Author Archives: Maeshelle West-Davis

Artist spotlight: AL Kleiner

 

“Too much decoration distracts my thought process” confirms Adam, from the seat of his nearly empty Pilotenkueche studio.  Adam’s creative process begins with research in the form of reading. For this, he needs a blank environment. This provides him the clarity of a clean mental space in which he can grow new knowledge.

It was upon discovering the Contemporary Master Heads of the 1970’s that Adam decided to face his practice with a new attitude. After experimentation at The National Art School in Sydney, he decided to hand the paint brush over to the spectator at his graduate exhibition. Now his creations could be activated by interaction from the viewer. Adam created Micro Studios: sophisticated constructions of wall hangings, encasing canvas and painting materials. The expertise Adam gathered over years of landscape paintings translated into strict attention to detail and composition within the creation of his tangible objects.

A socially engaged practice satisfies Adam in knowing that he is critiquing the “look but don’t touch” ethos of the gallery space. He is hoping to push this further during his three month stay at Pilotenkueche. After a six month break from creating his own art works, he is entering the residency with no fixed program. With an interest in German politics, Adam hopes that his practice will be somewhat shaped by the dynamics of his new location and the social situations and structures in which he finds himself. I’m curious to experience how these discoveries are translated into a multi-sensory installation.

photos by Pilotenkueche International Art Residency

Come and see what Adam creates in the following shows:

Unfinished Hase

Vernissage:  15.02.19, 19h
Open:  16 – 23.02.19, 13 – 17h
Finissage: 23.02.19 19h
Location: 
Alte Handelsschule, Gießerstraße 75, 04229 Leipzig, Germany

Fast Kotzen

Vernissage:  23.03.19, 19h
Open:  24 – 27.03.19 17h-20h
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany

Upcoming Shows of the 38th Round 2019 / 1 Jan – 31 March

Work is the main thing on the minds of the artists of the 38th round. They are busy contemplating their surroundings, researching and testing out materials. We invite you to come see the results.

Unfinished Hase

Joseph Beuys described his 1965 performance “How to Explain Pictures to a Dead Hare” (“Wie man dem toten Hasen die Bilder erklärt”) as an effort to expand the human potential for thought and expression beyond the rational. The group of artists of the 38th round of Pilotenkueche International Art Program played on a similar concept during one of their first meetings. The newly assembled group decided to choose an exhibition title through a sentence-building game in order to find a common ground for future collaboration. This resulted in “Unfinished Hase”. The phrase also evokes a common motif in the visual arts, the hare being a symbol for various mythological meanings in different cultures throughout art history.

Vernissage:  15.02.19, 19h
Open:  16 – 23.02.19, 13 – 17h
Finissage: 23.02.19 19h
Location: 
Alte Handelsschule, Gießerstraße 75, 04229 Leipzig, Germany

All photos by Pilotenkueche International Art Residency

Fast Kotzen

Repulsed? It’s natural. It’s just the body’s way of protecting itself. The artists of the 38th round relate to the idea of an instantaneous reaction in a form of purging, symbolically and physically. They are eager to express themselves quickly in order to make room for new work and also to be in sync with the demands and the pace of the world today. The duality of the word “fast” (in English – quick; but in German – almost, nearly) also implies that producing new work requires a reflection beforehand, the artists currently being in a stand by mode.

Vernissage:  23.03.19, 19h
Open:  24 – 27.03.19 17h-20h
Location: PILOTENKUECHE, 2nd Floor, Franz-Flemming-Str. 9, 04179 Leipzig, Germany

______________________________________________________________________________

International residents

A L Kleiner 
(Painting, Installation; Sydney, Australia)

Amanda Struver 
(Interdisciplinary:Syracuse, NY, United States)

Ana Castillo 
(Illustration, Painting, Animation: Paris, France)

Atsuko Mochida 
(Installation, Site-specific Installation, Public Art : Tokyo, Japan) 

Ece Canguden
(Painting, Sculpture: Istanbul, Turkey)

Eliana Jacobs 
(Etching, Objects, Collage, Conceptual: Vancouver, BC, Canada)

