
Viviane Tabach (São Paulo, Brazil)

Assistants:
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

 

 

In progress: I accept the cookies

People come to art residencies for all  kids of reasons, but those reasons all come back to one thing: work. First and foremost artists want to create. This may be influenced by what they experience here. It may include collaboration with other creatives they have met here. It always includes a progression of impressions in reaction to their new environment. These impressions are often overlooked. In the first show of the 37th round, I accept the cookies, we want to invite you into this secret world.

The artists have been here for a month now. During this time we have been having consultations and closely following their work: both past and current. This was imperative in deciding which pieces would be included in our upcoming shows.

We are currently installing I accept the cookies. It will include works from the entire group. In fact, the salon style hanging was chosen to show how the works correlate and create one single work. The open plan industrial loft studios at Pilotenkueche make it easy for artists to interact if they want to. This group of artists is feeding off each other and taking advantage of the randomness that has them in Leipzig at the same time. They understand this gift. 

photos by Pilotenkueche Art Program

I Accept the Cookies will be presented at the Ping Pong Kunstraum. “The title came up as an unpretentious wordplay with the new pilots at the kitchen (the artists at the Pilotenkueche!), baking some cookies and/or being the cookies and also makes reference to the pop-up window you have to accept to continue navigating online. This exhibition does not approach internet issues, but the situation of compromising your privacy in order to access content. In this case, privacy can be understood as the process: the artists unveil their process to the audience. This exhibition is the gateway to the contents you will see in the three following shows.” Vivian Tabach, guest curator.

Come meet the artists. They are a friendly bunch. And, yes, there will be cookies for you to accept.


I ACCEPT THE COOKIES
Kunstraum PING•PONG

Helmholtzstraße 1
04177 Leipzig, Germany

Vernissage: Thur 01 Nov 2018, 19h
Open: 02 – 04 Nov  17-20h

facebook event

International Artists:
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artist:
Julia Eichler (Halle, Germany)

Curator:
Viviane Tabach (São Paulo, Brazil)

Assistants:
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

Artist Spotlight: Mihyun Maria Kim

Mihyun Maria Kim is a painter. The idea of the painting itself is meaningful for her because it is both the process and the outcome: it alludes that its end is not necessarily defined. It is through this ambivalence that she also explores the place between the encounter and the separation, the integration and the isolation.

She depicts portraits, figures, faces, whose main theme is the human connection. Maria Kim looks through her personal photos to find randomly captured people. She may not know them, but the fact that they shared the same space and time gives her an entry point to discover a potentially valuable moment. The stories she investigates can be her own – where she draws from memory – or can be a story told to her by her family and friends. From this, Maria Kim connects the past to her current situation, struggle or emotion and reinterprets it in order to dig deeper into the reason she has accessed it.

Photos are the starting point for Maria Kim’s works, but she never looks at them during the process. She let them intermingle with her surroundings, “to be more influenced by information through news, research, writings, books, so that I free the mind and emotions of my own visual world to come alive”, she describes.

all photos by Pilotenkueche Art Program

She allows herself to be carried away by her thoughts so that her body moves with a certain weight and energy which can be seen in the brushwork, choice of colors, the size of the work and how controlled the situation is for painting. The dark color palette and the expressive brushstroke are remarkable in her work.

All the subjects and contexts Maria Kim paints relate to who she is as a painter. The figures she paints can be seen as her own representation. Her painting process is her own self-knowledge process. The time of painting is also a time of reflection and the reinvention of a memory. The anonymous character of a possible encounter gains an intimate form, at the same time, the painting seems to be reduced to a non-place and timeless state. Taken to the extreme, it is the creation of a background for new memories.

At the beginning of her career, she was influenced by the Austrian painter Egon Schiele, for his raw lines and use of negative space; the German Expressionists who distort the use of colour, space, and scale; sculptors as Magdalena Abakanowicz with hollow figures and surface texture, and more recently Claudia Alvarez with her rooms of ceramic children and their piles of shoes. Her current influencers are Maja Ruznic, Xin Ye Cheng, Kaye Donachie, Grace Metzier and Genieve Figgis. With her recent move to Edmonton in Canada, she wishes to further understand the rawness and depictions of both Julian Forrest and Kim Dorland.

Since 1998 Mihyun Maria Kim has been selected to several art residencies, such as Can Serrat and AIRGentum, in Spain and CAMAC (Centre d’Art Marnay Art Centre), in France. At Pilotenkueche, the artist aims to move on to larger paintings and also to group the smaller paintings for viewing as it has this element of a search for one that one can recognize him/herself in.

text: curator Viviane Tabach


You can see Maria Kim’s work in the four upcoming shows of round 3 7. 

