Author Archives: Brodie Weir

Re-View: “Architecture of Experience” // 06.05.18

On Thursday, some of our pilots had a joint exhibition at an experimental art space in Lindenau. We had a wonderful time in the show space, featuring paintings, installation and illustration from three of our residents. 

We would like to thank the gallery owner Marcel Noack of Ping-Pong for his collaborative spirit!

All Photos by Pilotenkueche

Opening: 06.09.2018, 19h
Open: 06.09.2018, 19-22h; 07.09. – 09.09.18, 17-20h
Location: Ping Pong, Helmholtzstraße 1,
04177 Leipzig, Germany

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Links

International residents
Lily Cummins (Drawing, Installation; Darlinghurst, Australia)
Nathan Jay Brooker (Painting; Perth, Australia)
Simona Reisch (Photography; Vienna, Austria)

Curator
Vanessa Souli (Writer, Artist Manager; Berlin, Germany / Greece)

Assistants
Alex Davidson (Social Media, PR, Promotion; Edinburgh, UK)
Brodie Weir (Art Management, Art History; Orwell, UK)

Marcel Noack (Gallery Owner; Leipzig, Germany)
Ping Pong

Exhibition Setup PING PONG // Opening 06.09.18

After two months of the program, some of our residents are preparing the second exhibition of the current round. Supported by the curator Vanessa Souli, they are in the phase of completing their individual projects and setting up “Architecture of Experience” in the art space PING PONG.

All photos by Pilotenkueche.

‘Architecture of Experience’ is the second show of a selected number of artists, current residents of the 36th round of Pilotenküche Art Program. How does architecture influence our experiences and emotions and how does space facilitate or hinder our lives as human beings and as artists? The exhibition showcases curated works which comment upon the relationship between spatial structures and emotional experiences, either literally or metaphorically.

Opening: 06.09.2018, 19h
Open: 06.09.2018, 19-22h; 07.09. – 09.09.18, 17-20h
Location: Ping Pong, Helmholtzstraße 1,
04177 Leipzig, Germany

Find the event on Facebook

International residents
Lily Cummins (Drawing, Installation; Darlinghurst, Australia)
Nathan Jay Brooker (Painting; Perth, Australia)
Simona Reisch (Photography ; Vienna, Austria)

Curator
Vanessa Souli (Writer, Artist Manager; Berlin, Germany / Greece)

Assistants
Alex Davidson (Social Media, PR, Promotion; Edinburgh, UK)
Brodie Weir (Art Management, Art History; Orwell, UK)

Artist Talks: “Space Chorus” // 30.08.18

Here are a few impressions of this weeks artist talks at the Alte Handelsschule exhibition Space Chorus with the latest residents from the UK, Israel, Japan, China, Australia, Argentina and the US. We gained an insight on the current approaches at our studios, highlighting diverse methods of negotiation between space, object, and interpretation. This round has an interest in reinterpreting tradition, pinching social norms, and using interdisciplinary methods in ways that are both playful and sincere. 

All photos by Pilotenkueche

For those who were unable to attend, feel free to join us at the Finissage on August 31st at 19:00h! 

We are excited to show you what we have been working on this round, and hope to see you there!

Artists

International residents
Ando Saori (Performance, Choreography, Video, Photography; Osaka, Japan / Bielefeld,
Germany)
Arabella Hilfiker (Painting, Printmaking, Book Art; Cambridge, UK)
Chelsea Markuson (Installation, Drawing, Performance; East Lansing, Michigan, USA)
Curtis Welteroth (Installation, Painting; Pittsburgh, Pennsylvania, USA)
Jing Tan (Sculpture, Performance; China/London, UK)
Josefina Maro & Salvador Marino (Performing Arts, Digital Arts; Cordoba, Argentina)
Lily Cummins (Drawing, Installation; Darlinghurst, Australia)
Maya Perry (Drawing, Animation, Sound; Tel Aviv, Israel)
Nathan Jay Brooker (Painting; Perth, Australia)
Simona Reisch (Photography ; Vienna, Austria)
Zoe Trilnick Farji (Collage, Mixed Media, Poetry ; Buenos Aires, Argentina)