Isabelle Kuzio
(Video, sculpture, painting, installation: Edmonton, Alberta, Canada)

Jose Sarmiento
(Painting, Drawing, Etching: Bucaramanga, Columbia)

Charles Park
(Photography: New York, NY, US)

Marloes Staal
(Sculpture, Photography, Drawing: Enschede, Netherlands)

Ludmila Hrachovinova 
(Painting: Bratislava, Slovakia)

Roman Bicek
(Painting, Collage: Bratislava, Slovakia)

Tomas Orrego Gianella
(Video, Installation, Collage: Lima, Peru)

Valentine Emilia Bossert
(Drawing, Printmaking, Sculpture, Video, Installation: Geneva, Switzerland)


Local Participants

Henike Pilz 
(Mixed Media; Leipzig, Germany)

Paul Altmann 
(Conceptual Art, Photography, Video, Installation: Leipzig, Germany)


Curator

Tena Bakšaj 
(Zabreb, Croatia)

Assistants

Ciara Brown
(Fine Art, Multi-media: Birnley, UK)

Maria Valcarcel Maceira 
(Art History: A Estrada, Spain)

Samra Šabanović 
(Photography, Visual Culture: Helsinki, Finland / Sarajevo, B&H)

Mihyun Maria Kim 
(Painting, Drawing; Edmonton, Canada)

PK Artistic Director and Coordinator

maeshelle west-davies
(Performance, Time-based media, Installation: US/UK/DE

Meet the curator: Tena Bakšaj

In 2017, Tena went to a small punk bar in Connewitz. She had seen a flyer for an exhibition entitled, Enjoy Yourself.  Music, dance, drink and art sounded like the perfect way to do that. It was an exhibition from the 33rd round of Pilotenkueche. After conversing with the artists, Tena was enticed to follow their journey. When she attended their final show, she felt comfortable in the Pilotenkueche space and decided to apply for the curator internship.

After studying French and German Language and Literature in Zagreb, Tena started working at the Modern Gallery. There she learned how to take visitors on guided tours, building a storytelling skill which later found its way into her work.

Discussion with a group of former museum colleagues lead to a common realisation that there was a lack of opportunities for emerging artists and young curators within the city. This resulted in the birth of Kolektiv EMGE – a non-profit curatorial organization dedicated to filling this gap. This allowed Tena to develop a practical knowledge in the field of curation and the organization of art events.

Kolektiv EMGE ‘s first exhibition, Under Cover

“We noticed that there was a refined independent music scene present in the whole region and that a lot of musicians collaborate with local artists in a form of cover artwork or visual identity, thus creating an alternative/DIY network between many local young creatives. We wanted to research and map these collaborations in a form of an exhibition.”

A series of interviews with musicians and artists lead to an exhibition showcasing 50 cover artworks along with a story and explanation of how each image was derived. The success of the exhibition lead to a tour of the ex-Yugoslavian region, fulfilling the collective’s original goals and providing them the energy to push their intentions further.

photos by Pilotenkueche International Art Residency or supplied by Tena

With their next curatorial project, the collective decided to take a similar anthropological research approach – this time with the topic of Kino (movie theatres) in Zagreb from the sixties and seventies. After delving into state archives and newspapers, EMGE gathered material to create a multimedia interactive exhibition. They showed the current and past states of each theatre. The focus was on the development, growth and degradation of each individual site and eventually on how the buildings were adequately or inadequately repurposed.

Next, Tena and the collective assisted in the coordination of the Antisalon project, which is based on the concept of gathering the work of artists recently rejected by the Youth Salon (an established biennial art show collating works of emerging Croatian artists). Antisalon is a space where young artists often exhibit for their first time and it takes place in Zagreb’s alternative center/squat Medika, in Grey gallery. The main goal is to give insight into the complete emerging art scene and not only the works selected by established museum. This was Tena’s first step towards curating a show with an emphasis on providing a platform for each individual artist.

As the next development, Pilotenkueche will allow Tena to gain experience in building relationships with each artist and monitoring the progress of all projects involved in the exhibition.