I ACCEPT THE COOKIES 

Vernissage: 01.11.18, 19h
Open: 02.11 – 04.11.18 17-20h
Location: PING PONG, Helmholtzstraße 1, 04177 Leipzig, Germany
facebook event

RUTSCHBAHN

Vernissage:  16.11.18, 19h
Open:  17-21.11.18 17 – 20h
Finissage: 22.11.18, 19h
Location: Krudebude, Stannebeinplatz 13, 04347 Leipzig, Germany
facebook event

SPEECH BUBBLE

Vernissage:  23.11.18, 19h
Open:  24 – 29.11.18, 17 – 20h
Finissage: 30.11.18 19h
Location: 
Alte Handelsschule, Gießerstraße 75, 04229 Leipzig, Germany
facebook event

SPOOR

Vernissage:  14.12.18, 19h
Open:  15 – 20.12.18 17h-20h
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany
facebook event

 

Visiting: West meets East

The resident artists of the 37th round have been finding out what makes Leipzig unique. Taking advantage of the unseasonably warm weather, we visited all the venues for our upcoming shows. Since they are in different parts of town, this had us on foot, bike and tram.

Starting at the Alte Handelsschule, where we will present Speech Bubble (facebook event), we thought about the possibilities the shabby chic venue could host.  Then we walked down Geisserstr towards Karl Heine. Since many of the artists are using found and/or site specific materials in their work or for inspiration, it was important we stop at the Recycling Museum (facebook) and the Free Store. Yes, I said free! This is one of the things that makes Leipzig so special. People are in the habit of gifting things they no longer need instead of throwing them out. I think we all came out of the free store with new “purchases”. Wow! The buzz of shopping without the hangover.

Next stop was Ping Pong where we will have our first show, I Accept the Cookies (facebook event). The small white cube venue with its huge picture window is the perfect place to create an old school salon style exhibition and give people a sample of the process taking place in the studio.

photos by PILOTENKUECHE Art Program

Then it was a mad dash across town to east Leipzig where eyes lit up as the artists entered the secret entrance to the magical space of Krudebude. What a perfect venue for our second show, Rutschbahn (playground slide). Artists are actively thinking of ways to interact with the off space’s unrenovated charm. (facebook event).

Afterwards, we went to the Japanese Haus VoKu where they make a big meal and people pay 3EUR for a portion. It was teaming and the artists were impressed at the sense of community they had experienced here and in the other places we’d been that day. We topped the day off by going to an opening at another off space, Bistro 21 (facebook event) where everyone engaged in discussion and meeting new people.

And on the hottest day of the week, we all came together outside our own venue to enjoy a BBQ and talk about our upcoming shows. As we get to know each other better, it is clear that this is a group that is up for exchange. Many are even taking this time and constellation to push their artistic practice in directions that can only happen here, with these people. 

Our final show will take place at Pilotenkueche and be called, SPOOR. (facebook event)

It was a very good week. Thank you, round 37!


ARTISTS

International residents

Ai Ikeda (Painting, Drawing, Mixed Media, Installation; Montreal, Canada)
Barry Amey (Installation, Painting, Printmaking, Light Installation; Cornwall, UK)
Buket Savci (Painting; NYC, USA)
David Benarroch (Sculpture; Tel Aviv, Israel)
Robert Finn Curry (Sculpture, Installation; Madison, Wisconsin, USA)
Jan Yongdeok Lim (Painting; Utrecht, Netherlands)
Luca Arboccò (Painting, Installation; Pisa, Italy)
Mihyun Maria Kim (Painting, Drawing; Edmonton, Canada)
Nicholas Adamson (Video, Sound; Winnipeg, Canada)
Reinhold Ponesch (Painting, Installation; Vienna, Austria)
Tamaki Kawaguchi (Video, Performance, Installation; Osaka, Japan)
Yuuki Horiuchi (Installation, Drawing, Mixed Media; Tokyo, Japan)

Local Participants

Georg Lisek (Video, Installation; Leipzig, Germany)
Julia Eichler (Sculpture, Painting, Drawing, Mixed Media; Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Assistants
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)


The PILOTENKUECHE International Art Program is an independent project, open to artists of all nationalities. The common goal of the final group exhibition leads to intensive dialogue about individual ideas and practices, and binds each artist temporarily io a group, leading to a long-term network that exists even after the residency is over.

 

Upcoming Shows of the 37th Round 2018 / 1 Nov – 14 Dec

Round 37 is here and the energy is palpable. The Pilotenkueche Art Program studios are buzzing and the artists are finding their place in the group and the community at large. They bring a variety of voices to the table that are as strong as the work they produce. Some are using the time here to experiment, some are reacting to their new environment and others are taking advantage of the large studio spaces. All are committed to the bonding process and enrichment through collaboration, the sharing of individual knowledge and new experiences.

all photos by PILOTENKUECHE International Art Program

We are excited to invite you to save the date for our upcoming exhibitions. You’ll want to see what they are creating!