Local Participants
Beate Körner (Performance, Conceptual; Leipzig, Germany)
Undine Bandelin (Painting; Leipzig, Germany)

Curator
Vanessa Souli (Writer, Artist Manager; Berlin, Germany / Greece)

Assistants
Alex Davidson (Social Media, PR, Promotion; Edinburgh, UK)
Brodie Weir (Art Management, Art History; Orwell, UK)

 

Artist Spotlight: Lily Cummins

In this series, we present artists currently working in our studio. Today, we introduce you to Lily Cummins.

Australian artist Lily Cummins works with a combination of abstract and recognisable forms, questioning the idea of representation and creating a dream-like patchwork of memory.

Since coming to Pilotenkueche her way of working has changed. Away from her previously muted palette she is now experimenting with striking combinations of sickly yellows, greens and pinks; colour that reject the obvious harmony within art but still work in their own approach. Her work seems to have an ambiguous narrative, conceived through repeated forms and structures. The text, characters and settings are all aspects which the viewer can relate to, but simultaneously struggles to make sense of; as though trying to recall a memory. 

All photos by Pilotenkueche

Similar to how memories are erased or distorted, her work explores a similar process. Figures are drawn and then redrawn, text written only to be crossed out and painted over leaving it barely legible to the viewer. “When you look back on a memory it’s not always clear,” she mentions, “I have a cat at home, so currently the cat is a strong image,” where as human figures in her work can appear anonymous, perhaps something more distant.

As well as creating work for the final show, Cummins has been selected (along with two other residents) to exhibit in our smaller group exhibition at Ping Pong – Architecture of Experience. For this, she is hoping to continue with her smaller works to create an accumulative install, presenting a new body that will stand out against her previous larger scale work. 

Links:

Architecture of Experience on Facebook

Corporal Temperature on Facebook

Lily Cummins

Re-View: “Space Chorus” // 17.08.18

Here are some impressions of our first preview show of the 36th round. Thank you to all the attendees, artists, and friends, as well as organizer Barbara Röhner for this exhibition at Alte Handelsschule, which presented a range of our Pilots’ work after a month and a half in the program. For those who were unable to attend, feel free to come by during opening hours or join us at the Finissage on August 31st at 19:00h! 
We are excited to show you what we have been working on this round, and hope to see you there!

Impressions:

All photos by Pilotenkueche

“Space Chorus” / international group exhibition

Opening:  17.08.18, 19h
Open:  18.08 – 30.08.18, 17 – 20h
Finissage: 31.08.18 19h
Location:
Alte Handelsschule, Gießerstraße 75, 04229 Leipzig, Germany

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Artists

International residents
Ando Saori (Performance, Choreography, Video, Photography; Osaka, Japan / Bielefeld,
Germany)
Arabella Hilfiker (Painting, Printmaking, Book Art; Cambridge, UK)
Chelsea Markuson (Installation, Drawing, Performance; East Lansing, Michigan, USA)
Curtis Welteroth (Installation, Painting; Pittsburgh, Pennsylvania, USA)
Jing Tan (Sculpture, Performance; China/London, UK)
Josefina Maro & Salvador Marino (Performing Arts, Digital Arts; Cordoba, Argentina)
Lily Cummins (Drawing, Installation; Darlinghurst, Australia)
Maya Perry (Drawing, Animation, Sound; Tel Aviv, Israel)
Nathan Jay Brooker (Painting; Perth, Australia)
Simona Reisch (Photography ; Vienna, Austria)
Zoe Trilnick Farji (Collage, Mixed Media, Poetry ; Buenos Aires, Argentina)

Local Participants
Beate Körner (Performance, Conceptual; Leipzig, Germany)
Undine Bandelin (Painting; Leipzig, Germany)

Curator
Vanessa Souli (Writer, Artist Manager; Berlin, Germany / Greece)

Assistants
Alex Davidson (Social Media, PR, Promotion; Edinburgh, UK)
Brodie Weir (Art Management, Art History; Orwell, UK)

Artist Spotlight: Arabella Hilfiker

In this series, we present artists currently working in our studio. Today, we introduce you to Arabella Hilfiker. 