“I’m looking forward to the challenge of working with sixteen very unique artists and providing ample attention to each one of them. My desire is to create a coherent show which is accessible to the public eye. It is important to me that there is a dialogue between the works. This close relationship and observation of the artists progression should enable me to find this dialogue.”

Welcome round 38

We are extremely excited to introduce round 38. With very talented artists from all over the world, this round is ready to inspire you to ask questions. Of course one question that continues to be asked is, “What is art?” This varied group will challenge your perceptions through painting, drawing, sculpture, collage, installation, photography, video, interactive works and performance. The next three months are going to be enlightening.

Photos by Pilotenkueche International Art Program


International residents

A L Kleiner 
(Painting, Installation; Sydney, Australia)

Amanda Struver 
(Interdisciplinary:Syracuse, NY, United States)

Ana Castillo 
(Illustration, Painting, Animation: Paris, France)

Atsuko Mochida
(Installation, Site-specific Installation, Public Art : Tokyo, Japan) 

Ece Canguden
(Painting, Sculpture: Istanbul, Turkey)

Eliana Jacobs
(Etching, Objects, Collage, Conceptual: Vancouver, BC, Canada)

Isabelle Kuzio
(Video, sculpture, painting, installation: Edmonton, Alberta, Canada)

Jose Sarmiento
(Painting, Drawing, Etching: Bucaramanga, Columbia)

Charles Park
(Photography: New York, NY, US)

Marloes Staal
(Sculpture, Photography, Drawing: Enschede, Netherlands)

Ludmila Hrachovinova 
(Painting: Bratislava, Slovakia)

Roman Bicek
(Painting, Collage: Bratislava, Slovakia)

Tomas Orrego Gianella
(Video, Installation, Collage: Lima, Peru)

Valentine Emilia Bossert
(Drawing, Printmaking, Sculpture, Video, Installation: Geneva, Switzerland)


Local Participants

Henike Pilz 
(Mixed Media; Leipzig, Germany)

Paul Altmann 
(Conceptual Art, Photography, Video, Installation: Leipzig, Germany)


Curator

Tena Bakšaj
(Zabreb, Croatia)

Assistants

Ciara Brown
(Fine Art, Multi-media: Birnley, UK)

Samra Šabanović
(Photography, Visual Culture:Helsinki, Finland / Sarajevo, B&H)

Maria Valcarcel Maceira
(Art History: A Estrada, Spain)

Mihyun Maria Kim
(Painting, Drawing; Edmonton, Canada)

PK Artistic Director and Coordinator

maeshelle west-davies
(Performance, Time-based media, Installation: US/UK/DE


ReView: SPOOR

SPOOR /spʊə,spɔː/

noun
1. the track or scent of an animal.
verb
1. follow the track or scent of (an animal or person).

The aim of the final exhibition resulting from 37th round of the Pilotenkueche International Art Program is to raise the issue of being-in-the-world, bringing forth the notion of perception. It is “the background from which all acts stand out, and is presupposed by them”. We do not perceive isolated sense-impressions because we only see things as they relate. Our mental representations are formed by our previous experiences and future expectations. Art can capture the affective primordial contact that tends to go unnoticed. Artists are embedded and immersed in the tangible day to day world and assume a life of their own, opening themselves to metaphoric meanings by responding with forms, shapes, and colours.

Contemporary artistic process is not only about understanding technical formalities and introducing them in the art practice, but about the production of strangeness. Thus, contemporary art does not refer to a single determining judgment. In principle, the artistic process is not governed by rules and pre-established categories: these are what the artist seeks to discover and establish in their work. Contemporary art embraces sensibility – the artworks aim to capture the displacement of subjectivity through experiments and propositions that operate as a circuit breaker of the perception. It is a deflection of what is known.

all images by Pilotenkueche International Art Program

This plurality is present during the selection of artists for the program. The choices are based on the quality of their works, not in an a priori theme for each round. This means the relationships outlined between their poetics are subsequent and follow the uniqueness of the pieces produced during the residency. After three months, it is clear that all artists have sought to trace relationships with the city: its characteristics and found artefacts, each of them making their own way. 