I ACCEPT THE COOKIES 

Vernissage: 01.11.18, 19h
Open: 02.11 – 04.11.18 17-20h
Location: PING PONG, Helmholtzstraße 1, 04177 Leipzig, Germany

RUTSCHBAHN

Vernissage:  16.11.18, 19h
Open:  17-21.11.18 17 – 20h
Finissage: 22.11.18, 19h
Location: Krudebude, Stannebeinplatz 13, 04347 Leipzig, Germany

SPEECH BUBBLE

Vernissage:  23.11.18, 19h
Open:  24 – 29.11.18, 13 – 17h
Finissage: 30.11.18 19h
Location: 
Alte Handelsschule, Gießerstraße 75, 04229 Leipzig, Germany

SPOOR

Vernissage:  14.12.18, 19h
Open:  15 – 20.12.18 17h-20h
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany

ARTISTS

International residents

Ai Ikeda (Painting, Drawing, Mixed Media, Installation; Montreal, Canada)
Barry Amey (Installation, Painting, Printmaking, Light Installation; Cornwall, UK)
Buket Savci (Painting; NYC, USA)
David Benarroch (Sculpture; Tel Aviv, Israel)
Robert Finn Curry (Sculpture, Installation; Madison, Wisconsin, USA)
Jan Yongdeok Lim (Painting; Utrecht, Netherlands)
Luca Arboccò (Painting, Installation; Pisa, Italy)
Mihyun Maria Kim (Painting, Drawing; Edmonton, Canada)
Nicholas Adamson (Video, Sound; Winnipeg, Canada)
Reinhold Ponesch (Painting, Installation; Vienna, Austria)
Tamaki Kawaguchi (Video, Performance, Installation; Osaka, Japan)
Yuuki Horiuchi (Installation, Drawing, Mixed Media; Tokyo, Japan)

Local Participants

Georg Lisek (Video, Installation; Leipzig, Germany)
Julia Eichler (Sculpture, Painting, Drawing, Mixed Media; Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Assistants
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)


 

The PILOTENKUECHE International Art Program is an independent project, open to artists of all nationalities. The common goal of the final group exhibition leads to intensive dialogue about individual ideas and practices, and binds each artist temporarily io a group, leading to a long-term network that exists even after the residency is over.

WELCOME NEW PILOTS // 37th Round

We are pleased to welcome the pilots of the 37th round, who will be at PILOTENKUECHE from October through December 2018. The artists hail from Japan, Germany,  the Netherlands, Austria, Canada, Italy, Israel, UK and USA. This round brings painting, installation, mixed media, drawing, performance, sound, sculpture, video, light installation, printmaking, conceptual art, and multimedia into focus.

It’s been a busy first week! The new residents have chosen studio spaces and are actively making them their own. On Thursday we took time out to do a mini tour of city center to introduce the artists their new home.

all photos by PILOTENKUECHE ART PROGRAM

Afterwards, we went to GFZK where locaL artist Michael Hahn talked to us about his exhibition, Timing is Everything. He grew up in the former GDR and has lived in both systems. His playful use of materials and his take on time really resonated.

If the past could be changed, it would not exist. If the future could be stopped, it would not survive. If the present could be avoided, it would not prevail.” Matshona Dhliwayo

And on Friday the artists had their first collaboration; a potluck lunch. We are looking forward to spending the rest of the year with this group!

ARTISTS

International residents

Ai Ikeda (Painting, Drawing, Mixed Media, Installation; Montreal, Canada)
Barry Amey (Installation, Painting, Printmaking, Light Installation; Cornwall, UK)
Buket Savci (Painting; NYC, USA)
David Benarroch (Sculpture; Tel Aviv, Israel)
Robert Finn Curry (Sculpture, Installation; Madison, Wisconsin, USA)
Jan Yongdeok Lim (Painting; Utrecht, Netherlands)
Luca Arboccò (Painting, Installation; Pisa, Italy)
Mihyun Maria Kim (Painting, Drawing; Edmonton, Canada)
Nicholas Adamson (Video, Sound; Winnipeg, Canada)
Reinhold Ponesch (Painting, Installation; Vienna, Austria)
Tamaki Kawaguchi (Video, Performance, Installation; Osaka, Japan)
Yuuki Horiuchi (Installation, Drawing, Mixed Media; Tokio, Japan)

Local Participants

Georg Lisek (Video, Installation; Leipzig, Germany)
Julia Eichler (Sculpture, Painting, Drawing, Mixed Media; Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Assistants
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

Artist Spotlight: Chelsea Markuson

 

“Ritual cleanses violence.” On Friday 14 September, Chelsea Markuson performed 000 at the Leipzig Jewish Synagogue Memorial. The memorial stands on the former site of the synagogue that was destroyed on Kristalnacht in 1938. It was a night when shards of glass from broken windows filled German streets. In Leipzig alone, more than 500 men were taken to Buchenwald concentration camp. 

Chelsea’s time in Leipzig has been invaluable. It has helped her reflect on her family history in layers that will surely continue to manifest long after she returns to the States. Reflection is  particularly pertinent this time of year. The days between Rosh Hashanah (Jewish New Year) and Yom Kippur are dedicated to this practice.

All photos by Pilotenkueche

She chose to do the performance at the time when practicing Jews would have been arriving at the synagogue for shabbat evening services. 

“I found that during my physical actions I was beginning an attempt to channel the energies there at the site. What I found is that there is nothing there. It is a void of nothingness. Sadly I was anticipating the opposite.”

Chelsea will be performing 0000 at the opening of Corporal Temperature at 19.00. It will be interesting to see what energy she channels in a different environment. Will she feel liberated or empty?

Chelsea Markuson website