Working with paint, text and print Arabella documents the relevance of everyday life within the bigger picture of the human experience. Her work is a collection of images, thoughts and opinions, which manifest themselves into a story of their own direction. 

Her focus hasn’t changed since coming to Pilotenkueche, but she is hoping to expand the stories past the paintings through experimentation with sculpture and installation; mentioning puppetry as a particular area of interest. The exploration of this medium reflects the playful nature of her work and continues to encompass the honest and naive humour of the style with which she paints. “Art can be too serious”, she says when discussing the processes behind her work, adding that through personal experience she sees her work as, “something more intuitive” – starting with a sketch and thereafter seeing possible relations to wider themes. 

All photos by Pilotenkueche

Arabella’s current body of work opens the conversation of how we situate happiness within our lives. With the connectivity of the internet becoming increasingly apparent, she cites the recurring motif of the mobile phone as a background presence both in her work and everyday life; something, that without even realising, becomes unavoidable and, “forces us to not be in the present”. 

With our preview exhibition just a few weeks away, we are excited to see Arabella’s upcoming work!

Links:

Arabella Hilfiker 

Artist Spotlight: Jing Tan

In this series, we present artists currently working in our studio. Today, we introduce you to Jing Tan. 

Originally from Shenzhen China, Jing Tan graduated with a Masters degree from Royal College of Art, London, this year. In her previous millinery studies, Jing created elaborate and eccentric hat designs heavily influenced by the idea of magic realism.

For her time at Pilotenkueche however, she is experimenting more with sculpture and installation work, channeling her medium into an abstract response to a specific story from Chinese folklore – The Snail Maiden. Her work plays with the tangibility and displacement of texture as a representation of this female snail form and the domestic role she has been given in the story. Collaborating with both artists and her new Leipzig audience, she hopes to collate responses to the folklore story; specifically the moment when the shell is taken away from the woman, revealing the soft body underneath. 

All photos by Pilotenkueche 

Looking at her studio space is an exciting insight into the way she works and the references she plays with, her own shrine to Snail Maiden culture. Jing is currently working on creating her own slime pigment that she hopes will deform and change throughout the time her work is exhibited.

Jing sees her project during Pilotenkueche as a “research based installation”, asking people to recount memories which they can equate to the shell of the snail being lifted. She explains that her idea initially developed from negative trauma, but she is now looking at individual memory, adding that “sometimes we ignore and to revisit is self healing”.

Jing is hoping to engage with the local people of Leipzig, including into her art subjective responses to this Chinese folklore. If you wish to contact her regarding her work, this can be done via her email or instagram linked below.

Links:
Jing Tan

tj.jingtan@foxmail.com

Artist Spotlight: Curtis Welteroth

In this series, we present artists currently working in our studio. Today, we introduce you to Curtis Welteroth. 

Predominantly working with paint and installation work, Curtis Welteroth presents a comparative between pop culture and his experience as a young, queer, American. Whether it’s his early sculptures of hyperrealism or his more recent, erotic, painterly work; he wishes to trick the eye. Deciphering a personal language between the signifier and the signified, he presents to his audience a Curtis-specific relationship between communication and context. 

All photos by Pilotenkueche

Here in Leipzig, he wishes to “incorporate more painterly aspects of the Northern Renaissance”, into his still life painting and continue to examine the boundaries of semiotics within his work.  Wanting to explore performance as a new form of expression, he is keen to seek a collaborative process with other artists in Pilotenkueche. Through the autobiographical nature of his current work, he wants to open the discussion of a performance “that can continue indefinitely”, allowing himself to experiment with this new medium without any restriction.

Within the Pilotenkueche exhibition schedule, Curtis will be showing at Space Chorus and Corporal Temperature. We look forward to seeing what he comes up with next!

Links:
Curtis Welteroth