text by curator Viviane Tabach


For the vernissage of SPOOR, Pilotenkueche was happy to host three musical performances. Violinist Izabela Kaldunska, originally from Poland,  played excerpts from her experimental work “The New Solarism”, along with some freshly created compositions. Classically trained as a pianist Elif Murat, originally from Ankara, Turkey, also presented some of her new electronic chill out pieces ‘Ellie M.’. Then the pair joined to perform as Ichor, a  collaborative project in which they compose electronic dance music. Just like the artists on the residency, Izabela and Elif  met in Leipzig.


SPOOR
14-19 Dec 2018

International Artists
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artists
Georg Lisek (Leipzig, Germany)
Julia Eichler (Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Assistants
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

Graphic Design
Ines Alberty

In progress: SPOOR

It’s hard to believe, but we are currently getting ready for the final exhibition of the 37th round, SPOOR. The Dutch word “spoor” can be translated as track, trace, railway, trail, spur, mark, shadow, footprint, imprint, etc. 14 artists were chosen by open call to come to Pilotenkueche. They were chosen, not as a group, but on their individual works. 

Pilotenkueche became the hub that was their intersection. Many used the time here to experiment and try new things. Often these experiments were a result of what other artists were doing around them. They were also in reaction to their common environment: Leipzig.

photos by Pilotenkueche International Art Program

How have the artists translated their perceptions of their experience here into pieces that the public can see? Will it be clearly visible to the viewer? Will you be amused, enraged, empowered, curious, saddened, pleased, transported? We hope you will be moved.

We are proud to announce that your experiencing of the artworks will be enhanced at the vernissage by musicians Izabela Kałduńska (violin) and  Elif Murat (piano) who will be playing original compositions singularly and electronic dance music as a duo.


SPOOR

Vernissage 
Fri 14 Dec 2018 7PM
Performance by Izabela Kałduńska begins 7.30PM
Performance by Elif Murat begins 8.15PM
Performance by duo begins 9PM

Open
Sat 15 Dec – Wed 19 Dec 5PM – 8PM

International Artists
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artists
Georg Lisek (Leipzig, Germany)
Julia Eichler (Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Assistants
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

speech bubble photo ines

In progress: Speech Bubble

Artistic endeavour can develop in a number of ways. However, it often follows a certain pattern. In the beginning one doodles and experiments with materials. Acutely aware of their surroundings, one must be open to experience in order to be inspired. There comes a point where there is something to say. This motivates the artist to use techniques old and new to create.

The artists of the 37th round are ready to talk! Speech Bubble opens Friday 23 Nov at the Alte Handelsschule. The voices of 14 artists join to create a chorus without losing their individuality. The large scale of the shabby chic auditorium has enabled the artists to work larger and the result is breathtaking. There are just a few final touches to make before it’s perfect for you.

all photos by Pilotenkueche International Art Program

We are pleased to announce that violinist Izabela Kałduńska will perform THE NEW SOLARISM at the vernissage. Although classically trained, in her new solo project she experiments with her instrument to find new ways of creating what she calls “dreamscapes.” Supported by a loop station, she will explore the tension between romance and darkness. 


SPEECH BUBBLE
PK @ Alte Handelsschule

facebook event

Vernissage: Fri 23 Nov 2018 7PM
Performance: Fri 23 Nov 2018 8PM
THE NEW SOLARISM by Izabela Kałduńska (Gdańsk, Poland)
violin, loop station

Open: Sat 24 Nov – Thur 29 Nov 1PM – 5PM
Finissage: Fri 30 Nov 7PM

International Artists
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artists
Georg Lisek (Leipzig, Germany)
Julia Eichler (Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Assistants
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

Graphic Design
Ines Alberty

PK coordinator
maeshelle west-davies

In progress: Rutschbahn

With much excitement we are happy to announce we are almost ready for tomorrow’s vernissage of Rutschbahn. It’s been a busy week for sure, but preparation has been going on for much longer. I guess you could say that we’ve been preparing all our lives. 

Yes, anyone can learn skills, but few can allow themselves to be open to suggestion and create something from that. It is this gift that the artists of the 37th round have been using to get ready for Rutschbahn (German for playground slide). It is this childlike innocence that they’ve been able to tap into in order to climb the ladder and slide into the unknown.

photos by Pilotenkueche International Art Program

Challenged by the curator to interact and engage with  the unique space that Krudebude is, the works are often playful. Alongside that lightness comes precarity. Some in reaction to life experiences and others in response to the fine balance between stability and ruin that the space finds itself in. 

As Nicholas Adamson, one of the artists, so elegantly put it, 

The title ‘Rutschbahn’ invites one to ‘play’, or to return to an innocent state of mind. As artists, we engage in this uninhibited state when we create work. But at the end of the day, we ultimately must return to the so-called ‘real world’. This body of work navigates around these opposing visions to occupy the space in between work and dream, object and figment, and reality and fantasy. 


Rutschbahn // PK @ Krudebude

Vernissage Fri 16 Nov 2018 7PM
Performance Fri 16 Nov 2018 8PM
IT CONCERNS YOU by Reinhold Ponesch and Tamaki Kawaguchi

Open Sat 17 Nov – Wed 21 Nov 5PM – 8PM
Finissage Thur 22 Nov 2018 7PM

International Artists
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Jan Yongdeok Lim (Utrecht, Netherlands)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)

Local Artist
Julia Eichler (Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

Assistants
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)

Graphic Design
Elias Emtanes

PK coordinator
maeshelle west-davies

It concerns you: Reinhold Ponesch and Tamaki Kawaguchi. artists at Pilotenkueche Art Program perform at opening of "Rutschbahn" at Krudebude. 16 Nov 2018

It concerns you: Reinhold Ponesch and Tamaki Kawaguchi

Today’s culture is youth obsessed. But no matter how much we exercise, no matter how many anti-aging creams or plastic surgeries we have, there is no escaping time. Reinhold Ponesch and Tamaki Kawaguchi’s collaborative performance, IT CONCERNS YOU, addresses the unavoidable and taboo issue of dependency due to the aging process.

Ponesch portrays an elderly person who has become physically debilitated. Kawaguchi teeters between being mentally incapacitated and being the puppeteer that is time itself. Wearing a protective raincoat, Ponesch finds himself trapped in a box. As he tries to escape, Kawaguchi paints his raincoat and the latex walls of the box as he presses against them. Throughout the performance, elements of physical and psychological deterioration are revealed. Onlookers are invited to engage by responding to unexpected questions. The piece includes painting, video, dance, installation and movement inspired by Noh Theatre. 

  • Noh (能 ), derived from the Sino-Japanese word for “skill” or “talent”, is a major form of classical Japanese musical drama that has been performed since the 14th century.

This work has an autobiographical nature as Ponesch lost his father to Alzheimer’s last year. Considered a turning point in his career, Ponesch was moved to rethink death as a new beginning. The experience created a new desire for reconnection with his father and with his own inner being. IT CONCERNS YOU  is a reflection on this theme. On a personal level, the performance is a way for Ponesch to bond with his father. On a broader scale, he hopes that sharing it with other people will touch them in some way. Although the work stems from a particular situation, it embraces a common theme that we will all have to deal with at some point. 

 

The piece will be performed at the vernissage of Rutschbahn, the second in a series of four shows featuring the artists of the 37th round at Pilotenkueche Art Program. It was on a visit to Krudebude, where the show will take place, that Ponesch had the idea of making a collaborative performance with fellow artist Kawaguchi. At a first glance,  their work appears to be quite different. A closer look reveals a recurrent common thread: human interaction.

With a history in painting and installation, Reinhold Ponesch has chosen to explore “borders” by using different media whilst at Pilotenkueche. Although academically trained, Ponesch believes the real craft comes from trial and error. In his creative process, he describes two of his production methods: the first one has to do with an idea that is thought out in advance and then implemented directly onto the canvas. The second one is more related to fruition: to unconsciously let strokes and colours lead him to the final oeuvre. The artist also believes that objects can create extensions to his paintings. In his words, installations open a new spectrum of creativity, which sometimes can feel limited by only using paint.

Tamaki Kawaguchi is a painter and performer. Isolation and alienation are the keywords for her work. Wearing white overalls and masks to hide her identity in her performances, Kawaguchi puts herself inside a cubicle, which she often describes as her canvas. Kawaguchi questions the disappearance of the artist behind the work. By revealing the making of it, the production process becomes the final artwork itself. The actions take place in different contexts: parks, art galleries, among crowds or into natural landscapes. In presenting herself as a human being in these environments, Kawaguchi acknowledges her fate to work alone, even when performing communicative art.

In addition to the performance piece, It Concerns You, both Ponesch and Kawaguchi will join other International artists in showing individual works during Rutschbahn. 

written by curator Viviane Tabach


Rutschbahn at Krudebude

Vernissage Fri 16 Nov 2018 7PM
Open Sat 17 Nov – Wed 21 Nov 5PM – 8PM
Finissage Thur 22 Nov 2018 7PM

International Artists

Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci  (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Jan Yongdeok Lim (Utrecht, Netherlands)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)

Local Artist
Julia Eichler (Halle, Germany)

Curator
Viviane Tabach (São Paulo, Brazil)

In progress: I accept the cookies

People come to art residencies for all  kids of reasons, but those reasons all come back to one thing: work. First and foremost artists want to create. This may be influenced by what they experience here. It may include collaboration with other creatives they have met here. It always includes a progression of impressions in reaction to their new environment. These impressions are often overlooked. In the first show of the 37th round, I accept the cookies, we want to invite you into this secret world.

The artists have been here for a month now. During this time we have been having consultations and closely following their work: both past and current. This was imperative in deciding which pieces would be included in our upcoming shows.

We are currently installing I accept the cookies. It will include works from the entire group. In fact, the salon style hanging was chosen to show how the works correlate and create one single work. The open plan industrial loft studios at Pilotenkueche make it easy for artists to interact if they want to. This group of artists is feeding off each other and taking advantage of the randomness that has them in Leipzig at the same time. They understand this gift. 

photos by Pilotenkueche Art Program

I Accept the Cookies will be presented at the Ping Pong Kunstraum. “The title came up as an unpretentious wordplay with the new pilots at the kitchen (the artists at the Pilotenkueche!), baking some cookies and/or being the cookies and also makes reference to the pop-up window you have to accept to continue navigating online. This exhibition does not approach internet issues, but the situation of compromising your privacy in order to access content. In this case, privacy can be understood as the process: the artists unveil their process to the audience. This exhibition is the gateway to the contents you will see in the three following shows.” Vivian Tabach, guest curator.

Come meet the artists. They are a friendly bunch. And, yes, there will be cookies for you to accept.


I ACCEPT THE COOKIES
Kunstraum PING•PONG

Helmholtzstraße 1
04177 Leipzig, Germany

Vernissage: Thur 01 Nov 2018, 19h
Open: 02 – 04 Nov  17-20h

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International Artists:
Ai Ikeda (Montreal, Canada)
Barry Amey (Cornwall, UK)
Buket Savci (NYC, USA)
David Benarroch (Tel Aviv, Israel)
Robert Finn Curry (Madison, Wisconsin, USA)
Jan Yongdeok Lim (Utrecht, Netherlands)
Luca Arboccò (Turin, Italy)
Mihyun Maria Kim (Edmonton, Canada)
Nicholas Adamson (Winnipeg, Canada)
Reinhold Ponesch (Vienna, Austria)
Tamaki Kawaguchi (Osaka, Japan)
Yuuki Horiuchi (Tokyo, Japan)

Local Artist:
Julia Eichler (Halle, Germany)

Curator:
Viviane Tabach (São Paulo, Brazil)

Assistants:
Elias Emtanes (Leipzig, Germany)
Ines Alberty (London, UK)